By Scott Erickson | Thursday, October 09, 2014
As thousands of Adobe MAX attendees streamed to their sessions this week at the Los Angeles Convention center, they were greeted at the top of the stairs by an impressive new piece of art from digital artist Bert Monroy.
From a distance it looks like a simple photograph of a canal in Amsterdam on a foggy day—but when you get closer and see the intense amount of detail at every level, you realize this is no photograph. Every pixel in this giant image was created from scratch in Adobe Photoshop.
By Lauren Harmon | Tuesday, October 07, 2014
Don’t let the sun set on another dull photograph. Deke shows you how to pump up the drama of your sunrise and sunset photos with the power of Adobe Camera Raw.
Don’t have Camera Raw? The instructions in this free episode of Deke’s Techniques also work with Lightroom.
By Terry Lee Stone | Tuesday, October 07, 2014
When you develop creative solutions for a client, you’re generating answers to whatever problem was described in the creative brief. When you’ve reached a point at which client feedback or approval is required, it’s time to present the work to your client and see if you’ve hit the mark.
As most experienced creative folks will confirm, even the most brilliant work won’t really “speak for itself”—not entirely, at least.
When you’re presenting to clients, how you show your creative work might just be as important as the work itself.
By Anne-Marie Concepción | Thursday, October 02, 2014
Creating your headers and footers at the master page level? It’s a good first step to keeping repeating elements like these consistent, when working with long documents in InDesign.
But have you made sure your header and footer content is legible on every page? Small details like page numbers can be easily obscured by images and background colors.
In this episode of InDesign Secrets, I show you two quick tricks to keep your master page content visible on every page.
By Lauren Harmon | Tuesday, September 30, 2014
Every picture your child makes is a work of art. (Of course!)
But storing these precious drawings and paintings can be a pain. The colors fade, the paper disintegrates, and storage space in not infinite—no matter how talented your little artist is.
Happily, you don’t have to toss those paintings. With the help of Adobe Photoshop, you can move artwork off the fridge and onto the web.
By David Blatner | Thursday, September 25, 2014
This week’s free InDesign Secrets tip is about indexing in InDesign—but it’s really about solving another common design need: a custom table of contents.
By Lauren Harmon | Tuesday, September 23, 2014
Get prints of classic paintings for your home—without resorting to thievery or forgery—in this week’s free episode of Deke’s Techniques.
Deke explains the law behind reproductions of works that have fallen out of copyright, like the 1435 painting featured in this video, Saint George Killing the Dragon. The painting itself belongs to the Chicago Institute of Art, where Deke snapped a picture of it, but the image—well, as Deke says, the image “belongs to everybody!” So your conscience can rest easy following along with the instructions in this video.
By Anne-Marie Concepción | Thursday, September 18, 2014
One of the most common problems designers find in InDesign layouts they receive is inconsistent text styling.
For every type of formatting in your documents, there should be a corresponding paragraph or character styles. Unfortunately, many times editors will simply override the style and apply italics, emphasis, or some other formatting locally. But when you open the Character Styles panel, those little “Override” pluses are the last thing you want to see.
Luckily, there are two ways to find and fix local formatting—even in an extremely long document—in InDesign.
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