By Lauren Harmon | Tuesday, August 05, 2014
How do you turn a clenched first into a symbol of solidarity, and teamwork? With today’s free episode of Deke’s Techniques!
By Lauren Harmon | Tuesday, July 29, 2014
Hands: a symbol of protection, collaboration, solidarity, and friendship. Whether they’re splayed, extended, or clenched—like they are here—hands are one of the most difficult parts of the human anatomy to draw.
But by taking a rough sketch into Illustrator and tracing its outlines, you can create elegant vector artwork to use for logos or a motivational poster like the one shown in today’s free episode of Deke’s Techniques.
By Lauren Harmon | Tuesday, July 22, 2014
When you’re on a once-in-a-lifetime vacation and you’re experiencing a once-in-a-lifetime moment—you only get one chance to get the shot. And in the heat of the moment, a lot of us fall prey to the “photographer’s sin,” as Deke calls it: cropping out an arm, a leg, or some other vital body part.
Take the image featured in this episode of Deke’s Techniques, starring Deke’s sons Sam and Max. They’re posed on the top of the Ixmoja pyramid among the ruins of Coba, an ancient Maya city. It’s a great photograph in every way except two: The horizon is crooked and poor Sam’s foot is cut off.
Luckily, Deke has a way to salvage this photo: using the Crop and Content-Aware Fill tools to both straighten and “uncrop” the photograph.
By Lauren Harmon | Tuesday, July 15, 2014
Selective color adjustment is almost as old as photography. It was just 20 years after photography was officially “born” in 1839, that photographers started hand-painting images. Today selective colorization is easy for anyone to achieve with digital tools like Photoshop. Instead of recoloring areas of a monochrome image, you desaturate a color image, masking the portions you wish to remain in color. Deke shows you how in this week’s free episode of Deke’s Techniques.
By Lauren Harmon | Tuesday, July 08, 2014
Last week, you created a Möbius strip in Adobe Illustrator. This week, Deke expands on this technique—expanding it into three dimensions, to be precise. Here in this movie he’ll show you how to draw a Penrose triangle — an impossible object — where each corner seems to simultaneously recede and advance toward the viewer. It’s impossible because it can’t actually be built as one solid object. But it can be drawn that way!
By Lauren Harmon | Tuesday, July 01, 2014
Möbius strips: the stuff of wonder. A favorite of Escher and other pop artists. The shape that launched a thousand armchair philosophers.
It’s a flat loop with two sides—but only one continuous surface. The best example is a long strip of paper, like a streamer, that is twisted once and then looped. If you were small enough (or the strip large enough) to walk along the surface, you would traverse both sides of the paper without ever crossing the edge.
This week Deke shows you how to create an even more complex variation of a Möbius strip, which wraps around on itself a total of six times.
By Lauren Harmon | Tuesday, June 24, 2014
Last week Deke showed you how to turn a portrait into a crazy carnival-style caricature with Photoshop. This week, he’ll show you how to mask that caricature onto a more dramatic background using the Color Range command, Quick Mask mode, and a layer mask.
By Lauren Harmon | Thursday, June 19, 2014
Most Photoshop and Illustrator users are familiar with the concept of a mask: a layer or selection that hides the artwork immediately beneath it.
Though you won’t find the word “mask” in InDesign, you can still create masking effects with this technique from David Blatner, involving InDesign’s Knockout Group option. He’ll also show you how to edit your masks and preserve them when you export to PDF. Watch the free video below to get started.
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