From the course: Pro Video Tips
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Faking reverse shots and cutaways
From the course: Pro Video Tips
Faking reverse shots and cutaways
- Although I'd like to always get multiple angles whenever I'm shooting single camera, it's just sometimes too hectic to do while shooting an interview solo or in a tight timeframe, where I've got my hands more than full just trying to shoot and conduct a traditional interview. Fortunately, when it comes to faking multi-camera coverage, the bulk of the job doesn't have to be during the interview itself. If you want to play it safe, you can just shoot a more traditional interview, but leave yourself 10 to 15 extra minutes with the subject at the end of your formal interview to capture a handful of key shots that we're gonna seamlessly edit into our final piece to make it seem like we had cameras in a bunch of different places at once. So for phase two of our interview, we want to mentally review the conversation we just had, because we're going to now re-ask one or two of the questions that got them the most animated and yielded the best sound bites. Only this time, we're gonna…
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Contents
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Tips on boosting your production value1m 46s
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Shooting with a shallow depth of field1m 36s
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Great audio and sound design2m 44s
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Keep your shots steady2m 32s
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Keep your camera moving2m 29s
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Location, location, location2m 15s
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Adding appropriate titles and FX1m 56s
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Hiring a colorist3m 38s
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Introduction to shooting discreetly1m 1s
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Scouting locations for a stealth shoot1m 47s
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Traveling and shooting low profile1m 25s
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Recording audio discreetly1m 25s
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Using discreet cameras and camerawork2m 22s
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Running interference1m 24s
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Adding production value with local resources1m 13s
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Always have a plan B55s
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Seven tips for better managing your crew3m 13s
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Get it all on paper first2m 6s
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Learn to delegate2m 12s
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Hiring is half the work2m 53s
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Understand how each person likes to work1m 34s
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Feed them good food31s
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Learn to speak their language1m 55s
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Goodbye1m 35s
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