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Making everyone look their best on camera

From: Video Gear Weekly

Video: Making everyone look their best on camera

Hi, my name's Rich Harrington.

Making everyone look their best on camera

Hi, my name's Rich Harrington. Welcome to this episode of Video Gear Weekly. We're going to be talking about a problem that often affects folks, myself included, and that is shine. Maybe your subject is follicly challenged, or as they get older, or really any skin type can show shine. And, to make this easier I'm actually joined today by Kim Foley, who is a professional makeup artist and a stylist. Kim, this is a problem that affects so many folks. You know, and I, I think you see it all the time. I'm watching the news, people have been running and gunning, they're a little bit sweaty.

It's just a problem that pops up. What is shine? Why do people shine? >> Well, people really have a little glow to the skin, as natural healthy skin should. And what we want to try to do for camera, because camera picks it up as a reflection and it looks profusely sweaty. So, we want that credibility for the client, so we want to make sure that we knock that shine completely out. And that is the biggest problem for the makeup artist or stylist, is to make sure that the skin is really matte. And we're going to use that word a lot, when we're talking today because, matte is what we want, which means no shine.

>> So we're going to explore this much deeper on this week's show. And even if your subject is cold and freezing, they could still be shining. And really what this comes down to is a limitation. Remember, what the eye sees it's very different than what the camera sees, and we need to even things out. The goal here is to make everybody look their best on camera and that's what we're going to explore today, the essential equipment you're going to need and some of the techniques to take care of this problem.

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This video is part of

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Video Gear Weekly

84 video lessons · 10155 viewers

Richard Harrington and Robbie Carman
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  1. 12m 22s
    1. What is a Parabolic Slider?
      1m 22s
    2. Building the Slider
      1m 41s
    3. Setting Focus
      1m 4s
    4. Adjusting the Speed of Movement
      2m 13s
    5. Evaluating the Results
      6m 2s
  2. 2m 31s
    1. Welcome to Video Gear Weekly
      2m 31s
  3. 11m 24s
    1. DJI Quadcopters
      2m 35s
    2. Calibrating the Quadcopter
      2m 12s
    3. Flying Strategies
      2m 48s
    4. Evaluating the Footage
      3m 49s
  4. 26m 53s
    1. Ultra fast primes
      2m 26s
    2. Benefits of using fast primes
      6m 25s
    3. Challenges of using fast primes
      10m 22s
    4. Evaluating the footage
      7m 40s
  5. 6m 57s
    1. Keeping Your Gear Safe
      46s
    2. Keeping Gear Dry
      3m 0s
    3. Using Camera Wraps
      1m 11s
    4. Using Lens Wraps
      2m 0s
  6. 38m 18s
    1. Introduction to the Panasonic GH4
      1m 31s
    2. Beneficial features of the Panasonic GH4
      7m 42s
    3. Drawbacks of the Panasonic GH4
      6m 18s
    4. Menu options of the Panasonic GH4
      13m 59s
    5. Evaluating the footage
      8m 48s
  7. 15m 6s
    1. Making everyone look their best on camera
      1m 30s
    2. What does a makeup artist or stylist do?
      3m 31s
    3. Products used to fight shine
      5m 8s
    4. Applying Anti-Shine
      4m 57s
  8. 16m 49s
    1. The adaptable GoPro
      1m 7s
    2. Stealth
      3m 57s
    3. Adding filters
      3m 1s
    4. Shooting Anamorphic footage
      2m 19s
    5. Evaluating the footage
      6m 25s
  9. 21m 17s
    1. Introduction to the Zoom H4n
      1m 52s
    2. Recording to an iPad or iPhone
      4m 21s
    3. Attaching directly to a camera
      4m 28s
    4. Using a Tascam recorder
      5m 12s
    5. Recording to a laptop
      5m 24s
  10. 11m 23s
    1. DJI Phantom 2 Vision Quadcopter
      52s
    2. Beneficial features of the DJI Phantom 2 Vision Quadcopter
      3m 9s
    3. Limitations of the DJI Phantom 2 Vision Quadcopter
      3m 15s
    4. Essential accessories for the DJI Phantom 2 Vision Quadcopter (Field)
      4m 7s
  11. 7m 59s
    1. Using a loupe
      1m 0s
    2. Attaching a loupe
      2m 18s
    3. Adjusting the diopter
      4m 41s
  12. 16m 2s
    1. Charging on the go
      52s
    2. Starting out fully charged
      2m 24s
    3. Using an inverter
      4m 0s
    4. Using a solar charger
      2m 36s
    5. Using a battery pack
      2m 13s
    6. Strategies to extend battery life
      3m 57s
  13. 23m 6s
    1. Cheap lenses
      1m 40s
    2. Lomography
      5m 28s
    3. Fujian
      2m 26s
    4. LensBaby
      4m 6s
    5. SLR Magic
      2m 26s
    6. Evaluating the Footage
      7m 0s
  14. 20m 1s
    1. Sony a7
      1m 24s
    2. Beneficial features of the Sony a7
      6m 19s
    3. Drawbacks of the Sony a7
      5m 42s
    4. Menu options of the Sony a7
      6m 36s
  15. 12m 11s
    1. What is a Tripod Top Slider?
      1m 8s
    2. Attaching the slider
      2m 17s
    3. Mounting and balancing the camera
      1m 36s
    4. Shoot strategies
      5m 7s
    5. Evaluating the footage
      2m 3s
  16. 14m 8s
    1. Remotely controlling cameras
      1m 5s
    2. Setting up the CamRanger
      4m 18s
    3. Panning with the CamRanger PT Hub
      3m 32s
    4. Evaluating the results
      5m 13s
  17. 12m 38s
    1. What are camera rails?
      1m 26s
    2. Adapting a tripod to hold multiple cameras
      3m 13s
    3. Shooting strategies
      2m 2s
    4. Using a micro rail
      2m 51s
    5. Evaluating the shots
      3m 6s
  18. 10m 26s
    1. What is a micro tripod?
      1m 29s
    2. Mounting a phone to a micro tripod
      2m 15s
    3. Mounting a GoPro to a micro tripod
      2m 1s
    4. Mounting a DSLR to a micro tripod
      1m 54s
    5. Evaluating the results
      2m 47s
  19. 22m 49s
    1. Introducing the Blackmagic 4K
      1m 30s
    2. Beneficial features of the Blackmagic 4K
      5m 7s
    3. Drawbacks of the Blackmagic 4K
      4m 14s
    4. Menu options of the Blackmagic 4K
      7m 5s
    5. Evaluating the footage
      4m 53s

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