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Applying Anti-Shine

From: Video Gear Weekly

Video: Applying Anti-Shine

Okay, we have got a actress on set and >> Great.

Applying Anti-Shine

Okay, we have got a actress on set and we're going to get her ready for the shoot. Kim, why don't we get started with some of the cream based make up, and explain the benefits as you're working. >> Yes, what I'm going to do first is apply the anti-shine gel. And, as I said before, you can use lotion or gel that says anti-shine or mattifier. Sometimes it's spelled matte, m-a-t-t-e and I'm going to apply it with a sponge. And I'm going to apply it down the nose, across the cheeks, and on the forehead.

A little goes a long way. You don't need much, but it really will cut that shine a little bit to give you a nice base to begin with for your powder. >> Now, I'm going to show my boyness here, but I believe that's called the T-zone, perhaps? >> It is called the T-zone, the forehead. >> And what's the T stand for? >> Well, because it looks like a T. You know, the forehead and then down here. Okay, it makes sense. >> So, yeah, that's why it's called the T-Zone and that's >> This is where people's oil comes out the most? >> It is, it is, that's where we have larger pores and so that's where, we get the most shine and so, as you can see, we've knocked the shine down a significant amount, but not totally.

So, at this point, I would then move over to applying our powder. Now remember we talked about all the different ways you can apply a powder. I would like to show you what not to do. >> Okay. >> Because most people, remember this little blotting powder comes with the puff. Discard that. What I don't want you to use if you choose to use a brush is a big fluffy one and you'll see people doing this, I don't know, in movies where they'll be playing around and they'll be fluffing it. >> Right. >> And they'll do all this but what that does is get the powder everywhere. So you don't want to use a big fluffy brush, you want to use a compact brush.

One that is, going to lay the powder on across the skin. So instead of fluffing it all over, I'm dragging it across the areas I want to apply it. And this way, I'm not getting powder all over her clothing, as I'm applying the powder. >> Now, are there any benefits, do you ever like to see what the camera sees, like look at the monitor as you're doing this? >> I do. I love to look at the monitor and see where the hotspots are. Or what I like to say is, work with your stylist or work with someone on the set with you and say, would you check and see if I'm getting that hot spot right under the eye or on the eyelids.

And you can say to your talent, please close your eyes for a moment, I'm just going to apply a little powder to you to cut the shine. I tend to not say I'm going to put make-up on you, if it's a guy. I say, I'm just going to cut the shine with, a little bit of, anti shine and they go, oh, okay. >> That sounds like technology. >> Yes. >> Like, oh, anti-shine and cutting, great! >> Right, don't use the term makeup, it puts them in a panic unless they're used to being on camera, but you can see now how her skin. Looks very, very matte and it's not going to be reflecting. Ideally at this point, if you had a makeup artist on set, they would apply a little blush and lipstick and, and make her look a little warmer.

But, let's just pretend that we're going with a natural look. And at least we've cut the shine, so she doesn't look all worried and nervous and like she's sweating and it's super hot in there. >> And how often does this need to be reapplied? Like, obviously, you do this before the cameras roll up front, but do you find yourself reapplying throughout the day? >> Yes, absolutely, depending on the temperature. If it's humid and hot, you're going to apply it every, sometimes every hour. And you know, if not sometimes it can last for awhile. Now my preferred method is with a powder puff and I like to use a large powder puff.

And I go in here and I load this powder puff. It's got a little nap, a little edges to this powder puff. It's velour. And we are going to load it and then press it into the skin, and this is an easy way to quickly get this on and boom, we're done. And I love using the powder puff. You're not going to, you know, press so hard you hurt them. You're just going to press it in lightly and you're going to get underneath the eyes. So you can ask them to just close their eyes and get all of the little crevices.

It tends to get very shiny here. It tends to get shiny here and up in the temples and sometimes even the eyelids. So, don't be afraid to use the edge to get right here and take care of that. So now you know how to apply it with the powder puff, with the sponge or with your brushes. >> Of course, there are lots of benefits to working with a make-up artist or stylist. Remember, if you want your work to look its best, I like to bring a make-up artist on set when I'm working with some of my corporate clients and I want everyone to come off as strong and powerful and vibrant or, when working on my public service announcements for our clients, this is just a great way to really raise the overall production value.

Kim, if folks want to get in touch with you, or find out more about working with you, what's you're website? >> kimfoley.com is my website and kimfoley@kimfoley.com is my email. >> Great. So, be sure to look up Kim and make sure you explore, expanding your kit because after all, if you can make your subjects look great, the overall production value of your video is increased.

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This video is part of

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Video Gear Weekly

84 video lessons · 10204 viewers

Richard Harrington and Robbie Carman
Author

 
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  1. 12m 22s
    1. What is a Parabolic Slider?
      1m 22s
    2. Building the Slider
      1m 41s
    3. Setting Focus
      1m 4s
    4. Adjusting the Speed of Movement
      2m 13s
    5. Evaluating the Results
      6m 2s
  2. 2m 31s
    1. Welcome to Video Gear Weekly
      2m 31s
  3. 11m 24s
    1. DJI Quadcopters
      2m 35s
    2. Calibrating the Quadcopter
      2m 12s
    3. Flying Strategies
      2m 48s
    4. Evaluating the Footage
      3m 49s
  4. 26m 53s
    1. Ultra fast primes
      2m 26s
    2. Benefits of using fast primes
      6m 25s
    3. Challenges of using fast primes
      10m 22s
    4. Evaluating the footage
      7m 40s
  5. 6m 57s
    1. Keeping Your Gear Safe
      46s
    2. Keeping Gear Dry
      3m 0s
    3. Using Camera Wraps
      1m 11s
    4. Using Lens Wraps
      2m 0s
  6. 38m 18s
    1. Introduction to the Panasonic GH4
      1m 31s
    2. Beneficial features of the Panasonic GH4
      7m 42s
    3. Drawbacks of the Panasonic GH4
      6m 18s
    4. Menu options of the Panasonic GH4
      13m 59s
    5. Evaluating the footage
      8m 48s
  7. 15m 6s
    1. Making everyone look their best on camera
      1m 30s
    2. What does a makeup artist or stylist do?
      3m 31s
    3. Products used to fight shine
      5m 8s
    4. Applying Anti-Shine
      4m 57s
  8. 16m 49s
    1. The adaptable GoPro
      1m 7s
    2. Stealth
      3m 57s
    3. Adding filters
      3m 1s
    4. Shooting Anamorphic footage
      2m 19s
    5. Evaluating the footage
      6m 25s
  9. 21m 17s
    1. Introduction to the Zoom H4n
      1m 52s
    2. Recording to an iPad or iPhone
      4m 21s
    3. Attaching directly to a camera
      4m 28s
    4. Using a Tascam recorder
      5m 12s
    5. Recording to a laptop
      5m 24s
  10. 11m 23s
    1. DJI Phantom 2 Vision Quadcopter
      52s
    2. Beneficial features of the DJI Phantom 2 Vision Quadcopter
      3m 9s
    3. Limitations of the DJI Phantom 2 Vision Quadcopter
      3m 15s
    4. Essential accessories for the DJI Phantom 2 Vision Quadcopter (Field)
      4m 7s
  11. 7m 59s
    1. Using a loupe
      1m 0s
    2. Attaching a loupe
      2m 18s
    3. Adjusting the diopter
      4m 41s
  12. 16m 2s
    1. Charging on the go
      52s
    2. Starting out fully charged
      2m 24s
    3. Using an inverter
      4m 0s
    4. Using a solar charger
      2m 36s
    5. Using a battery pack
      2m 13s
    6. Strategies to extend battery life
      3m 57s
  13. 23m 6s
    1. Cheap lenses
      1m 40s
    2. Lomography
      5m 28s
    3. Fujian
      2m 26s
    4. LensBaby
      4m 6s
    5. SLR Magic
      2m 26s
    6. Evaluating the Footage
      7m 0s
  14. 20m 1s
    1. Sony a7
      1m 24s
    2. Beneficial features of the Sony a7
      6m 19s
    3. Drawbacks of the Sony a7
      5m 42s
    4. Menu options of the Sony a7
      6m 36s
  15. 12m 11s
    1. What is a Tripod Top Slider?
      1m 8s
    2. Attaching the slider
      2m 17s
    3. Mounting and balancing the camera
      1m 36s
    4. Shoot strategies
      5m 7s
    5. Evaluating the footage
      2m 3s
  16. 14m 8s
    1. Remotely controlling cameras
      1m 5s
    2. Setting up the CamRanger
      4m 18s
    3. Panning with the CamRanger PT Hub
      3m 32s
    4. Evaluating the results
      5m 13s
  17. 12m 38s
    1. What are camera rails?
      1m 26s
    2. Adapting a tripod to hold multiple cameras
      3m 13s
    3. Shooting strategies
      2m 2s
    4. Using a micro rail
      2m 51s
    5. Evaluating the shots
      3m 6s
  18. 10m 26s
    1. What is a micro tripod?
      1m 29s
    2. Mounting a phone to a micro tripod
      2m 15s
    3. Mounting a GoPro to a micro tripod
      2m 1s
    4. Mounting a DSLR to a micro tripod
      1m 54s
    5. Evaluating the results
      2m 47s
  19. 22m 49s
    1. Introducing the Blackmagic 4K
      1m 30s
    2. Beneficial features of the Blackmagic 4K
      5m 7s
    3. Drawbacks of the Blackmagic 4K
      4m 14s
    4. Menu options of the Blackmagic 4K
      7m 5s
    5. Evaluating the footage
      4m 53s

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