By Eduardo Angel | Saturday, March 28, 2015
One obvious difference between using artificial lights and harvesting sunlight is that we can’t move the sun. The constantly changing position of our light source becomes a strategic dance. If we don’t follow its steps fast enough, we might create unwanted shadows with the crew or gear.
Taking the time to plan the position of our cameras, select the proper lenses, and figure out how to block our talent becomes essential when using the sun as a keylight.
Follow these tips to make the most of the sunlight you’ve got on your video shoot:
By Steve Grisetti | Friday, March 27, 2015
If you’re relatively new to special effects, you may be most comfortable working with grab-and-drop preset effects. Or you may be more of a do-it-yourselfer, preferring deeper settings and advanced levels of customization.
Whatever your comfort level, HitFilm 3 Pro will meet you there—and accompany you as deep as you want to go.
For those who like working with presets, the program comes bundled, for instance, with a surprisingly specific library of ready-to-go gunfire blasts—from small arms to laser beams and from shotguns to Uzis. And for expert users, the program is fully equipped with tools for creating blasts, bursts, and explosions from scratch, with dozens of emitter, core, force, and particle controls.
Let me show you!
By Richard Harrington | Saturday, March 21, 2015
There are times when you’re shooting on location and you need a backdrop right away. Having a portable backdrop in your kit means you’ll never be more than minutes away from your shot.
Portable backdrops are easy to set up when you’re in a time crunch and need to quickly switch out the environment. This week on Video Gear Weekly, Robbie and I evaluate two backdrop solutions to see which works best.
By Robbie Carman | Saturday, March 14, 2015
Flying a quadcopter requires a lot of the pilot’s focus.
You need to safely balance two things: getting the shot and watching where the copter is traveling. Even the most experienced pilots should have someone with them to spot potential obstacles.
In this week’s Video Gear Weekly, guest host Francis Torres and I team up to fly the DJI Phantom 2 Vision quadcopter.
By Richard Harrington | Saturday, March 07, 2015
The DSLR revolution not only made it easier to get your hands on a camera, it also inspired accessories that take these cameras to the next level.
One important accessory is the external video recorder. This week on Video Gear Weekly, Robbie and I explain why you need to have an external video recorder in your equipment bag.
By Starshine Roshell | Wednesday, March 04, 2015
Meet your favorite lynda.com Video authors in person in April at Post Production World, the world’s leading training event for editors, producers, directors, graphic artists, motion graphics designers, and new media specialists.
By Robbie Carman | Saturday, February 28, 2015
Using a video dolly adds a level of sophistication to any production. It’s an easy addition that can take your footage to the next level—and it doesn’t have to be expensive.
In this week’s episode of Video Gear Weekly, Rich and I roll out different flavors of dollies to show you what you can achieve with them.
By Richard Harrington | Saturday, February 21, 2015
Having back-up batteries is essential when you’re on a shoot, and GoPro batteries are no exception.
Many third-party companies, as well as GoPro, have options available in the marketplace. This begs the question, Which is the best GoPro battery?
This week on Video Gear Weekly, Rich and Robbie put different GoPro Hero4 batteries to the test to see which brand works best.
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