By Scott Fegette | Friday, October 10, 2014
Mobile apps aren’t just for play anymore. Adobe’s newest release of the Creative Cloud brings its cornerstone desktop creative applications a new, integrated way of expressing your creative vision.
By Justin Seeley | Monday, October 06, 2014
The Adobe MAX 2014 conference is in full swing this week in Los Angeles, and in Monday morning’s keynote Adobe unveiled a whole new suite of mobile apps alongside updates to existing Creative Cloud desktop apps.
Let’s examine some of the bigger new features, and show you how they’ll impact your digital workflow.
By Scott Fegette | Monday, October 06, 2014
At the MAX conference in Los Angeles, this morning, Adobe announced a huge update to its popular design apps—and we’ve already got training so you can hit the ground running with the new features and shared workflows in Creative Cloud desktop apps.
By Chris Meyer | Wednesday, April 02, 2014
In preparation for the 2014 NAB Show, Adobe has begun previewing new features slated for the next release of their video applications. I’ve had a chance to work with the upcoming version of After Effects CC, and I’m working on a new chapter for our After Effects: Creative Cloud Updates course to demonstrate them. In the meantime, I wanted to tell you about some of the goodies planned for this release.
Adobe Premiere Pro integration
A main focus of Adobe’s upcoming releases is to strengthen the integration between After Effects and Premiere Pro, making it easier for a Premiere editor to tap into AE’s power. To that end, Adobe is introducing Live Text Templates, allowing you to create a composition (or chain of compositions) that includes text layers; lock the layers you don’t want the editor touching (e.g., the title of a show); and leave the layers you do want them to edit unlocked (such as a name in a lower third). You can then designate the project and this comp as a Template in Composition Settings.
By Chris Meyer | Friday, March 28, 2014
We’d all love to work on big-budget video productions where we could shoot any footage we wanted, but in reality many jobs are on small budgets and tight schedules. You may not have the time to get the lighting setup just right, or you have to make do with someone else’s B-roll, or what if you really should have used a tripod or a stabilization rig with that handheld shot? Regardless, your client is expecting you to spin their straw into gold—without hurting the schedule or budget.
We’ve been there, too. That’s why we’ve developed a set of quick-and-easy techniques to enhance the production value of already-shot footage, and distilled them into our latest course, Adobe Premiere Pro and After Effects: Enhancing Production Value. These techniques—from tinting footage to change the mood or unify a series of unrelated shots, adding a filmic glow, and simple white balancing to compositing lighting effects shot on black, stabilizing handheld shots, and even changing lighting in already-shot scenes— take only a few minutes to learn and execute, with results ranging from subtle to dramatic.
By Chris Meyer | Tuesday, March 25, 2014
In December, Adobe released another incremental update to its video software, including After Effects CC. As a motion graphics artist, there were a couple of major updates to After Effects features that caught my eye. As a result, I updated my lynda.com After Effects: Creative Cloud Updates course with a new chapter that covers these features. Here’s my quick take on them.
By Justin Seeley | Thursday, January 16, 2014
Adobe Creative Cloud members will have a nice surprise waiting for them when they fire up their computers today as Adobe is pushing a big round of updates to both InDesign and Illustrator CC. Below are a few of my favorite new features in these two products, and why I think they’ll be a big deal for creative professionals going forward. (If you’re also interested in recent updates to Photoshop CC, be sure to check out Deke McClelland’s Photoshop Creative Cloud Updates, Chris Orwig’s course Photoshop for Photographers Creative Cloud Updates, and Ryan Kittleson’s blog post on Photoshop’s new 3D printing features.)
Illustrator gets the biggest update today with the addition of features like Live Corners, revamped shape manipulation, and a brand-new Pencil tool. Users who previously found Illustrator’s drawing tools cumbersome or difficult to use now have a whole new way to work and create shapes within Illustrator.
By Ryan Kittleson | Thursday, January 16, 2014
3D printing is a lot like bacon: Everyone’s talking about it these days—and it’s popping up in places you wouldn’t expect. The latest news is that Adobe Photoshop CC’s new release includes 3D printing tools.
I’m creating an upcoming course on these new features for lynda.com. As I started researching them, I was admittedly skeptical. Having worked with more advanced 3D software like Maya (check out my lynda.com course on modeling for 3D printing with Maya), I thought Photoshop’s previous 3D tools felt rather bolted-on. So it was with cautious optimism that I looked into Adobe’s plans. What I found was pleasantly surprising—including some features that have been lacking in more specialized 3D printing software.
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