By Lauren Harmon | Tuesday, June 10, 2014
Learn how to blend two exposures and get the best of both worlds with Adobe Camera Raw and Photoshop. Today’s free episode of Deke’s Techniques shows you how to take an underexposed landscape photograph and create a lighter, brighter version of it to reveal all its detail—then combine the two images for a third, more dramatic image. As Deke explains, it’s just not possible to get the same effect with the Graduated Filter alone. It’s these two programs together that can help rescue your most extreme exposures.
Find out how to create a lighter version of the image with Camera Raw’s development tools, and combine the bright foreground with the darker sky of the original exposure using Photoshop’s masking capabilities. Deke also shows how to enhance the effect with a graduated filter and add a round of High Pass Sharpening to bring all the details of the final image into sharper relief. Click the free video to learn more.
Members of the lynda.com library can watch the follow-up movie to find out how to create the mask shown in this technique, from scratch. Then come back next week to learn how to create a photographic caricature using Photoshop’s Free Transform and Liquify tools.
By Lauren Harmon | Tuesday, June 03, 2014
It’s a fact of nature: Light reflects off shiny surfaces. But that glare often distracts from the subject of your photographs, especially when they contain text or other small details, like the subject of this week’s episode of Deke’s Techniques—the board game Landslide. (Race to become the next President of the United States in the Parker Brothers “Game of Power Politics.”)
Deke has two different fixes for glare, and they both involve Adobe Photoshop.
By Lauren Harmon | Tuesday, May 27, 2014
When you’re forced to shoot in a tight corner or at an awkward angle, your photos are often warped. That’s the case with a photo Deke took of a board game mid-play. Since he couldn’t exactly suspend himself in midair, he took a photo from above while standing slightly beside the table. Luckily, he knew he could fix the image in post. You too can remove warped perspective using a little-known but highly regarded tool in Photoshop: Perspective Crop. Watch the free video to learn how to put your photos back on the straight and narrow.
By Lauren Harmon | Tuesday, May 20, 2014
Lens flares have been the butts of cruel jokes for too long. It’s time to salvage the lens flare, to liberate it from heavy-handed users like J.J. Abrams (director of fx-laden movies like Star Trek and Super 8) and put it back in the good graces of photographers and videographers everywhere.
The key is subtle application.
By Lauren Harmon | Tuesday, May 13, 2014
You might have heard that Photoshop “does 3D” now. Many of us have heard the rumor, but have yet to see it in action. In this free episode of Deke’s Techniques, Deke provides a demo, performing a task uniquely suited to Photoshop: creating a 3D bump map in Photoshop and applying it to 3D objects. He transforms an image into a repeating tile pattern that can be wrapped (aka mapped) around the body of a rocket ship—a model he created completely from scratch in Photoshop. He shows how to assign the texture to the rocket layer, render the scene to test the map, and resize the pattern to fit the object properly. In the end, you’ll have a realistically textured 3D surface.
By Lauren Harmon | Thursday, May 08, 2014
When you edit images in other programs like Photoshop, InDesign will often re-scale the image when it realizes there was a change. In most cases, this is perfectly appropriate behavior. But sometimes you don’t want scaling. The good news is that InDesign offers a file handling preference that lets you dictate how it treats relinked images. Watch this week’s free episode of InDesign Secrets to learn how to change this preference and preserve the dimensions of edited images.
By Lauren Harmon | Tuesday, May 06, 2014
Since Deke’s Techniques kicked off in January 2011, Deke McClelland has shown you how to transform everyday portraits into Warhol-esque artwork, cartoon figures, and even cave paintings. Today he shows you how to blow up a portrait to building-sized proportions with Adobe Photoshop and and create the illusion of a giant mural.
By Lauren Harmon | Tuesday, April 29, 2014
Poor lighting? Cheap camera? Indifferent photographer? These are the conditions most passport photos are taken under, and the results usually speak for themselves. But you can create a better passport photo for yourself—even from the worst raw material—with today’s free episode of Deke’s Techniques. Deke follows the specifications issued by the US Department of State, and provides a template to make sure your composition meets the required size, pose, and proportions. Once the legalities are taken care of, he shows how to center, color correct, and enhance your photo with Photoshop and Adobe Camera Raw.
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