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Restoring symmetry

From: ZBrush 4 Essential Training

Video: Restoring symmetry

Sometimes you may be working on a model that you intend to be symmetrical, but you forgot to turn on symmetrical sculpting beforehand. Now, you've put all this work into one side and now you are dreading having to redo all that work. Not to fear: ZBrush can transfer detail from one side of a model to another with a deformation called Smart ReSym. Let's open up SuperAverageMan and expand the Deformation sub-palette. Just for demonstration purposes, sculpt some random shape into one side of the model.

Restoring symmetry

Sometimes you may be working on a model that you intend to be symmetrical, but you forgot to turn on symmetrical sculpting beforehand. Now, you've put all this work into one side and now you are dreading having to redo all that work. Not to fear: ZBrush can transfer detail from one side of a model to another with a deformation called Smart ReSym. Let's open up SuperAverageMan and expand the Deformation sub-palette. Just for demonstration purposes, sculpt some random shape into one side of the model.

Now, we want to get the same detail on the other side. The Smart ReSym button allows you to set which axis you want to mirror. By default, it's on X, and that is the one we want. Now, if you click the button, you see that what it's done is average the two halves to be the same. Usually, this is not what you want it to do; usually you want all the detail from one side to go over to the un-detailed side. So, I'm going to hit Ctrl+Z to undo that. In order to get all this detail from one side to the other, we need to mask the sculpted side to protect it from change.

So let's zoom out a little bit. I am just going to view the model from straight on, and I am going to hit Ctrl and then click and drag a box over one half of the model. So, this is going to create a mask. It's going to preserve what we have sculpted on this side, so it won't change. Now, let's hit Smart ReSym again. You will use Smart ReSym mainly to fix things when you forgot to have Symmetry turned on in the first place. Don't count on in all the time, however. On particularly complicated or dense models, you may have difficulty getting it to work accurately.

The best defense is to keep an eye on symmetry to make sure you have got it set the way you want before you sculpt.

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This video is part of

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ZBrush 4 Essential Training

63 video lessons · 14937 viewers

Ryan Kittleson
Author

 
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  1. 5m 13s
    1. Welcome
      55s
    2. Using the exercise files
      59s
    3. What is ZBrush?
      1m 47s
    4. A note on screen resolution
      1m 32s
  2. 19m 17s
    1. Making sense of ZBrush
      2m 39s
    2. Understanding the interface
      2m 29s
    3. Using Light Box
      1m 23s
    4. Navigating the canvas
      2m 2s
    5. Using Perspective and Floor
      1m 51s
    6. Understanding local centering
      1m 9s
    7. Trying different materials
      2m 7s
    8. Activating symmetry
      2m 15s
    9. Viewing your work in various ways
      3m 22s
  3. 19m 59s
    1. Understanding polygon-based models
      1m 45s
    2. Creating ZSpheres
      4m 21s
    3. Using ShadowBox
      2m 15s
    4. Making a ZSketch
      2m 47s
    5. Extracting from an existing mesh
      4m 0s
    6. Using primitive 3D meshes
      3m 24s
    7. Importing from other programs
      1m 27s
  4. 23m 43s
    1. Understanding brush settings
      2m 45s
    2. Inverting brush effects
      1m 9s
    3. Switching to Smooth mode
      2m 35s
    4. Setting the stroke properties
      4m 14s
    5. Working with alphas
      2m 34s
    6. Using the Move brush
      2m 51s
    7. Using the Clip brush
      2m 58s
    8. Learning a few more common brushes (Polish, Clay, Flatten, Inflate, Tracks)
      2m 14s
    9. Saving and using brush presets
      2m 23s
  5. 26m 53s
    1. Working with tools and projects
      1m 52s
    2. Working with subdivision levels
      3m 4s
    3. Masking off parts of your model
      2m 28s
    4. Masking based on cavity and occlusion
      4m 23s
    5. Selecting and hiding parts of a tool
      2m 51s
    6. Working with polygroups
      2m 0s
    7. Using deformation
      1m 59s
    8. Mirroring geometry across an axis
      1m 49s
    9. Restoring symmetry
      1m 45s
    10. Creating morph targets
      2m 31s
    11. Understanding surface normal direction
      2m 11s
  6. 8m 57s
    1. Learning the basics of subtools
      2m 37s
    2. Making new subtools
      3m 12s
    3. Combining subtools
      3m 8s
  7. 7m 20s
    1. Masking with Transpose
      1m 49s
    2. Adjusting the Transpose Manipulator
      1m 46s
    3. Moving, scaling, and rotating with Transpose
      3m 45s
  8. 20m 25s
    1. Understanding how ZBrush uses color
      2m 36s
    2. Learning the basics of Spotlight
      3m 37s
    3. Painting and texturing with Spotlight
      2m 56s
    4. Texturing a head: A practical approach
      11m 16s
  9. 21m 14s
    1. Drawing new edge flow for retopology
      7m 52s
    2. Tips for making good edge flow
      5m 14s
    3. Creating new topology
      3m 55s
    4. Transferring detail from the old model to the new
      4m 13s
  10. 13m 28s
    1. Understanding the UV maps
      2m 47s
    2. Installing the UV Master plug-in
      1m 47s
    3. Using UV Master
      3m 46s
    4. Creating texture maps
      5m 8s
  11. 6m 36s
    1. Preventing problems
      1m 42s
    2. Recovering a corrupted model
      2m 28s
    3. Recognizing and fixing common problems
      2m 26s
  12. 4m 54s
    1. Examples of ZBrush work
      3m 16s
    2. Goodbye
      1m 38s

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