By Joseph Linaschke | Tuesday, September 23, 2014
Have you ever shot really close-up hand-held macro photography and struggled with keeping your subject still, holding your camera steady, or avoiding harsh, ugly shadows?
I’m going to show you how to solve all of those problems in just a few minutes with nothing more than a plastic cup and some scissors.
By Derrick Story | Friday, September 19, 2014
Most seasoned photographers have an old flash or two stashed in the closet. And they probably work just fine.
It wasn’t because they didn’t work that we put those earlier generation strobes to pasture; it’s just that many of us went through a phase thinking that we needed the latest TTL capability to make good pictures.
We were wrong.
The irony is that the digital age has made manual flash viable again, and in some instances, even preferable. Here’s how I’m putting my old guns back to work.
By Jeff Carlson | Thursday, September 18, 2014
You captured some photos in raw format, maybe edited a few on your computer, and moved onto the next photo adventure.
But then, years later, you run across one you’d like to edit a bit more and are faced with something new—a badge or alert in your software like this one:
A warning badge in Adobe Camera Raw
Did something corrupt the image? No, that badge indicates the photo can be updated to a newer raw process. Here’s how:
By Jeff Carlson | Wednesday, September 10, 2014
Hands-on area at the Apple event
The (literally) big news about the iPhone 6 and iPhone 6 Plus is the size and quality of the phones’ screens, but just as interesting is what Apple has done with the cameras inside them. I was at Apple’s event yesterday, and in addition to getting my hands (and wrist) on an Apple Watch, I was able to play with both phones.
By Derrick Story | Friday, September 05, 2014
That’s the one thing all digital photographers need. So I’m going to show you a couple “off the beaten track” power sources for your digital devices.
I also have a quick tip for creating an on-the-go LCD magnifier and a handy MacGyver kit that fits in a repurposed filter box.
By Derrick Story | Saturday, August 30, 2014
Problem solving is an important part of photography. Most of us have had to overcome contrasty light to capture a pleasing portrait, or work around intrusive power lines that mar an otherwise beautiful landscape.
But devising creative solutions isn’t limited to working behind the lens.
How, for example, can we compose a shot on an LCD with intense sunlight overhead causing glare on our screen? Or what’s a safe and convenient way to transport our spare batteries?
Instead of spending time and money shopping for accessories that may or may not work, why not create the solutions ourselves? After all, we’re photographers. We solve problems.
By Jeff Carlson | Thursday, August 28, 2014
We humans always need some issue to take sides on. For photographers, the Great Debate is whether to shoot in Raw or JPEG mode.
The answer to the question is yes: You can make great photos using either format.
By Scott Erickson | Saturday, August 16, 2014
Marilyn. Audrey. Elizabeth. Cher. Ringo. Leo. Last names aren’t required when you rattle off the people who’ve sat before Douglas Kirkland’s lens.
With a career spanning almost 60 years, he has photographed some of the most iconic figures of popular culture.
On today, his 80th birthday, I can’t help but think of the day Douglas sat in front of my camera, and of the simple panic-inducing question I asked myself:
How do you photograph one of your photographic heroes?
The answer is simple: Do as he does.
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