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By Anne-Marie Concepción | Thursday, May 29, 2014

Find the Right Font With InDesign's Font Menu

Designers collect fonts like magpies. True font enthusiasts may have thousands of typefaces loaded on their computer at any one time. So how do you find the one you need? Anne-Marie Concepción spills the secrets to sorting and filtering fonts in InDesign CC. Earlier versions of InDesign offer a few of these tricks, but as Anne-Marie reveals in this week’s movie, the search field in CC make it easier than ever to find the font you need: Arial to Zapfino, light, bold, or condensed.

By Anne-Marie Concepción | Thursday, May 15, 2014

Inserting a Glyph

InDesign Secrets - Glyphs

Most special characters are assigned a keyboard shortcut for easy access. But who has time to memorize them all?

By Anne-Marie Concepción | Thursday, May 01, 2014

Faking Bold and Italic Type

Faking bold and italic type

Some typefaces don’t offer a bold or italic font, but that shouldn’t stop you from adding emphasis to text. Sometimes you have to cheat to get what you want. And InDesign is the ace up your sleeve.

InDesign allows you to bend the rules and fake bold and italic text with typefaces like Andale Mono and Dingbats. In this week’s episode of InDesign Secrets, Anne-Marie Concepción shows you how to use the Skew and Shear options to angle text and add an additional stroke to create bold type. Watch this week’s free episode of InDesign Secrets to learn more.

By Anne-Marie Concepción | Thursday, April 17, 2014

Share InDesign Presets, Workspaces, and Custom Shortcuts

Saving custom presets, workspaces and shortcuts

Regular InDesign users often build a bank of custom settings: workspaces, scripts, keyboard shortcuts, PDF presets, font sets, and even Find/Change queries. These settings are too valuable to lose in a crash and too important to leave behind if you move to a different computer.

By Anne-Marie Concepción | Thursday, April 03, 2014

Fitting Text to a Specific Size

Live Text Effects with InDesign

Ever see a great text treatment and wonder if it’s an image or actual live type? You too can fool the eye and create type that looks like a work of art—and then customize it to fit any frame.

By Anne-Marie Concepción | Thursday, March 20, 2014

Add navigation points to embedded video: InDesign Secrets

Add navigation points to embedded videos

When you’re embedding a video in an interactive document, like an SWF or a PDF, you often want to call attention to certain events in the video. With navigation points, you can jump readers to certain time codes with the click of a button. In this episode of InDesign Secrets, Anne-Marie Concepción shows how to add navigation points with InDesign’s Media panel and link them to ready-made buttons (complete with rollover states) from the Button library. You can then assign video-specific actions and export your document to an interactive format—and you’re ready to go.

By Anne-Marie Concepción | Thursday, March 06, 2014

Working with the Polygon tool: InDesign Secrets

Working with the Polygon tool

There are two Polygon tools in InDesign: the basic shape tool called (unsurprisingly) the Polygon tool, and the Polygon Frame tool. Although it’s the “basic” version, the regular Polygon tool offers you quite a bit of drawing power. It can help you draw polygons from 3 to 100 sides, quickly and easily.

In today’s free episode of InDesign Secrets, Anne-Marie Concepción shows you a couple of tricks for working with the Polygon tool and creating a variety of multisided shapes. She’ll even show you how to vary the number of sides and the inset on the fly, as you draw. Plus, learn how to take advantage of the Polygon tool’s “sticky” settings and convert any shape to a polygon using the Object menu.

By Anne-Marie Concepción | Thursday, February 20, 2014

Getting rid of text-size parentheses: InDesign Secrets

Getting rid of text-size parentheses: InDesign Secrets

Explore InDesign Secrets at lynda.com.

Have you ever noted a second number in the Type Size field in Adobe InDesign? Set off in parentheses? For example, 12 pt (27.86). The first number is the original text size, the size you set, while the other is the new size after scaling.

You may find this information useful on occasion, but most designers find it annoying. The parentheses are due to a preference called Adjust Scaling Percentage, which used to be selected by default in older versions of InDesign. It’s a situation that’s remedied in InDesign CC, but sometimes the preference gets changed accidentally or you may find it turned on in a document from a designer that uses an older version of InDesign. This week in InDesign Secrets, Anne-Marie Concepción shows you how to change the preference, update text frames that have carried the preference with them, and get rid of those pesky parentheses.

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