Learn how to create awesome 3D explosions and composite them with live-action footage using the free compositing software Fusion 7.
Learn about the significant new motion graphics and visual effects features introduced in Adobe After Effects CC 2015—as soon as they are released.
Learn to use HitFilm 3 Pro in three powerful ways: as a video editor, as a tool for adding 2D video effects to your movies, and as a compositing tool for creating amazing 3D and planar-tracking effects.
See how to produce high-quality keys that fit well within their new scenes, while retaining the subtle details that make the results believable, in After Effects.
Get real-world production and workflow advice as you learn about the newest features in Adobe After Effects CC.
Create awesome sci-fi laser gunfire and realistic set damage inside After Effects.
Delve into the world of motion graphics, keying, and compositing in After Effects CC.
Rob Garrott interviews storyboard artists, animators, VFX artists, and other film-industry pros in this series of creative conversations.
Learn how to composite a 3D animated flag into a live-action shot using After Effects and CINEMA 4D.
Learn how to composite a 3D-animated flag into a live-action shot using Nuke and CINEMA 4D.
Join digital compositing pioneer Steve Wright for a tour of the new features in Nuke 8.
Learn how to composite 3D and 2D elements and color correct footage, match the original shot's light and motion, and use HDR and filmic looks to create realistic, cinematic sequences with After Effects.
Learn how to composite 2D or 3D foreground objects to a background scene with After Effects and seamlessly match light, color, depth of field, and noise, so that every element looks natural.
Pull 3D motion tracks and match camera moves without leaving After Effects, using CameraTracker. Learn how to track and solve shots, refine solves, and use the data in compelling 3D composites.
Learn how to digitally extend a set with After Effects. Create a missing wall in the composite and add a moving scene outside windows.
Recombine render-pass sequences of a space scene from Maya and add special effects in After Effects.
Learn how to animate and render a professional-looking 3D space scene with Maya.
Learn how to replace what's shown onscreen by inserting different images or video, using the tools in After Effects and mocha AE.
Learn how to create lens flare—the popular visual effect seen in commercials, TV shows, and feature films alike—with the After Effects plugin Optical Flares.
Learn to create Harry Potter–style smoke, fire, and explosions with particle systems in After Effects.
Chris Korn, character designer at FUSE Animation, explains how he brings his creatures to life with CINEMA 4D and Zbrush.
Learn to light diffuse, reflective, and transparent objects in CINEMA 4D.
Learn to destroy a building with a fireball, using an After Effects 3D environment, Maya dynamic simulations, and matte painted elements.
Add realism and character to your 3D models with materials in CINEMA 4D.
Learn to master Trapcode Form and create stunning visual effects and motion graphics.
Create significantly more professional footage with tools that do everything from removing noise to performing high-end color grading.
Explore the new 2D and 3D features and improved performance in Nuke 7, the premiere compositing package for visual effects in film and television.
Remove an unwanted building from a live-action plate and replace it with a new matte painting that is motion-tracked.
Motion graphics artist Eran Stern shares techniques for using After Effects to create an eye-grabbing sci-fi visual effect.
Shows how to build complex composites with After Effects and mocha, where motion graphics are mapped to live-action footage of an actor's face.
Leads you through the creative and technical process of building an opening title sequence from scratch in After Effects, from working in 3D space to creating type and shape layers to writing expressions.
Simulate a large crowd using live-action footage of a small group of people, 3D renders, and Photoshop artwork.
Demonstrates how to light an object onto a live-action still plate, using Maya, Nuke, and Photoshop.
Pulls together skills taught in the previous After Effects Apprentice installments to create a real-world video promo, from building artwork to assembling 3D precomps and setting the project to music.
Shows how to create and animate vector-based artwork directly inside After Effects.
Takes a creative tour of the Paint, Puppet, and Roto Brush tools in After Effects.
Learn two key visual effects skills: motion tracking and keying.
Addresses the newest version of Photoshop from a photographer's perspective—helping users of previous versions of Photoshop make upgrade decisions and get up to speed with CS6.
An introduction to 3D space in After Effects, plus advanced 3D workflows involving Photoshop.
Demonstrates several ways to manipulate time in After Effects.
Shows how to create simple but very useful expressions in After Effects that can be put to work on a wide variety of jobs.
Learn how to use multiple compositions to group layers, accommodate client changes, and rewire the internal render order in After Effects.
Capture footage of everyday objects and combine it with effects in popular postproduction tools like After Effects and Premiere Pro, resulting in rich, abstract backdrops for your project.
Shows how to set up a parenting chain, discusses what makes a good parent, and demonstrates several techniques using parenting.
Discover how to create render passes in Maya, recombine the passes in After Effects, and motion track the passes to live-action video footage that contains a moving camera or a moving character.
Shows how to turn a daytime summer scene into a nighttime winter scene using Photoshop and After Effects, with illustrator David Mattingly's production-proven matte painting techniques.
Takes an in-depth look at the new and enhanced features in After Effects CS6.
Explores the new features found in the 3D digital compositor Nuke 6.
Optimize Premiere Pro, After Effects, your operating system, your computer, and your workflow for maximum speed and performance.
Covers all the tools and techniques used for motion tracking and image stabilization in After Effects, including the point tracker, the Warp Stabilizer effects, and mocha-AE.
“I am a 56-year-old film editor. FCP 7 was the first really intimidating system I encountered. I tried books and a video course but was still confused. Then my son came home with a free trial for lynda.com. I get it! I am editing again! No more feelings of defeat and feeling "too old for this"! THANK YOU!” —Colin L.
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