By Lauren Harmon | Thursday, May 08, 2014
When you edit images in other programs like Photoshop, InDesign will often re-scale the image when it realizes there was a change. In most cases, this is perfectly appropriate behavior. But sometimes you don’t want scaling. The good news is that InDesign offers a file handling preference that lets you dictate how it treats relinked images. Watch this week’s free episode of InDesign Secrets to learn how to change this preference and preserve the dimensions of edited images.
By Lauren Harmon | Tuesday, May 06, 2014
Since Deke’s Techniques kicked off in January 2011, Deke McClelland has shown you how to transform everyday portraits into Warhol-esque artwork, cartoon figures, and even cave paintings. Today he shows you how to blow up a portrait to building-sized proportions with Adobe Photoshop and and create the illusion of a giant mural.
By Lauren Harmon | Tuesday, April 29, 2014
Poor lighting? Cheap camera? Indifferent photographer? These are the conditions most passport photos are taken under, and the results usually speak for themselves. But you can create a better passport photo for yourself—even from the worst raw material—with today’s free episode of Deke’s Techniques. Deke follows the specifications issued by the US Department of State, and provides a template to make sure your composition meets the required size, pose, and proportions. Once the legalities are taken care of, he shows how to center, color correct, and enhance your photo with Photoshop and Adobe Camera Raw.
By Lauren Harmon | Tuesday, April 22, 2014
Photoshop’s interface is highly customizable; you can rearrange panels, hide them, and pop panels in and out of your dock at will. Once you open a panel, though, it doesn’t automatically close after you have “done your business.” That can get annoying—fast. Luckily, Deke has a remedy for this minor irritation. In today’s free episode of Deke’s Techniques, he reveals the preference that enables you to collapse iconic panels quickly, by simply clicking anywhere else in Photoshop. (Iconic panels are the ones represented by icons in the secondary panel bar, like Properties, Brushes, etc.) Plus, get a bonus tip on moving around the fields in a panel straight from the keyboard.
By Lauren Harmon | Tuesday, April 15, 2014
Uniform strokes can be uniformly dull. But you can transform your vector artwork and give it more of a hand-drawn appearance with Illustrator’s brushes. This week’s episode of Deke’s Techniques takes the Chinese chop you created in the last video and roughs it up a little by assigning brush strokes to paths in Illustrator. Deke shows how to simulate calligraphic lettering and turn your chop into a more authentic-looking stamp, by first transforming the chop into a Smart Object to preserve the original artwork. Click the free video below to get started.
Members of the lynda.com library can watch the two follow-up videos to learn how to to add a paper texture and create a black-on-red variation of their chops. Come back next week to learn how to hide panels that appear by default in Photoshop.
By Lauren Harmon | Tuesday, April 08, 2014
You can sign your name to your artwork—or better yet, you can stamp it. In this special episode of Deke’s Techniques, Deke shows how to transform your name into a Chinese seal, also known as a chop.
By Lauren Harmon | Tuesday, April 01, 2014
One of the goals of Deke’s Techniques is to keep you, our members, up to date with the latest technology. That’s why Deke is here today to introduce Adobe Photoshop, a new way to digitally manipulate scanned photographs. Right now it’s only available on Apple Macintoshes—still a niche product—but it’s worth exploring this clever little program if you can get your hands on a Mac IIci or even an IIfx model. Take a look at features like 2-megapixel image support, large and small brushes, one level of Undo per file, and partial support of color. Plus, there’s the brilliant Save As dialog box, which allows you to save your image as a PXR, or PICT Resource file. But only if you have enough memory.
By Lauren Harmon | Thursday, March 27, 2014
Do you want to make your headlines pop? Reverse type—light text against a dark background—is a good design choice. Readers are predisposed to seeing dark text on a light background, so the opposite effect is quite eye-catching. Although reverse type is a pretty standard design element at this point, you can make the effect fresh again with additional ornamentation. This week in InDesign Secrets, David Blatner shows how to use paragraph rules (both the Rule Above and Rule Below options) to add rounded caps, cutouts, and patterns to the backgrounds behind your type. He also shows how to build the rules into a paragraph style that you can reuse again and again throughout your documents.
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