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Video Production Techniques: Location Audio Recording
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Recording a speaker


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Video Production Techniques: Location Audio Recording

with Anthony Q. Artis

Video: Recording a speaker

One more element that we want to look out for when it Now, when it come to the presentation itself, there's not a whole heck of a

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Video Production Techniques: Location Audio Recording
1h 23m Appropriate for all Nov 20, 2013

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Audio is one the most important but least appreciated aspects of filmmaking. Your audience will notice if you don't put the same care and attention you pay to your visuals into your audio. In this how-to course, Anthony Q. Artis walks through many of the most common audio recording scenarios. Think of it like an audio "cookbook" with step-by-step recipes for situations like conference panels, stage shows, and narrative dialog scenes. Anthony also shows you how to set up mixers, wireless mics, and booms, and make sure your camera is correctly set up to capture audio. He wraps up with troubleshooting tips covering a range of issues, from wind noise to echoes, and shows how to fix the problems you can't solve on set in post production.

Topics include:
  • Hooking up a mixer
  • Selecting the right mic for the job—table, lavalier, or boom
  • Using wireless mics
  • Hiding mics
  • Mic'ing the crowd at an event
  • Capturing the action up close
  • Matching visual perspective to audio
  • Dealing with background noise
  • Reducing rumble, window, and hiss in post
Subjects:
Video Audio for Video Shooting Video
Author:
Anthony Q. Artis

Recording a speaker

One more element that we want to look out for when it comes to audio and shooting speakers with panels is audience questions. Now in the scenario that I have set up here, I have my speaker with the wireless loud mic on and I have a shotgun mic on the camera. However, if a audience member asks a question chances are that speaker's wireless live and the shocker mic aren't going to pick up that question that well. The shocker mic is pointed to the back of audience member's head. So that means, I would prefer to have a separate microphone just for audience members' questions.

This is best done with a handheld wireless microphone that can be easily passed around. If you have a hardwired microphone that works as well, as long as you can get it from one audience member to another, so it's best if you have a helper that's able to get that mic in those people's hands quickly. Now if you don't have a extra mic, it's not that big a deal. What you want to make sure you do though, is tell the speaker or whoever is up front talking to make sure that they clearly repeat the audience members questions so that everyone watching the video knows exactly what was asked and answered.

Now, when it come to the presentation itself, there's not a whole heck of a lot I have to do if I've set up everything up properly like I just said. Once I'm actually shooting the main thing I'm looking out for are fluctuations in the speaker's tone. Sometimes speakers get really animated, they start telling a joke and sometimes things get really serious and quiet. So I want to make sure that I'm paying careful attention to the audio levels and adjusting as I go. The other thing I'm looking out for are applause and laugh lines that can often spike your audio quickly.

So again, I'm always listening to the content being said so that I can actually anticipate if the audience is about to start bursting out into laughter or break out into a big applause, just so that I don't spike my audio. So, as long as you do those things and prep everything ahead of time, the only thing you should really have to do once the presentation starts is keep your eye on your levels and sit back and enjoy the show.

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