Remove an unwanted building from a live-action plate and replace it with a new matte painting that is motion-tracked.
Shows how to build complex composites with After Effects and mocha, where motion graphics are mapped to live-action footage of an actor's face.
Simulate a large crowd using live-action footage of a small group of people, 3D renders, and Photoshop artwork.
Discover how to create render passes in Maya, recombine the passes in After Effects, and motion track the passes to live-action video footage that contains a moving camera or a moving character.
“I am a 56-year-old film editor. FCP 7 was the first really intimidating system I encountered. I tried books and a video course but was still confused. Then my son came home with a free trial for lynda.com. I get it! I am editing again! No more feelings of defeat and feeling "too old for this"! THANK YOU!” —Colin L.
more from our members »