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In this course, professional audio engineer Scott Hirsch shows how to create an evocative sound mix for a film or video, built from basic audio collected during the shoot and transformed into a final mix using Pro Tools 9. This course shows how to set up and optimize a Pro Tools session template for projects with unique requirements, record Foley and ADR audio, layer sound effects, perform corrections such as noise reduction and pitch shifting, mix for stereo and 5.1 surround sound, and finally, how to format and deliver the finalized mix, whether destined for DVD, movie theater, broadcast, or the web.
In this movie, we are going to go over how you can set up your final print mastering session so you can record or print your mix and separate your dialogue, effects, and music stems all in one pass. So let's say we are done with the surround mix. We are getting ready to finalize and print our work. In addition to the full 6-channel 5.1 mix we also want to separate out the mix elements into various printed stems for delivery. This gives us a lot of options later for any further edits, any rights issues that might come up with music, and broadcast specifications. So to be as flexible as possible we are going to want to deliver dialogue, effects, and music print stems as well as the full surround mix.
If your project is long, doing all these mixes can take hours or even days. But I am going to show you a way to route your session so you can output more than one stem and your full mix all in one pass. So first we need to make some record tracks. So down at the bottom of my session I am going to select the last track and I am going to make them at the end here and make 4 audio tracks. Shift+Command+N or Ctrl+Shift+N. 4 audio tracks and these are going to be full 5.1 tracks. These are going to be where we print our mixes to. And the first track we are going to name Mix Print.
That's going to be our fully combined mix of all the elements. I am going to hit Command or Ctrl for PC, right arrow to go to the next, and this is going to be called DX Print. This is where just a dialogue stem will be printed to. Command or Ctrl+Right-arrow, FX Print, Command or Ctrl+Right-arrow, MX Print, and we are done. So we've named our 4 print stems. So now we just need to route to these stems. I am going to start with just taking our dialogue bus and in its output we are going to use this feature to route to our dialogue DX Print track and we are going to do same with effects except we are going to take this one to our FX Print track, and the MX Bus we are going to send to our Music Print track.
So there we've set up our tracks to go to their respective print master tracks for recording our print masters. But we also need to do one more and that's to combine all the tracks to simultaneously go to the Mix Print track. So to do this, we are going to use something called Multiple Output Destinations. Multiple Output Destinations lets you assign output of a track to two places at once. So in addition to going to their respective print tracks, each of these dialogue effects and music tracks are also going to be simultaneously going to the Mix Print track and combine there.
So to make multiple output destinations, you hold Ctrl or the Windows key as you go into your output selector of your track. So I am holding Ctrl, I'm going into my output selector of the dialogue bus and I'm going to go into track and assign this also to the Mix Print track. Now, you see a plus sign appeared in the output Sselector. I am going to make this track medium so we can see what's happening. Actually, I'll make all the buses medium. So when you see a plus sign, that means that this track is indeed outputting to multiple output destinations. So if I click in here and I go under the buses that it's assigned to, I can see that Dialogue Print and Mix Print are both checked.
That's what we want. So we wanted the same thing with the FX Bus. So holding Ctrl or Windows key, go in here and assign it also to the Mix Print, and we're going to do the same for the music bus. Hold Ctrl and go down and assign it to the Mix Print as well. So all three, dialogue bus, effects bus, and music bus are going to both their respective stems to print and the final full mix to print as well. So now the next thing we want to do when we're listening back to this as we are printing, we don't want to hear all of these at one time.
It's going to be very loud and it won't be accurate representation of what we are actually doing. So we actually want to send the dialogue, effects, and music stem just to a dummy output, and we want to listen to the full mix as we print, just a quality check as we are printing. So let's go up to Setup > I/O and we are just going to go ahead and under the Bus window we are going to make a new path, and this will be a 5.1 path, and we will just call this Dummy. It's going to be our dummy output. It's really just going nowhere.
But it gives us a place to send our dialogue, effects, and music print. I am going to hold Shift to select all those and Option or Alt+Shift and I'm just going to send those to that dummy track I just created, so we won't have to hear those as we print. Now, we are going to want to record enable all 4 of these tracks when we're getting ready to print. One more thing that we should do before we do our final print is just go back to your Mix window and we want to make sure just double and triple check that all of your tracks are bussed to the correct stem.
So this is what we want to see, that all the dialogue buses are outputted through the dialogue bus, all the effects tracks are assigned through the effects bus. If you had one of these off or in the wrong place, then it's going to really mess up our stems because we'll get say for example a music track and our dialogue stem and we don't want that. So just a word of warning, you should double and triple check your routing before you do your final print master. So everything is ready to go. Now, we just want to roll to before the show starts, say at the 2pop, and start recording.
So hit 3 on my numeric keypad and we start rolling and there we are. So zoom in a little bit, and you can see that all four tracks are printing at one time, and we are hearing just our final 5.1 mix where the other ones are going to a dummy output, and again when you're done with this print master you are going to want to check your files and make sure that everything is there and send them off to the final delivery. So the print mastering stage is a good place to be. It means your creative work is done but it isn't time to tune out. The moves you make here in this stage have high consequences.
So make sure you pay attention and make sure you listen to all your stems before sending them off.
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