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Exporting a still frame

From: Premiere Pro CS5 Essential Training

Video: Exporting a still frame

Premiere lets you export a still frame like a capture of what you've got going on here in your project very quickly with a touch of a button. Before I show you how to do that, let me show you why this is so great. I love this frame. It's just beautiful. The colors of the snowboard and the jacket against the sky, the composition of this, something about like the lines, I love this shot to death. So let's say we wanted to have a freeze frame on that where we ended up at 13:11, which is the cool frame here, and we want it to end on that.

Exporting a still frame

Premiere lets you export a still frame like a capture of what you've got going on here in your project very quickly with a touch of a button. Before I show you how to do that, let me show you why this is so great. I love this frame. It's just beautiful. The colors of the snowboard and the jacket against the sky, the composition of this, something about like the lines, I love this shot to death. So let's say we wanted to have a freeze frame on that where we ended up at 13:11, which is the cool frame here, and we want it to end on that.

We want to have a freeze-frame. Well, what we had to do in the past is split the layer and then right-click on the layer, go to Frame Hold, and then hold on let's say the out point or whatever, and it was so tedious. If you wanted to make a freeze- frame that way, you still can. It's good to know about that technique. But it is much easier to simply go to this camera icon and it says Export Frames. We will click on this and we will leave the name as is. Change the format to something a little bit more conventional like a TIFF or a Targa.

We will go to Browse, and we will go to Media, Stills, choose that folder, go ahead and click OK. Then we could double-click in the Project panel and go to our Stills folder, import that TIFF as a still, and then we could trim the end of our video to that point, and then drag the TIFF file right afterwards. Then we have thereby created a freeze-frame. Very cool, much easier than trying to do a hold frame and not only that but now you have an exported still from your video.

So if you want to show a client like color correction or how things are lining up, or a lower third or graphic that you have created, then this is a great way to do that.

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This video is part of

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Premiere Pro CS5 Essential Training

83 video lessons · 50506 viewers

Chad Perkins
Author

 
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  1. 4m 1s
    1. Welcome
      55s
    2. What is Premiere Pro CS5?
      1m 41s
    3. Using the exercise files
      1m 25s
  2. 16m 44s
    1. The Premiere Pro workflow
      2m 21s
    2. Adding footage to the Timeline
      2m 19s
    3. Understanding timecode
      3m 3s
    4. Making basic edits
      5m 15s
    5. Getting familiar with the interface
      3m 46s
  3. 21m 59s
    1. Setting up a new project
      3m 48s
    2. Creating a new sequence
      5m 30s
    3. Capturing and ingesting footage
      2m 51s
    4. Importing files
      5m 23s
    5. Sorting and organizing clips
      4m 27s
  4. 33m 19s
    1. Making a rough cut
      4m 0s
    2. Making preliminary edits
      4m 55s
    3. Creating overlay and insert edits
      4m 16s
    4. Using video layers to add B-roll
      3m 47s
    5. Using ripple edits and ripple delete
      3m 1s
    6. Performing slip edits
      2m 54s
    7. Using the Razor tool
      3m 51s
    8. Moving edit points
      3m 47s
    9. Navigating efficiently in the Timeline
      2m 48s
  5. 28m 45s
    1. The job of an editor
      2m 59s
    2. When to cut
      5m 54s
    3. Avoiding bad edits
      6m 31s
    4. The pacing of edits
      3m 47s
    5. Using establishing shots
      2m 44s
    6. Using emotional cutaways
      2m 1s
    7. Fixing problems with cutaways
      2m 48s
    8. Matching action
      2m 1s
  6. 21m 38s
    1. Using markers
      3m 31s
    2. Replacing clips
      2m 36s
    3. Exporting a still frame
      1m 51s
    4. Creating alternate cuts
      1m 25s
    5. Rearranging clips in the Timeline
      2m 15s
    6. Targeting tracks
      2m 32s
    7. Disconnecting audio and video
      5m 0s
    8. Reconnecting offline media
      2m 28s
  7. 9m 46s
    1. Adjusting the rubber band
      3m 13s
    2. Adjusting clip position
      1m 21s
    3. Moving the anchor point
      2m 50s
    4. Adjusting clip size and rotation
      2m 22s
  8. 8m 15s
    1. Changing the speed of a clip
      1m 58s
    2. Using the Rate Stretch tool
      1m 57s
    3. Playing a clip backward
      4m 20s
  9. 10m 26s
    1. Understanding pixel aspect ratio
      5m 15s
    2. Understanding frame rates
      2m 15s
    3. About HD standards
      2m 56s
  10. 10m 32s
    1. Using layered Photoshop files
      2m 31s
    2. Animating clip position
      3m 33s
    3. Fading layers in and out
      4m 28s
  11. 12m 40s
    1. Applying transitions
      6m 2s
    2. Using transitions effectively
      4m 41s
    3. Setting up the default transition
      1m 57s
  12. 38m 31s
    1. The importance of ambient audio
      6m 35s
    2. Cutting video to music
      7m 38s
    3. Changing audio volume over time
      9m 55s
    4. Fixing audio problems
      9m 57s
    5. Censoring audio
      4m 26s
  13. 16m 25s
    1. Creating censored video
      5m 22s
    2. Creating a lens flare
      2m 20s
    3. Creating a logo bug
      3m 27s
    4. Creating background textures
      5m 16s
  14. 13m 23s
    1. Intro to compositing
      1m 11s
    2. Removing a green screen background
      9m 14s
    3. Compositing with blend modes
      2m 58s
  15. 22m 37s
    1. Adjusting white balance
      2m 24s
    2. Increasing contrast
      3m 5s
    3. Adjusting luminance
      4m 30s
    4. Creating cinematic color
      5m 21s
    5. Creating a vignette
      3m 12s
    6. Creating a day-for-night shot
      4m 5s
  16. 16m 5s
    1. Creating titles
      4m 55s
    2. Creating a lower third
      9m 12s
    3. Animating rolling credits
      1m 58s
  17. 14m 13s
    1. Exporting sequences from Premiere
      3m 57s
    2. Exporting with the Adobe Media Encoder
      2m 13s
    3. The most common formats and codecs
      4m 42s
    4. Exporting portions of a sequence
      1m 54s
    5. Rendering letterboxed footage
      1m 27s
  18. 6m 46s
    1. Examining the other apps that come with Premiere
      4m 25s
    2. Working with Final Cut Pro
      2m 21s
  19. 20s
    1. Goodbye
      20s

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