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Get up and running with Ableton Live's virtual synthesizer, Analog. Learn how to create sounds using oscillators, sculpt the sounds with filters, and add motion to the sounds using modulation.
Discover how to turn song ideas and rough recordings into complete, polished tracks, with music producer Evan Sutton's patented music production workflow.
Learn the techniques DJs around the world use to create amazing live performances with Ableton Live.
Learn advanced mixing techniques specifically suited to the EDM environment, to make your tracks sound fat, wide, and full.
Learn how to capture your musical ideas quickly and turn them into great songs with Ableton Live.
Move beyond the basics of synth programming, and learn techniques for creating big moving basslines, evocative percussion patterns, and rich synth pads.
Daniel Mintseris, keyboard player and programmer for St. Vincent, shares his onstage setup, his tips for working with Ableton Live, and insights from his long musical career.
Get a sneak peak at our upcoming course with Daniel Mintseris, keyboard player and programmer for St. Vincent, as he shows his onstage setup, and shares tips for working with Ableton Live and insights from his career.
Learn how to make beats for house, dubstep, drum and bass, juke, trap, and hip-hop tracks, with Ableton Live.
Compose melodies and basslines, arrange music, mix and master your tracks, and perform live—away from the computer—with the colorful, intuitive Ableton Push controller.
Create music in real time, on stage, or while producing in the studio, with Ableton Live.
Dive deep into some of the advanced features that Ableton Live offers for unique and creative manipulation of sound.
Shows how to use Ableton Live on stage for performing original music with or without other musicians, recording live performances, and taking your DJ set to the next level.
Discover how to get started creating and recording music with Ableton Live 9 in just two hours.
“You guys have helped change my life forever. I'm so very grateful.” —Donni R.
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