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Explore the new 2D and 3D features and improved performance in Nuke 7, the premiere compositing package for visual effects in film and television.
Demonstrates how to light an object onto a live-action still plate, using Maya, Nuke, and Photoshop.
Reviews the Nuke 6.3 tools and performance enhancements, including 3D particle systems, planar tracking, and deep compositing.
Explores the new features found in the 3D digital compositor Nuke 6.
Provides both a solid foundation of the Nuke 5 core functions of keying, motion tracking, and color correcting, and an overview of 3D compositing.
“I am a 56-year-old film editor. FCP 7 was the first really intimidating system I encountered. I tried books and a video course but was still confused. Then my son came home with a free trial for lynda.com. I get it! I am editing again! No more feelings of defeat and feeling "too old for this"! THANK YOU!” —Colin L.
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