From the course: Premiere Pro Guru: Video Finishing Techniques
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Tracking color corrections - Premiere Pro Tutorial
From the course: Premiere Pro Guru: Video Finishing Techniques
Tracking color corrections
Earlier in this chapter in the movie about making color corrections, I showed you a technique of making a secondary color correction to reduce the saturation of a portion of a shot. Now that's a great way of making a targeted correction but it's not the only way that you can make a secondary correction inside of Premier Pro. Now just to be clear, what I'm about to talk about is an entirely new feature inside of Premier Pro that first came out in this recent release of the 2014 version of Premier Pro. And that's the ability to add masks and then track those masks inside of Premier. Let me show you how this works. Here I have a shot of our main guy here in his bedroom, getting consoled by his wife about how much debt they're in. And the shot looks okay. I've actually already gone ahead and over here in my Effects controls, just done a basic correction to kind of amp up the sort of contrast in that shot, make it a little bit brighter, I added a little bit of saturation. But I can tell…
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Contents
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Improving render quality with sequence settings4m 54s
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Using video scopes to analyze brightness and contrast9m 38s
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Using video scopes to analyze color8m 35s
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Additional scope options with ScopeBox9m 28s
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Fixing common contrast problems8m 49s
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Fixing common color problems11m 6s
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Raw and log formats8m 18s
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Adjustment layers for color correction5m 10s
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Tracking color corrections5m 54s
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Using Lumetri effect presets4m 41s
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The Direct Link workflow with SpeedGrade9m 47s
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Developing a look in SpeedGrade to use in Premiere Pro8m 50s
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Noise reduction with SpeedGrade and After Effects9m 11s
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Noise reduction with Neat Video7m 43s
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