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By Lauren Harmon | Tuesday, July 01, 2014
Möbius strips: the stuff of wonder. A favorite of Escher and other pop artists. The shape that launched a thousand armchair philosophers.
It’s a flat loop with two sides—but only one continuous surface. The best example is a long strip of paper, like a streamer, that is twisted once and then looped. If you were small enough (or the strip large enough) to walk along the surface, you would traverse both sides of the paper without ever crossing the edge.
This week Deke shows you how to create an even more complex variation of a Möbius strip, which wraps around on itself a total of six times.
By Kristin Ellison | Friday, June 27, 2014
This week, Bert walks us through turning a photo of a sugar donut into a jelly donut with a bite taken out of it.
His first step is removing the donut’s hole, so he selects the clone tool and clones from different areas of the donut to get a random effect with no duplication. Next, to create the bite effect, he clones from the background to remove that section of the donut and roughs out the edges.
By Lauren Harmon | Tuesday, June 24, 2014
Last week Deke showed you how to turn a portrait into a crazy carnival-style caricature with Photoshop. This week, he’ll show you how to mask that caricature onto a more dramatic background using the Color Range command, Quick Mask mode, and a layer mask.
By Garrick Chow | Monday, June 23, 2014
Most people have dozens if not hundreds of fonts installed on their computers in the form of serif, sans-serif, mono-spaced, and script fonts. But an often overlooked font type is the dingbat font.
On the computer you’re using right now, especially if you have a version of Microsoft Office installed, you probably have at least a handful of dingbat fonts available, such Webdings, Wingdings, or Zapf Dingbats.
Unlike other types of fonts, which are collections of letters, special characters, and punctuation marks, dingbat fonts are collections of unique non-letter ornaments, symbols, or shapes. You’ve most likely checked out the dingbat fonts while trying to format a document, only to quickly dismiss them when you found there were no letters in those fonts.
By Anne-Marie Concepción | Thursday, June 12, 2014
Need to place text (like a caption) over a busy image? Don’t strain your readers’ eyes.
Ghost the area behind that text—with InDesign. In this week’s InDesign Secrets, Anne-Marie Concepción shows you how to add a low-opacity fill to text frames that makes type easier to read, while still revealing a hint of the image beneath it. Ghosting an image isn’t spooky; it’s just a great trick.
Watch this week’s free movie, and check back next week for more InDesign Secrets.
By Kristin Ellison | Friday, June 06, 2014
Last week Bert showed us how to create an animated theater curtain. This week we’ll learn how to add a spotlight to the scene and animate the rising of the curtain to reveal a presentation behind it.
By Mike Rankin | Sunday, April 20, 2014
In this article, I’ll review some of the basic information about fonts and how to manage them for best results, with information from my course Font Management Essential Training.
Many of us think of fonts as simply the text-styling tools in our font menu—things like Helvetica Light, Cooper Black, Arial Narrow, and Zapf Dingbats. But fonts are much more than choices in a menu.
Ellen Lupton said, “Typography is what language looks like.” If this is true, then fonts are the tools we use to make language visible and enhance its meaning in type. And what amazing tools they are!
By Lauren Harmon | Tuesday, April 08, 2014
You can sign your name to your artwork—or better yet, you can stamp it. In this special episode of Deke’s Techniques, Deke shows how to transform your name into a Chinese seal, also known as a chop.
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