New Feature: Playlist Center! Pick a topic and let our playlists guide the way.
By Kristin Ellison | Friday, June 20, 2014
This week, Bert walks us through how to create a top secret manila envelope in Photoshop. He begins by creating a new layer called envelope, draws a rectangle, and fills it with a beige color. He then converts this box to black and white, and applies both a cloud and an emboss filter, which creates the paper texture. Lastly, he goes into hue/saturation and colorizes it to achieve a nice beige color.
By Kevin Stohlmeyer | Saturday, June 14, 2014
Should I save my selection as a Path or as a Layer Mask in Photoshop? I get this question a lot when it comes to creating a silhouette in Adobe Photoshop. The answer ultimately depends on how you answer the following questions.
By Lauren Harmon | Tuesday, April 15, 2014
Uniform strokes can be uniformly dull. But you can transform your vector artwork and give it more of a hand-drawn appearance with Illustrator’s brushes. This week’s episode of Deke’s Techniques takes the Chinese chop you created in the last video and roughs it up a little by assigning brush strokes to paths in Illustrator. Deke shows how to simulate calligraphic lettering and turn your chop into a more authentic-looking stamp, by first transforming the chop into a Smart Object to preserve the original artwork. Click the free video below to get started.
Members of the lynda.com library can watch the two follow-up videos to learn how to to add a paper texture and create a black-on-red variation of their chops. Come back next week to learn how to hide panels that appear by default in Photoshop.
By Lauren Harmon | Tuesday, January 14, 2014
Explore Deke’s Techniques at lynda.com.
Welcome back to Deke’s Techniques and the second step to building your own avatar. Last week you learned how to use Adobe Photoshop’s Pen tool to trace your photograph. This week Deke shows you how to copy your path outlines, paste them into Illustrator, and enhance your drawing there. You’ll learn how to add hand-drawn embellishments (like flowing locks and wide eyes) and align your tracing with your hand-drawn paths. The result: A striking black-and-white avatar that will delight your friends on Facebook and your followers on Twitter.
By Lauren Harmon | Tuesday, January 07, 2014
Embark on the first part of a three-week journey that will lead to your own unique social avatar—a perfect profile pic to represent yourself in the online world. Simply provide your own photograph and follow along with Deke. This episode of Deke’s Techniques shows how to use the Pen tool in Adobe Photoshop to carefully trace your features and edit the anchor points along the way. In the end you’ll have a series of path outlines, which, handily, can later be imported into Illustrator for further refinement.
Watch the free video below to get started and come back next week to learn how to start fleshing out your social avatar in Illustrator.
By David Blatner | Thursday, November 21, 2013
Explore InDesign Secrets at lynda.com.
Adobe InDesign has a few options for stroke endings. But some designers aren’t satisfied with the defaults. In this episode of InDesign Secrets, David Blatner shows how to create a custom arrowhead using a symbol or special font character, anchor it to your path, and make sure the arrowhead moves along with the path as you move or reshape it. If that’s too much work for you, David also shows you an easier way to create a custom arrowhead using InDesign’s sister program, Illustrator. Watch the free video below to get started.
By Lauren Harmon | Tuesday, September 10, 2013
This is week two of technical drawing in Deke’s Techniques, and in this tutorial Deke shows you how to draw the Pen tool icon in Illustrator—without using the Pen tool. In fact, in this technique, he asks you to use the Line Segment tool and some shapes. Then you’ll learn how to fuse the paths together and rotate the illustration. It’s a great exercise in schematic drawing.
By Lauren Harmon | Tuesday, August 27, 2013
Make the subjects of your photos look like they’re moving “faster than light” in this week’s episode of Deke’s Techniques. Learn how to add bright motion trails to silhouetted figures in an image in Adobe Photoshop. You can see similar effects used in advertising and Deke shows you how to achieve it in less than 10 minutes. It’s a great technique that makes use of the Ocean Ripple, Graphic Pen, and Motion Blur filters, plus some good old levels and channel adjustment. Click the video below to start learning.
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