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Looking at the Clip Speed/Duration dialog box

From: Premiere Pro CC Essential Training (2013)

Video: Looking at the Clip Speed/Duration dialog box

Now, using Fit to Fill on the Rate Stretch tool are excellent ways to make a clip go faster or shorter, but there's oftentimes when you want to be very precise about how much you want to speed something up or precise on how much time you have for the event to happen and that's where the Speed Duration dialog box comes in to play. One of the places that you can find it, is directly on the clip itself. So this pizza shot here, is wonderfully engaging at a minute and forty three seconds.

Looking at the Clip Speed/Duration dialog box

Now, using Fit to Fill on the Rate Stretch tool are excellent ways to make a clip go faster or shorter, but there's oftentimes when you want to be very precise about how much you want to speed something up or precise on how much time you have for the event to happen and that's where the Speed Duration dialog box comes in to play. One of the places that you can find it, is directly on the clip itself. So this pizza shot here, is wonderfully engaging at a minute and forty three seconds.

Let me just play three seconds of it and you can actually see how it draws you in. I think you've seen enough of this. Now what I want to point out is that, this becomes much more interesting to watch the pizza cook if we speed it up. Instead of its taking its default duration of a minute and forty three seconds, I want to see it cook a little bit faster. And that's a convention I can get a way with in a cooking show. Now I do want to point out, that I've modified this clip a little bit. If I go up under the effects control tab, I put on a gamma correction to make the blacks a little bit deeper so it looks more tasty And I've also adjusted the rotation so it's even in the stove.

If you've imported this media directly from the exercise files without using the one that I've already put in the timeline,you'll notice that your pizza is a little lopsided and it's a little washed out. But, I want to make this faster, so I'm going to write click on the clip and there is a choice here called speed and duration. When I click on that I have this option here of changing either the speed or the duration, and these are directly linked together. Now you can break this link if you need to but most of the time you'll leave these connected to each other. For instance, if I make this clip, say, 50% of its normal speed, which means it's going at half speed...

You'll notice that the time will double. And conversely, if I say make this500% or five times faster, it drops from a minute 43 down to 20 seconds. But I have a specific amount of time, I want this to just take 10 seconds to cook. So instead of clicking on speed, I can click on the duration. Say, just make this clip ten seconds and zero frames. And then when I click off it, it will do the math that's necessary. So in about ten seconds, this pizza's going to cook.

I also have some other options down here. And we'll explore the ripple edit and shifting trailing clips in the next few clips on our timeline. But for right now, this is good. If I click Reverse Speed, this is a great way if you want something to play backwards. So it starts at the end and goes to the beginning. But for now, we don't want to uncook the pizza. So we'll just leave it at 10 times normal speed. And I'm going to press OK. Now when I press OK, you'll notice that in the Timeline the clip will get shorter. And if I go ahead and play the clip at this point, it truly is an engaging shot, because we actually see the pizza bubbling.

So, whether I tell my viewer that I've sped it up or not Is unimportant as long as it looks interesting to the viewer I'm in good shape. Now I could go ahead and right click and do a ripple delete to bring these other clips down the timeline to fill in that space. Now let me undo this because I want to show you what one of the other option does. And then I'm going to show in process how you can really speed up your editing. Using this dialogue box. So, we'll go back to speed and duration.

And in this case, I will select ripple edit, and shift trailing clips. Now, when I make it speed faster, I'm going to go the other route. I know from our previous example, that 1000 will work. Because that'll make it about 10 seconds long. And this time I do have ripple edit, and shifting trailing clips selected. I'm going to press OK, and take a look at my timeline. It shortens the clip, but it closes the gap. So, the clip is now 1/10th the duration, but I don't have to worry about retiming anything further down the timeline. So that's what that check box will achieve.

It will actually close the space. And conversely, if I had made it really long it won't hit that wall. So I'm going to very quickly do this one more time, and making longer with rippled checked and unchecked. Hit undo, right-click Speed and duration, and now instead of making it 1,000% I'm going to simply make it 50%. If ripple is checked when I hit OK, the clip gets longer. And I'm going to hit the Backslash key.

And it pushes everything down the timeline. Again, it works exactly how I expected. Undo it one last time. This time I will right click speed and duration, uncheck the ripple, once again make it 50%, so it's not going to ripple anything. Now watch what happens when I press OK. It will make it 50% but it won't allow it to automatically override these clips which is a good thing. So what really happenned behind the scenes well it slowed the clip down to 50% but if I load this clip into the viewer it trimmed the very end.

So I have the right speed, but because I didn't have enough room, it just took advantage of the space that was available. I could go ahead and either do a trim edit, or hold down the Cmd key, and do a trim ripple, and make it as long as I need it to be. Let's explore a couple of speed tricks related to the speed dialog box. If I zoom in and use my Up and Down Arrow keys to jump exactly to where the first series of clips start, we can see that I have that same situations on earlier videos where the earlier clips were long enough.

. Let me scroll over so we can see the entire chunk. And I can show in how instead of grabbing the rate stretch tool I can very quickly close these spaces. So, I'm going to select all of these clips by drawing a bounding box around them and now I'm going to right click and choose the same speed and duration dialogue box. Now, I need them to be slower, so I'm going to make them all about 50% of their current duration. So let me type in "50%" right here.

And if I choose Ripple Edit, shift trailing clips or shifting trailing clips, it's going to slow them down, make them each twice as long, but still leave all of those faces. I don't want that. I want to close the spaces. So that's okay. When it hits the next clip, I don't care if it's seven seconds or eight seconds as long as it's 50%. I'll press OK and very quickly I've been able to slow all of these down and fix the problem. This one needed a little more space. I can either go back to the rate stretch tool, or just right click on that one, choose speed and duration, choose 40%, and that's going to make it a little bit longer.

We see it goes to three seconds in ten frames, hit okay, and the space is closed. >> Tapioca flour, the cheese, the egg, this is the oil. >> Now once I do this, I may grab the audio and move it left and right a little bit, depending how I want that timing to be. And if I don't like all the action, I can select any clip And throw it back into my source video, and do slip edits if the media is available.

Now, what would I do in this case? Here all the clips are really tied together. I made a very quick cut. And we used this earlier on when we learned about transitions, but I want it to breathe a little bit. >> Let's go ahead and watch the first three or four clips. >> We're going to add the tapioca flower, the cheese, the egg, use the oil and. >> So it's accurate but it's really fast for the viewer to digest. So we're going to do the same thing we did before but, because these are connected, we're going to take advantage of one of the other options in our box.

And that is the ripple edit shift trailing clips. So, now I do want it checked. I'm going to knock the speed again down to 50%. But when I go ahead and press OK, it's going to actually make each of these clips longer and spread out the audio to keep everything in alignment. So now I have it slower and once again I can start tweaking it so the timing matches the best feel. >> The egg. Mix the oil and the water. >> Now, if I feel this is too long, I could go ahead, reselect it and, instead of 50%, make it 70% or 80% and get it exactly how I want it. But the beauty of doing it this way Is I can do it to a series of clips, which is faster and more efficient.

Show transcript

This video is part of

Image for Premiere Pro CC Essential Training (2013)
Premiere Pro CC Essential Training (2013)

106 video lessons · 36042 viewers

Abba Shapiro

Expand all | Collapse all
  1. 5m 35s
    1. Welcome
      1m 15s
    2. Using the exercise files
      3m 1s
    3. What is Premiere Pro CC?
      1m 19s
  2. 29m 33s
    1. Why you should watch this fast-track chapter
      1m 33s
    2. Importing media
      1m 29s
    3. Selecting shots
      2m 48s
    4. Editing to the Timeline
      4m 51s
    5. Refining the edit
      2m 41s
    6. Adding transitions
      3m 2s
    7. Adding titles
      4m 9s
    8. Adding and adjusting music
      7m 35s
    9. Outputting your show
      1m 25s
  3. 30m 13s
    1. Launching the application for the first time
      5m 13s
    2. Touring the interface
      4m 29s
    3. Customizing windows and panels
      4m 56s
    4. Choosing your editing style
      6m 5s
    5. Understanding system requirements
      3m 1s
    6. Adjusting some basic user preferences
      6m 29s
  4. 47m 5s
    1. Setting up a project and sequence
      7m 11s
    2. Understanding all the types of media used in creating a video
      5m 12s
    3. Importing files already on your computer
      3m 57s
    4. Importing pre-organized media
      3m 24s
    5. Importing media from existing Premiere projects
      4m 39s
    6. Importing card-based media
      6m 11s
    7. Importing Final Cut XML files
      2m 36s
    8. Organizing your media
      6m 13s
    9. Reconnecting offline media
      7m 42s
  5. 18m 54s
    1. Basic editing overview
      4m 38s
    2. Previewing and marking media in the Project panel
      6m 12s
    3. Previewing and marking clips in the Source panel
      3m 9s
    4. Creating subclips
      4m 55s
  6. 9m 19s
    1. Marking and targeting destinations in the Timeline
      3m 35s
    2. Moving clips in the Timeline
      1m 27s
    3. Trimming edit points in the Timeline
      1m 24s
    4. Splitting and deleting clips
      2m 53s
  7. 24m 59s
    1. Performing an overwrite edit
      5m 7s
    2. Performing an insert edit
      3m 20s
    3. Using swap edits
      2m 37s
    4. Using multiple tracks
      4m 24s
    5. Targeting specific tracks in the Timeline
      4m 8s
    6. Cutting a B-roll sequence
      5m 23s
  8. 20m 16s
    1. Looking at three-point edits
      5m 26s
    2. Performing replace edits
      6m 5s
    3. Linking and unlinking audio
      4m 48s
    4. Working with markers
      3m 57s
  9. 24m 49s
    1. Performing ripple and roll edits
      5m 53s
    2. Using slip and slide edits
      6m 34s
    3. Performing J and L cuts
      3m 32s
    4. Looking at the Trim Monitor window
      2m 47s
    5. Increasing trim efficiency
      2m 11s
    6. Tips and tricks for trimming
      3m 52s
  10. 27m 28s
    1. Taking control of your Timeline
      4m 7s
    2. Adding video and audio tracks
      4m 32s
    3. Changing track visibility and locking tracks
      3m 22s
    4. Rendering media in your Timeline
      5m 34s
    5. Using the History panel to undo multiple actions
      2m 22s
    6. Creating keyboard shortcuts
      4m 19s
    7. Creating buttons
      3m 12s
  11. 29m 43s
    1. Exploring audio in Premiere Pro
      6m 32s
    2. Adjusting audio levels of clip
      7m 17s
    3. Keyframing audio levels of a clip
      4m 33s
    4. Mixing audio
      7m 34s
    5. Fixing out-of-sync audio
      3m 47s
  12. 20m 56s
    1. Importing still images
      4m 57s
    2. Working with stills
      6m 36s
    3. Animating stills with keyframes
      4m 49s
    4. Animating Photoshop files
      4m 34s
  13. 8m 59s
    1. Changing clip size, cropping, and position
      5m 16s
    2. Animating the position of clips over time
      3m 43s
  14. 14m 43s
    1. Applying basic video and audio transitions
      3m 1s
    2. Modifying transitions
      8m 6s
    3. Applying multiple transitions
      3m 36s
  15. 47m 2s
    1. Applying video effects
      2m 42s
    2. Modifying effects
      4m 47s
    3. Combining multiple effects
      8m 30s
    4. Keyframing your filters
      6m 22s
    5. Adjusting existing filter timing
      5m 56s
    6. Applying effects to multiple clips
      2m 31s
    7. Copying and pasting attributes
      4m 25s
    8. Creating and saving effect presets
      6m 46s
    9. Applying audio effects
      5m 3s
  16. 25m 36s
    1. Looking at the Warp Stabilizer
      5m 14s
    2. Working with chroma key and green screen
      4m 45s
    3. Using color correction tools
      6m 55s
    4. Looking at the Lumetri color looks
      4m 6s
    5. Using adjustment layers to save time
      4m 36s
  17. 27m 41s
    1. Fit-to-fill editing
      6m 41s
    2. Stretching a clip
      4m 15s
    3. Looking at the Clip Speed/Duration dialog box
      9m 17s
    4. Making variable speed changes
      7m 28s
  18. 15m 29s
    1. Creating a static title
      4m 35s
    2. Creating a lower third title
      2m 57s
    3. Creating rolling and crawling credits
      3m 40s
    4. Using Photoshop for titles from within Adobe Premiere
      4m 17s
  19. 22m 2s
    1. Introducing multicam
      2m 57s
    2. Creating a multicam clip with timecode and sync points
      5m 13s
    3. Creating a multicam clip using audio waveforms
      2m 55s
    4. Editing a multicam clip in the Timeline
      6m 50s
    5. Refining a multicam edit
      4m 7s
  20. 21m 38s
    1. Finishing techniques
      8m 35s
    2. Exporting a master
      6m 52s
    3. Exporting for devices and the web
      6m 11s
  21. 16m 55s
    1. Moving and copying a project
      7m 46s
    2. Archiving a project
      6m 49s
    3. Preparing and integrating your workflow with non-Adobe applications
      2m 20s
  22. 1m 35s
    1. Next steps
      1m 35s

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