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5/7/2012
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3/14/2013
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12/8/2011
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11/28/2012
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9/19/2012
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10/3/2012
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9/26/2012
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12/14/2012
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11/29/2012
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12/7/2012
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3/15/2012
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5/7/2012
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updated 5/17/2013
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5/7/2012
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3/14/2013
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12/7/2012
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2/18/2013
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2/3/2011
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8/28/2009
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4/30/2010
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12/19/2012
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12/8/2011
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3/8/2013
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4/30/2010
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8/5/2011
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6/8/2012
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updated 11/9/2012
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2/11/2013
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updated 5/6/2013
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4/24/2013
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4/26/2013
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2/19/2010
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5/20/2009
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10/14/2008
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8/6/2008
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6/27/2008
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Demonstrates how to light an object onto a live-action still plate, using Maya, Nuke, and Photoshop.
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Introduces particles (used to simulate effects like snow, sparks, fog, or fire) and dynamics (which allow you to define how objects interact with their environment).
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Introduces the CINEMA environment and illustrates the importance of the object hierarchy.
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Discover how to create render passes in Maya, recombine the passes in After Effects, and motion track the passes to live-action video footage that contains a moving camera or a moving character.
“I am a 56-year-old film editor. FCP 7 was the first really intimidating system I encountered. I tried books and a video course but was still confused. Then my son came home with a free trial for lynda.com. I get it! I am editing again! No more feelings of defeat and feeling "too old for this"! THANK YOU!” —Colin L.
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