From the course: Foundations of Video: The Art of Editing
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Keeping things fresh through multiple screenings
From the course: Foundations of Video: The Art of Editing
Keeping things fresh through multiple screenings
Perhaps the most difficult part of editing is not the physical cutting part. It's not even the decision making process. It's how to keep yourself fresh, after you've seen the same film five, ten, 15, 80, 100 times. Think of it. I've talked about how you want to look at the dailies before you sit down with the director to get notes. If you're both the editor and director, which I highly advise against. But, we know that sometimes, that's what you have to do. Well, if that's the case, it gets even more difficult. In any case, you've seen the dailies once before the director saw them. If you're lucky, you've seen them again with the director. If you're smart, you've watched them again before you edited the scene. Then you've watched the scene multiple times as you edit it, several times after your first cut, in order to refine it properly. Let's watch our scene again. >> Tiana. Why weren't you there this morning? >> Tiana, I think the dwarf is talking to you. >> Magellan, we can talk…
Contents
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Coming up with an editing plan5m 10s
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Creating your first cut9m 44s
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Understanding when to cut and when not to cut7m 43s
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Exploring the impact of cutting on and off camera dialogue3m 54s
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Smoothing edits by manipulating the viewer's attention2m 32s
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Keeping things fresh through multiple screenings5m 44s
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