By Ashley Kennedy | Thursday, January 29, 2015
My new course Introduction to Video Editing weaves targeted technical instruction with the art and aesthetics of film editing—using classic and contemporary examples from the last century of cinema.
Whether you’re a video-editing novice or you just need a refresher on aesthetics, you can dive right in to learn just how important the editor’s role is within the storytelling process. You’ll also learn how to follow the rules of editing—and how to break them.
This article will give you a taste of the course by showing how a good editor maintains continuity.
By Richard Harrington | Saturday, January 24, 2015
Moving time-lapses are a fun way to record a long duration of time and compress it into several seconds. And it’s easy to spend a lot of money on equipment to get the movement you want in your shots.
This week on Video Gear Weekly, I provide some affordable options that allow you to get the most bang for your buck when shooting a moving GoPro time lapse.
By Ashley Kennedy | Wednesday, January 21, 2015
When working in large video-editing projects, you constantly need to locate various project materials—whether it be a sequence, a specific clip, a precise frame, or the physical media files on your drives.
Rather than hunting and pecking through your bins, folders, and drives to find what you need, tap into the useful searching and locating tools built into the software.
By Ashley Kennedy | Thursday, January 15, 2015
What makes great video editing? A lot of things come into play, but two of the biggest factors are a) choosing the best shots and b) establishing the proper timing and pacing. And every editor knows that meeting these goals takes a lot of time, patience, and experimentation. It’s through testing various options that we often arrive at the best solution.
Each editing software offers various methods for testing different shots, but one exciting tool is Final Cut Pro X Auditions; it’s a really elegant way to quickly sample and swap out different shot options.
In this week’s Video Post Tips Weekly tutorials, I explore all things Auditions. If you’re brand new to the technique, dive right in. And if you’re already using Auditions, rest assured we’ll cover plenty of advanced techniques that you may not know. This article will cover the basics; watch the tutorials to get much more detail.
By Robbie Carman | Saturday, January 10, 2015
Quadcopters like the DJI Phantom get cameras up in the sky to capture that coveted wide-angle beauty shot—but it’s hard to keep the copter from introducing camera shake.
By Ashley Kennedy | Thursday, January 08, 2015
Video titles are not just for conveying information and providing labels. When executed well, they can establish a style and aesthetic, add texture and depth—and in certain cases, they can even assume a personality or become a character within the film. (To have some fun exploring creative title sequences, check out Art of the Title.)
Sometimes creative titling entails heavy text-based motion graphics work; other times, it involves an intricate intermingling of text, video, and animation. And occasionally, the relationship between video and titles can combine to become one; inserting video footage inside of your titles makes them come alive and gives them visual context that text alone can’t provide.
In this week’s Video Post Tips Weekly, discover how you can edit video inside of your titles using Premiere Pro, Final Cut Pro X, and Avid Media Composer.
By Robbie Carman | Saturday, January 03, 2015
With the freedom wireless microphones give your production, you’re able to record audio without having to trip over wires. You can have a microphone on your talent at all times.
On this week’s episode of Video Gear Weekly, guest host Cheryl Ottenritter and I help you master the use of a wireless microphone.
By Robbie Carman | Saturday, December 20, 2014
Cut down on wire clutter by going wireless.
Wireless microphones are essential to your audio kit. From presentations to narrative films, you can use them in any production to give your talent mobility.
But are they the best audio option for your production? This week on Video Gear Weekly, guest host Cheryl Ottenritter and I will walk you through how to work with a wireless mic.
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