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By Lauren Harmon | Thursday, May 08, 2014
When you edit images in other programs like Photoshop, InDesign will often re-scale the image when it realizes there was a change. In most cases, this is perfectly appropriate behavior. But sometimes you don’t want scaling. The good news is that InDesign offers a file handling preference that lets you dictate how it treats relinked images. Watch this week’s free episode of InDesign Secrets to learn how to change this preference and preserve the dimensions of edited images.
By Anne-Marie Concepción | Thursday, May 01, 2014
Some typefaces don’t offer a bold or italic font, but that shouldn’t stop you from adding emphasis to text. Sometimes you have to cheat to get what you want. And InDesign is the ace up your sleeve.
InDesign allows you to bend the rules and fake bold and italic text with typefaces like Andale Mono and Dingbats. In this week’s episode of InDesign Secrets, Anne-Marie Concepción shows you how to use the Skew and Shear options to angle text and add an additional stroke to create bold type. Watch this week’s free episode of InDesign Secrets to learn more.
By Anne-Marie Concepción | Thursday, April 17, 2014
Regular InDesign users often build a bank of custom settings: workspaces, scripts, keyboard shortcuts, PDF presets, font sets, and even Find/Change queries. These settings are too valuable to lose in a crash and too important to leave behind if you move to a different computer.
By David Blatner | Thursday, April 10, 2014
Ever export a PDF from InDesign and end up with a much larger file than you expected? Why are PDFs sometimes so much larger than they need to be?
By Anne-Marie Concepción | Thursday, April 03, 2014
Ever see a great text treatment and wonder if it’s an image or actual live type? You too can fool the eye and create type that looks like a work of art—and then customize it to fit any frame.
By Lauren Harmon | Thursday, March 27, 2014
Do you want to make your headlines pop? Reverse type—light text against a dark background—is a good design choice. Readers are predisposed to seeing dark text on a light background, so the opposite effect is quite eye-catching. Although reverse type is a pretty standard design element at this point, you can make the effect fresh again with additional ornamentation. This week in InDesign Secrets, David Blatner shows how to use paragraph rules (both the Rule Above and Rule Below options) to add rounded caps, cutouts, and patterns to the backgrounds behind your type. He also shows how to build the rules into a paragraph style that you can reuse again and again throughout your documents.
By Anne-Marie Concepción | Thursday, March 20, 2014
When you’re embedding a video in an interactive document, like an SWF or a PDF, you often want to call attention to certain events in the video. With navigation points, you can jump readers to certain time codes with the click of a button. In this episode of InDesign Secrets, Anne-Marie Concepción shows how to add navigation points with InDesign’s Media panel and link them to ready-made buttons (complete with rollover states) from the Button library. You can then assign video-specific actions and export your document to an interactive format—and you’re ready to go.
By David Blatner | Thursday, March 13, 2014
The best designers try to get the most use out of every InDesign document. They avoid recreating documents to accommodate small variations. In this episode of InDesign Secrets, David Blatner reveals the savvy designer’s trick for creating several different versions of a design, each with different text and images, all stored in a single InDesign file. This technique uses what’s called conditional text, also covered at length in David’s course InDesign Insider Training: Beyond the Essentials. Using conditional text in InDesign is a great way to address different audiences, different languages, different pricing structures, and more, all within the same document. You simply turn on the right condition and export the version of the document you need. Watch now to get started.
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