From the course: Premiere Pro Guru: Video Finishing Techniques
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Raw and log formats - Premiere Pro Tutorial
From the course: Premiere Pro Guru: Video Finishing Techniques
Raw and log formats
Continuing on with our exploration of some core color correction techniques, in this movie, I want to discuss something that I think you'll be finding a lot more of in your own projects. And that's Log and Raw video. Now, what do I mean by Log and Raw video? Well, these are newer technologies, they're not new-new, but they're newer that allow you to get the most out of your footage. Log recording sort of increases the overall dynamic range that you can get in a shot. And when you look at video that's been recorded log, it looks rather flat and kind of desaturated, and really doesn't look all that good. And it almost requires that you color correct it in post-production. Now, what's raw video? Well, if you've ever shot photos with a digital still camera, you've probably encountered a Raw photo. Now, RAW allows you to manipulate sensor data. That's right. You can actually adjust settings that you normally would in the camera in post production. Things like ISO and color temperature…
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Contents
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Improving render quality with sequence settings4m 54s
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Using video scopes to analyze brightness and contrast9m 38s
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Using video scopes to analyze color8m 35s
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Additional scope options with ScopeBox9m 28s
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Fixing common contrast problems8m 49s
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Fixing common color problems11m 6s
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Raw and log formats8m 18s
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Adjustment layers for color correction5m 10s
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Tracking color corrections5m 54s
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Using Lumetri effect presets4m 41s
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The Direct Link workflow with SpeedGrade9m 47s
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Developing a look in SpeedGrade to use in Premiere Pro8m 50s
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Noise reduction with SpeedGrade and After Effects9m 11s
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Noise reduction with Neat Video7m 43s
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