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Updates to modern workflows

From: Premiere Pro Guru: Organizing Assets

Video: Updates to modern workflows

If there's one constant in media technology, that constant is change.

Updates to modern workflows

If there's one constant in media technology, that constant is change. Things are constantly changing in production and post production. That's just the way it is. If you think about the logging and organizing process. It started with film. Snipping physical pieces of film and sorting them in bins and you're probably familiar with bins from software. But I'm talking about bins, physical bins that look like a laundry hamper to house and store your footage, so then things move forward, we move to tape.

And if you were in the industry at that time, you're probably familiar with a big cart being rolled into the room. And an assistant editor plucking tapes off and to pop in the next tape. Load it up. And then of course, we kept moving forward into digital technologies. Everything became card and drive based. We hit DSLR which brought us back to a lot of the traditions of film like sync sound. Lot of asset preparation went into just syncing up the audio with the video. Today where are we, we have feature documentary films that are partially or completely on iPhones, so we're transitioning and using this quote unquote lower quality but incorporating it into our professional projects.

We have Go Pro that are putting cameras on small tiny things, mounting it on people's helmets. Model helicopters and airplanes. Where will this go next? Well, we don't really know, but this part of the process; organizing and importing, it's going to continue to change. We're going to have cameras and devices that upload the footage directly to servers. So it's being edited. Even before you're back from the field. My theme here is that as much as things change, some things stay the same.

As an editor, it's always going to be necessary to find the footage you need, and the quicker you can find it, the better. That's doubly true if you've got a client in the room with you paying by the hour, and looking over your shoulder. So, no matter when or where we are in this trajectory. Different technologies, some things will change. Not everything I'm going to show you in this course will stay the same. But the basic goals, what we're trying to accomplish and the concepts and techniques we use are going to stay very, very important for post production and editing.

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This video is part of

Image for Premiere Pro Guru: Organizing Assets
Premiere Pro Guru: Organizing Assets

55 video lessons · 3241 viewers

Jason Osder
Author

 
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  1. 2m 27s
    1. Welcome
      38s
    2. What you should know before watching this course
      45s
    3. How to use the exercise files
      19s
    4. Organization: What works best for you
      45s
  2. 10m 13s
    1. The benefits of organizing assets
      57s
    2. Updates to modern workflows
      2m 20s
    3. Organizing assets in and out of Adobe Premiere Pro
      1m 47s
    4. The Common Media folder
      5m 9s
  3. 37m 49s
    1. Determining the best import method for your workflow
      1m 49s
    2. The Metalogging workspace
      2m 43s
    3. Using the Media Browser
      3m 59s
    4. Importing footage from a drive
      3m 42s
    5. Importing photos and graphics
      2m 38s
    6. Importing layered Photoshop files
      4m 10s
    7. Importing audio files
      2m 21s
    8. Importing bins with a CSV file
      4m 37s
    9. Browsing and importing Premiere Pro projects
      3m 32s
    10. Importing Final Cut Pro and Avid projects
      6m 41s
    11. Useful keyboard shortcuts for import
      1m 37s
  4. 23m 55s
    1. When to use Bridge
      1m 41s
    2. Creating a collection in Bridge
      3m 27s
    3. Batch renaming in Bridge
      2m 30s
    4. When to use Prelude
      3m 47s
    5. Performing a verified card transfer with Prelude
      6m 32s
    6. Transcoding media with Prelude
      2m 11s
    7. Copying to multiple drives with Prelude
      1m 49s
    8. Moving clips from Prelude to Premiere Pro
      1m 58s
  5. 49m 48s
    1. Essential preferences related to media management
      3m 34s
    2. Logging and pre-editing
      2m 9s
    3. Understanding the Project panel
      4m 51s
    4. Adding metadata in the Project panel
      3m 55s
    5. Sorting and sifting through clips
      3m 29s
    6. Organizing media with labels
      1m 15s
    7. Selecting a label group
      1m 13s
    8. Working with bins
      4m 20s
    9. Clip markers
      4m 28s
    10. Sequence markers
      2m 36s
    11. Marker shortcuts
      1m 52s
    12. Workarounds with markers
      1m 40s
    13. Using the Find command
      3m 7s
    14. Using filters
      2m 2s
    15. Using subclips
      3m 15s
    16. Choosing markers vs. subclips
      1m 41s
    17. Customizing columns
      2m 11s
    18. Useful keyboard shortcuts for organizing and logging
      2m 10s
  6. 10m 55s
    1. Adding markers with Prelude
      6m 1s
    2. Subclipping with Prelude
      1m 49s
    3. Rough cutting with Prelude
      3m 5s
  7. 15m 44s
    1. Understanding metadata
      2m 40s
    2. The Metadata panel
      3m 56s
    3. Customizing headings and displays
      3m 39s
    4. Metadata schema
      1m 57s
    5. The Timecode panel
      1m 33s
    6. Speech analysis
      1m 59s
  8. 33s
    1. Wrapping up
      33s

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