By Starshine Roshell | Wednesday, March 04, 2015
Meet your favorite lynda.com Video authors in person in April at Post Production World, the world’s leading training event for editors, producers, directors, graphic artists, motion graphics designers, and new media specialists.
By Robbie Carman | Saturday, February 28, 2015
Using a video dolly adds a level of sophistication to any production. It’s an easy addition that can take your footage to the next level—and it doesn’t have to be expensive.
In this week’s episode of Video Gear Weekly, Rich and I roll out different flavors of dollies to show you what you can achieve with them.
By Richard Harrington | Saturday, February 21, 2015
Having back-up batteries is essential when you’re on a shoot, and GoPro batteries are no exception.
Many third-party companies, as well as GoPro, have options available in the marketplace. This begs the question, Which is the best GoPro battery?
This week on Video Gear Weekly, Rich and Robbie put different GoPro Hero4 batteries to the test to see which brand works best.
By Robbie Carman | Saturday, February 14, 2015
Sony, a company known for entertainment systems, movies, and quality cameras, has entered into the action camera world with the Sony HDR-AS15.
Is this the action camera for you?
In this week’s installment of Video Gear Weekly, Rich and Robbie walk you through the ins and outs of the Sony HDR-AS15 action cam.
By Chris Meyer | Friday, February 13, 2015
One of the most common motion graphics jobs is to create a flying logo: taking a client’s flat, two-dimensional print logo, turning it into a 3D object, and animating it onto the screen for a wide variety of video destinations (trade shows, press events, training videos, web and social media, etc.).
This process used to require buying and learning a 3D application, rendering your 3D footage, and bringing it into After Effects (and/or your non-linear editor of choice) to integrate it with your other footage.
Now that CINEMA 4D Lite comes bundled with After Effects and features a direct render path between the two apps, this task just got a whole lot easier.
But there’s still that (not so) little step of “learning a 3D program.” With this in mind, I’ve published a video course to teach anyone—even those with no prior 3D experience—the skills to create a flying logo using After Effects and CINEMA 4D.
In this article, I’ll show you the key steps to create a flying logo effect.
By Richard Harrington | Saturday, February 07, 2015
LED lights have revolutionized lighting.
They’re lightweight and are more versatile than traditional lights. LEDs also operate at a comfortable temperature, making them perfect for use in smaller spaces.
This week on Video Gear Weekly, my guest host Jim Ball and I step you through the benefits of using LED lights for video shoots.
By Richard Harrington | Saturday, January 31, 2015
Having a fully stocked makeup kit is essential during video production. It ensures that you’re prepared to solve problems that are hard to fix in post-production, like fly-away hairs or shiny skin.
In this week’s episode of Video Gear Weekly, guest host Kim Foley and I show you all the elements of a well-stocked video makeup kit—one that will help your on-camera subjects look their best.
By Ashley Kennedy | Friday, January 30, 2015
Let’s face it: Handheld cameras means shaky footage.
And now that every phone, tablet, and digital device seems to shoot video, handheld video comprises a lot of what’s out there.
This week’s Video Post Tips Weekly shows you how to counteract camera shake by stabilizing wobbly footage in Premiere Pro, Final Cut Pro X, and Avid Media Composer.
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