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And we've reached the end of up and running with Adobe SpeedGrade CC. I'd like to personally thank the film makers at Bloody Cuts and singer Chris Jane and her team for providing the footage used in this title. Let me tell you. It takes courage to release your source footage out into the world so that others may download it and then (LAUGH) experiment with it. So feel free to reach out to them and thank them for their generosity. Go ahead and visit BloodyCuts's website to see the final grades for the two short films we worked on in this titled.
Dead Man's Lake and Death Scenes but be warned these are horror shorts and are not for the squeamish. You can also find the artist Chris Jane on her Facebook fan page and no warnings about her. Nothing to be squeamish about just some great tunes from a beautiful artist. Now over the past few hours, we've dug pretty deep into SpeedGrade CC, attacking this app in the order that I'd normally attack any project. Color grade a shot, color grade a series of shots, then apply the final look.
From primaries, to secondaries, to look layers, you'd think there would be nowhere else to go from here, right? How wrong you'd be. SpeedGrade is a very deep app and we've just explored the ground floor there is a ton more to learn. And I hope you'll avail yourself of the growing number of resources available to anyone interested in SpeedGrade or color correction. Thank you so much for spending your time here with me here. And so now, I send you out into the world to spread the word that color correction is as important a step to story telling as the dialogue in it, or the final audio mix.
And let your peers know if they've got access to Adobe's Creative Cloud Suite, they've got access to SpeedGrade. There's no more excuses for shoddy looking images and every excuse to dramatically increase the production value of all the projects we worked on. My name is Patrick Inhofer. Good luck and happy grading.
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