By Richard Harrington | Saturday, May 16, 2015
When shooting with a handheld video cameras, it can be difficult to keep your camera steady. Using a shoulder rig is a great work-around.
In this week’s episode of Video Gear Weekly, Rich and Robbie show how shoulder rigs can add stability to a shot when you’re working with smaller DSLRs and micro four-thirds cameras.
By Robbie Carman | Saturday, May 09, 2015
Smartphone cameras have evolved to shoot great-quality footage. But if you’re not careful, smartphones can be easily damaged in shooting situations.
Luckily, there are third-party accessories to keep the camera safe while stabilizing your shots. In this week’s episode of Video Gear Weekly, Rich and I showcase a few smartphone mounts and accessories that will help you safely capture shots with your smartphone.
By Richard Harrington | Saturday, May 02, 2015
Polaroid doesn’t just offer instant cameras these days. Behold the Polaroid Cube action camera.
But is this a camera that will complement your workflow? In the latest episode of Video Gear Weekly, Robbie and I take you through the ins and outs of the Polaroid Cube.
By Robbie Carman | Saturday, April 25, 2015
Trying to get that amazing overhead shot? From quadcopters to jibs, there are multiple strategies for getting your camera up in the air.
This week on Video Gear Weekly, Rich and I explore how to get a camera up in the air for the high-angle shot you want.
By Richard Harrington | Saturday, April 18, 2015
Sometimes a non-linear editor isn’t enough to interpret high frame rate footage—you need a third-party option to help you control your slow motion footage.
Third-party options can eliminate the artifacting or flicker you sometimes get with footage that’s shot with a high frame rate.
In the latest episode of Video Gear Weekly, Robbie and I explore some third-party options to help your high frame rate footage look its best.
By Robbie Carman | Saturday, April 11, 2015
High frame rates allow you to slow down your video footage by a lot.
There might be times when you don’t have access to faster frame rates or want to slow down your footage more. This is where a motion graphics application or a nonlinear editor comes in to make more targeted speed adjustments.
This week on Video Gear Weekly, Rich and I use Adobe After Effects to show you how to slow down video beyond what a high frame rate can offer.
By Chris Meyer | Friday, April 10, 2015
Adobe just announced some of the features we’ll see in the new version of After Effects, expected to release in the coming months.
By Richard Harrington | Saturday, April 04, 2015
Whether you’re shooting with a phone, a DSLR, or a high-end camera, most cameras these days are capable of shooting with faster frame rates.
High frame rates can range from 60 to 240 frames per second giving you the option for slow motion shots.
Will these high frame rates benefit your project? In this week’s episode of Video Gear Weekly, Robbie and I shoot and process varying frame rates from different types of cameras.
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