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By Justin Seeley | Wednesday, June 18, 2014

Adobe Creative Cloud 2014: What's New for Designers

Adobe Creative Cloud - 2014 Updates

Today Adobe has announced major updates to its Creative Cloud subscription service. This is known as the 2014 release of Adobe Creative Cloud and included changes to all three pillars of the platform including desktop apps, mobile apps, and services.

By Kristin Ellison | Friday, May 16, 2014

Manipulate Paths with the Blend Tool in Illustrator

Use the Blend Tool in Illustrator

In this week’s Pixel Playground tutorial, Bert shows us how to use the Blend tool in Illustrator to manipulate paths.

His first step is to create one of the vertical slats on the upper portion of the garbage can with the Pen tool, then copy and drag the duplicate to the right. He then bends the top of the left slat outward; this will become the slat farthest to the left.

By Lauren Harmon | Tuesday, April 22, 2014

Auto-Hiding Iconic Panels in Photoshop

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Photoshop’s interface is highly customizable; you can rearrange panels, hide them, and pop panels in and out of your dock at will. Once you open a panel, though, it doesn’t automatically close after you have “done your business.” That can get annoying—fast. Luckily, Deke has a remedy for this minor irritation. In today’s free episode of Deke’s Techniques, he reveals the preference that enables you to collapse iconic panels quickly, by simply clicking anywhere else in Photoshop. (Iconic panels are the ones represented by icons in the secondary panel bar, like Properties, Brushes, etc.) Plus, get a bonus tip on moving around the fields in a panel straight from the keyboard.

By Lauren Harmon | Tuesday, April 15, 2014

Assign Brush Strokes to Paths in Illustrator

Assign brush strokes to paths

Uniform strokes can be uniformly dull. But you can transform your vector artwork and give it more of a hand-drawn appearance with Illustrator’s brushes. This week’s episode of Deke’s Techniques takes the Chinese chop you created in the last video and roughs it up a little by assigning brush strokes to paths in Illustrator. Deke shows how to simulate calligraphic lettering and turn your chop into a more authentic-looking stamp, by first transforming the chop into a Smart Object to preserve the original artwork. Click the free video below to get started.

Members of the lynda.com library can watch the two follow-up videos to learn how to to add a paper texture and create a black-on-red variation of their chops. Come back next week to learn how to hide panels that appear by default in Photoshop.

By Lauren Harmon | Tuesday, April 08, 2014

Create Your Own Chinese Seal in Illustrator

Create your own Chinese seal in Illustrator

You can sign your name to your artwork—or better yet, you can stamp it. In this special episode of Deke’s Techniques, Deke shows how to transform your name into a Chinese seal, also known as a chop.

By James Fritz | Friday, April 04, 2014

Create a Canvas Texture in Photoshop

Create a canvas texture in Photoshop

This week, Bert Monroy wraps up a tutorial series on his digital painting Oyster Bar by showing us how to create a canvas texture from scratch in Photoshop.

By James Fritz | Friday, March 28, 2014

Create a Manhole Cover with Illustrator and Photoshop

Create a manhole cover with Illustrator and Photoshop

This week Bert shows us how to create the realistic manhole cover in his digital painting Oyster Bar—all from scratch using Adobe Illustrator and Photoshop.

By James Fritz | Friday, February 07, 2014

Creating a lamp: Pixel Playground

Creating a lamp in Photoshop

Bert continues his magazine-cover tutorial series this week by focusing on how he created a softly lit lamp within the scene using Illustrator and Photoshop.

He begins in Adobe llustrator, creating a vector outline for the lamp. Once the basic outline has been completed, he pastes the resulting paths into Photoshop to add depth, relief, and texture to the lamp. After adding some layer effects to flesh out the base, he finishes by adding a texture to the shade, and a glowing light underneath it for a final touch of realism.

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