By Derrick Story | Wednesday, December 17, 2014
Instagram users who update to 6.4.1 have a handful of new filters and a nifty way to manage them.
The latest effects are more subtle than their older siblings, such as the classic Lo-Fi that is heavy handed, to say the least. We have delicate choices such as Slumber, Crema, Ludwig, Aden, and Perpetua. The Instagram update has thoughtfully placed them at the front of your filter list so you won’t overlook them.
Above, I’ve applied Ludwig to my latest post.
By Todd Dewett | Wednesday, December 17, 2014
Have you ever been sitting in a meeting or having a conversation in the hallway when a horribly negative comment is unexpectedly directed at you or a colleague?
It’s not a rare occurrence, unfortunately. In most cases the reaction this produces is honest, negative, and unproductive—but it doesn’t have to be that way.
In this week’s Management Tips, I’ll help you navigate this tricky situation and give you tips on dealing with negativity at work.
By Mark Niemann-Ross | Wednesday, December 17, 2014
When the Internet first made an appearance, it was nothing more than a collection of fixed web pages. Back then, web pages didn’t use external data to build the dynamic sites we now expect as a daily experience. Incorporating real-time data such as finance, weather, updates from friends or the status of a thermostat changed the Internet from a static library of reference materials into a busy highway of information.
Code Clinic Six challenges our authors to use their language of choice to merge data with a web page template.
We’re starting with files created by James Williamson for chapter nine of his Dreamweaver CC Essential Training course, but instead of manually inserting the data into the page, we’re using code to bring the data and the HTML together.
By Lauren Harmon | Tuesday, December 16, 2014
Planning on printing your own holiday portrait this year? Don’t settle for what comes straight out of the camera.
Use this quick Deke’s Technique to brighten, sharpen, and enhance an otherwise nondescript raw snapshot—and make it one of the season’s prettiest memories.
By Carolyn E. Wright | Tuesday, December 16, 2014
The digital world has given photographers many advantages and disadvantages.
The pros: We don’t have to change film after 36 exposures or use harmful chemicals to process prints, and we can show our photos more easily via the Internet.
The cons: It’s much easier for others to copy our images—and they do. In droves. It’s not just the amateur blogger who’s using our photos without permission. Even renowned companies copy photographs to enhance their web pages or to make money directly.
So what can you do about it? You could never share your photos with anyone—but that defeats many photographers’ goals.
Here’s advice on what to do if you have photos stolen and reused without your permission.
By Bonnie Biafore | Monday, December 15, 2014
Good communication plays a big part in successfully achieving your project goals and keeping things running smoothly from project start to finish.
Don’t let poor communication derail your project. Develop a project communication plan so you can get the right information to the right people at the right time.
A communication plan helps your project succeed by:
Here’s the makeup of a communication plan:
By Jeff Carlson | Sunday, December 14, 2014
The cameras in Apple’s latest iPhone models are impressive enough, but it’s the software and behind-the-lens processors that make them shine (see my report from Apple’s iPhone 6 announcement, iPhone 6 and iPhone 6 Plus: the Cameras). That combination is directed at one goal: to make it incredibly easy for anyone to capture good photos and videos.
But there’s a tradeoff. In exchange for on-the-fly automatic processing to create the best image the iPhone can make, you lose many manual controls that are essential for shooting deliberate video. Automatic exposure and focus are wonderful when capturing spontaneous events, but if you’re creating something longer that you expect to edit, having more control over these and other aspects of shooting are key.
Naturally, app developers are all too happy to jump into the frame. FiLMiC Pro is a $7.99 mobile videographer’s dream. Perhaps you saw the recent ad for Bentley Motors, highlighting built-in iPads that rise for the discerning chauffeured passenger (see below)? It was shot entirely on the iPhone 5s using FiLMiC Pro (and assembled in iMovie on an iPad Air; stick around to the last few minutes to catch a behind-the-scenes glimpse at how it was shot).
By Robbie Carman | Saturday, December 13, 2014
You sit down to edit your video and realize your footage wasn’t transferred and your card has been reformatted. Aack! How do you recover your files?
This week on Video Gear Weekly, Rich and I show you how to recover the data from a hard drive or memory card.
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