By Robbie Carman | Tuesday, November 11, 2014
When it comes to setting contrast in a shot, DaVinci Resolve has a lot of tools you can leverage.
Some popular tools like curves, the primary sliders, or the 3-Way contrast rings are generally pretty intuitive.
But there are two controls in Resolve that I use all the time to set contrast—and until you’ve had someone explain them and see how they work together, they can remain an enigma.
So let me introduce you to the Contrast and Pivot controls as a powerful way to set and adjust contrast.
By Richard Harrington | Saturday, November 08, 2014
Many cameras on the market have the ability to shoot professional looking video at a low price point. But when shooting on a budget, it’s tricky to find a camera that also can record professional audio.
There are some great third-party accessories and adapters to connect professional microphones to these cameras—and this week on Video Gear Weekly, Robbie and I showcase some of those audio adapters.
By Ashley Kennedy | Wednesday, November 05, 2014
Video editing is like constructing a giant puzzle whose edges and shapes are constantly shifting.
Truly, the major (but fun!) work occurs once you’ve brought clips into the timeline and started making the finer adjustments within this fascinating puzzle. By trimming, nudging, moving, and rearranging your clips, you can tighten up or loosen your edits—thereby accelerating or slowing your viewer’s heartbeat and mind.
In this week’s Video Post Tips Weekly topics, we’ll be examining various video editing shortcuts for moving and manipulating clips in Premiere Pro and Final Cut Pro X.
By Robbie Carman | Saturday, November 01, 2014
DSLRs have paved the way for a plethora of new video cameras.
In this week’s episode of Video Gear Weekly, special guest Nathan Golon and I take you through the ins and outs of the Canon C300.
It’s an easy-to-maneuver video camera that uses the same EF lenses as Canon DSLRs.
By Ashley Kennedy | Wednesday, October 29, 2014
The creative process is exactly that: a process: You try things out, change your mind, make mistakes, and shift your goals.
This happens a lot in video effects editing. You try things and tweak until they’re just right. Then once you’ve got it, you often need to apply the effects to all of your clips en masse.
But there’s a difference between applying effects to many clips at once (which is generally pretty easy) and going back and changing effects of many clips at once (which may not be as intuitive). That’s what we’ll look at in this week’s Video Post Tips Weekly—in Premiere Pro, Final Cut Pro X, and Avid Media Composer.
By Richard Harrington | Saturday, October 25, 2014
Attaching a filter to the front of the lens can help you when shooting in various climates and environments. And while giving your lens an extra layer of protection, lens filters also give you more control over your shot.
This week on Video Gear Weekly, I take you to Dig This! in Las Vegas and back to the studio with Robbie to explain the importance of including filters in your camera bag.
By Ashley Kennedy | Wednesday, October 22, 2014
For newbies, the process of secondary color correction may be reduced to references to the movies Pleasantville or Sin City.
If you’ve seen those movies, you know what I mean; selective colors emerge dramatically from a mostly black-and-white world.
While this may be easiest to understand with such stark differences in color palette, secondary color correction is actually a great tool any time you want to perform color replacement—and most of the time, you’re dealing with much subtler adjustments.
Simply put, it’s when you isolate a range of color, saturation, and brightness values and make adjustments in only that range—with minimal or no effect on the remainder of the color spectrum.
In this week’s Video Post Tips Weekly tutorials, we’ll take a look at how to perform secondary color correction in both Premiere Pro and Final Cut Pro X.
By Richard Harrington | Tuesday, October 21, 2014
Ready to put together your GoPro time lapse? Try GoPro’s free non-linear editor, GoPro Studio.
Not only can you stitch your time lapse together, but you can stylize it to the look you want.
This week on Video Gear Weekly, Robbie and I will walk you through using GoPro Studio to create an amazing time lapse.
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