| Course Title | Level | Duration | Released | ||
|---|---|---|---|---|---|
| Mixing and Mastering with Pro Tools | Intermediate | 9h 18m | 08/2009 | {8} | |
| Pro Tools Projects: Time Manipulation with Elastic Audio | Intermediate | 1h 39m | 04/2010 | {8} | |
| Pro Tools Projects: Pitch Correction with Antares Auto-Tune Evo | Intermediate | 1h 42m | 04/2010 | {8} | |
| Pro Tools Projects: Editing Drums Using Beat Detective and Sound Replacer | Intermediate | 3h 5m | 04/2010 | {8} | |
| Foundations of Audio: Compression and Dynamic Processing | Appropriate for all | 2h 26m | 12/2011 | {8} | |
| Foundations of Audio: EQ and Filters | Appropriate for all | 2h 29m | 01/2012 | {8} | |
| Pro Tools Mixing and Mastering | Intermediate | 9h 31m | 03/2012 | {8} | |
| Mixing a Rock Song in Pro Tools | Advanced | 2h 12m | 05/2012 | {8} | |
| Mixing a Hip-Hop and R&B Song in Pro Tools | Advanced | 4h 9m | 12/2012 | {8} | |
| Producing Music for Advertisements | Intermediate | 2h 1m | 06/2013 | {8} | |
After recording and editing a session, take advantage of the lessons in Pro Tools Mixing and Mastering to refine the final mix and master of your project. Avid Certified Expert and pro mix engineer Brian Lee White covers all the basic mixing tools that every producer and engineer should know, from using EQ to add clarity and focus to applying compression and limiting to control dynamics and maximize track levels within a mix. The course stresses the importance of creating a solid mixing plan and setting up the studio before beginning any work in Pro Tools. Throughout the course, Brian lends his insights, inspirations, and studio secrets from over a decade of professional mixing to help you become a better mixer.
Topics include:
- What is mixing? Exploring the past, present, and future
- Mixing “in the box”
- Setting up monitors and ensuring proper acoustics in the studio
- Staying organized with labels, memory locations, and window configurations
- Working with the Pro Tools Mixer
- Building healthy and profitable mixing habits when putting together a final mix
- Using volume and pan to balance the mix
- Employing corrective versus creative EQ strategies to create clarity and contrast
- Knowing when and when not to process the audio of a track
- Working with compressors and dynamics processors
- Using saturation effects to capture an analog-type sound
- Adding reverb and delay to create depth in a mix
- Working with limiting and multiband compression during the mastering process
- Dealing with plug-in delay and latency in a mix
- Using the bundled plug-ins in Pro Tools to add clarity, punch, and width to a mix
- Recording and editing automation to add drama and excitement
- Using clip based gain to control headroom and gain staging
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