From the course: Pro Video Tips
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Lighting for a film look
From the course: Pro Video Tips
Lighting for a film look
- Just because your 5D Mark III can capture an image in available light, doesn't mean that you should, especially if you're trying to achieve a film look. A big part of the reason film looks better than video is the lighting. Avoid low light situations whenever possible and use professional lighting gear for controlled setups. When it comes to the professional look of your project, apart from a good DP, hiring a good and experienced lighting person is probably hands down the very best investment you can make in getting a film look, regardless of what camera you're shooting on, whether it's an Alexa or an iPhone. In fact, I can pretty much guarantee you that any narrative cell phone cinema production you've seen, that actually looks good, was almost certainly do to careful attention paid to lighting. Big budget films look the way they do, not just because of the cameras but even more so because of the professional lighting. I think the videos we do here at lynda.com look as good as…
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Contents
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Tips on boosting your production value1m 46s
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Shooting with a shallow depth of field1m 36s
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Great audio and sound design2m 44s
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Keep your shots steady2m 32s
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Keep your camera moving2m 29s
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Location, location, location2m 15s
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Adding appropriate titles and FX1m 56s
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Hiring a colorist3m 38s
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Introduction to shooting discreetly1m 1s
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Scouting locations for a stealth shoot1m 47s
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Traveling and shooting low profile1m 25s
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Recording audio discreetly1m 25s
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Using discreet cameras and camerawork2m 22s
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Running interference1m 24s
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Adding production value with local resources1m 13s
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Always have a plan B55s
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Seven tips for better managing your crew3m 13s
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Get it all on paper first2m 6s
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Learn to delegate2m 12s
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Hiring is half the work2m 53s
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Understand how each person likes to work1m 34s
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Feed them good food31s
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Learn to speak their language1m 55s
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Goodbye1m 35s
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