From the course: Premiere Pro: Documentary Editing
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Presenting the picture lock to the client and receiving approval - Premiere Pro Tutorial
From the course: Premiere Pro: Documentary Editing
Presenting the picture lock to the client and receiving approval
We've already talked about picture lock from a process perspective. Briefly I want to talk about picture lock from a management, budgeting, and communication perspective, how you present the picture lock to the client and get feedback. First off, picture lock is a great way to manage the budget. If you have milestones in your project and your client knows to expect certain things along the way, getting their approval of the picture lock is a way to move forward and know that your client has confirmed all your work up until that point. The idea is to get any changes in now and not need to go back later and make them which will probably cost you more time and money, because it's going to be out of the rhythm of the way you work. When you present the cut, make sure your client knows that this is about their content. We use picture lock internally to talk about the process. Sometimes when I'm talking to the client, I slide in the term content lock to mean basically the same thing, but to…
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Contents
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Performing an editorial evaluation4m 41s
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Refining scene order2m 53s
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Adjusting interview content7m 57s
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Adjusting B-roll shots6m 29s
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Tightening clip timing6m 21s
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Fine-cutting audio9m 22s
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Reviewing all assets6m 18s
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Adding end credits5m 12s
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Locking the picture and preparing the Timeline for finishing3m 37s
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Presenting the picture lock to the client and receiving approval2m 38s
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