By Ashley Kennedy | Sunday, October 12, 2014
Film editor Danniel Daoud was screening a cut for his director recently when missiles began striking less than 2 kilometers away. Danniel turned up the volume of his speakers to drown out the incredible blasts.
“I moved the audio sliders up so the directors wouldn’t hear the sounds—so they are not scared,” said Danniel*. “I tell them it is more safe inside than in the streets. This is what parents do for their children, as well.”
Danniel lives in Syria—a country currently entrenched in international crisis and civil war. Not only must he live among threats of physical violence, but as a creative professional, he must also deal with stifling restrictions imposed upon his country by other countries because of Syria’s complex ties to war and terrorism.
By Ashley Kennedy | Wednesday, October 01, 2014
This week kicks off my new Video Post Tips Weekly training series, covering all-things-post-production.
Each Wednesday, I’ll teach a specific technique or workflow—but I’ll be covering it in multiple nonlinear editing (NLE) platforms like Premiere Pro, Final Cut Pro X, and Avid Media Composer. This is a great opportunity for you to just watch the movie(s) applicable to your preferred NLE—or you can watch each movie and start to build a vocabulary for how other NLEs tackle similar operations.
It’s my goal to make the series a cross-pollination of editing tips that familiarizes editors with a wide variety of techniques and software.
This week’s topic, master clip effects, explores a really exciting development in editing that allows you to correct or stylize your clips right at the master clip level—rather than applying effects to individual clips in your Timeline. Specifically, we’ll be looking at how to do this in Premiere Pro and Final Cut Pro X.
By Jim Heid | Saturday, June 21, 2014
Frank Lloyd Wright used to say there are two kinds of people: nesters and perchers. Nesters like to be tucked among woods; perchers prefer being high atop hills.
I’m a percher, especially when I’m on the road. In hotels, I always try to score an upper-floor room with a view. It’s great for cityscape photography and for one of my new photographic interests: time-lapse photography.
Inspired by Richard Harrington’s courses on time-lapse photography and on the GoPro HERO cameras, I’ve begun taking my GoPro camera and its suction-cup mount with me when I travel. When I check in to a room with a view, I know there’s a time-lapse movie in my future.
On a recent trip to Boston, my wife and I scored a room on the 36th floor of a hotel in the city’s historic Back Bay neighborhood. With views of Copley Square, the Hancock Tower, and some of downtown Boston’s busiest streets, it was a perfect perch for shooting this time-lapse video.
By Robbie Carman | Friday, February 07, 2014
Explore DSLR Video Tips at lynda.com.
Last week Rich and I explored a multi-camera workflow process in Adobe Premiere Pro CC. This week, we’ll take a look at the same workflow using Apple’s nonlinear editing software Final Cut Pro X. We’ll dive into the Final Cut Pro X workspace and show you various processing methods for multi-camera footage and the basics of multi-camera editing.
This week you’ll learn how to
• Post-process multi-camera footage in Final Cut Pro X
• Organize multi-camera shots in Final Cut Pro X
• Synchronize audio from multi-camera shots using click tracks
• Edit multi-camera footage in Final Cut Pro X
By Rob Garrott | Monday, December 23, 2013
On Thursday, Dec 19, Apple released an important new update to Final Cut Pro X, its flagship editing program. The update is free for all current users of FCP X and available through the Apple App Store. We’re updating our Essential Training course to include this version. In the meantime, here’s a rundown of things you need to know about the update.
First, FCP X 10.1 requires OSX Mavericks, so if you’re on an older system, you’ll need to download and update Mavericks before you can update FCP X. Mavericks is also a free update from Apple, and we’ve got a great course to get you up to speed with the new features of this latest OS from Apple. As with all updates, it’s crucial that you back up your important data before proceeding. I’ve had no problem on my system, but there have been reports of problems with Mavericks upgrades, and it’s always better safe than sorry!
By Robbie Carman | Friday, December 20, 2013
Give your video footage that dramatic “film” look by diving into some color-correction and effect features of Final Cut Pro X in this week’s DSLR Video Tips with Rich and Robbie.
You’ll learn about
• The tools: Get to know the tools in Final Cut Pro X that can help you achieve a film look with your video footage.
• The post-processing: Learn how to use those tools to create a stylized film look with Final Cut Pro X.
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