From the course: Premiere Pro Guru: Video Finishing Techniques
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Developing a look in SpeedGrade to use in Premiere Pro - Premiere Pro Tutorial
From the course: Premiere Pro Guru: Video Finishing Techniques
Developing a look in SpeedGrade to use in Premiere Pro
In the previous movie, we talked about the direct link workflow. That's the interoperability between Premiere Pro and Adobe SpeedGrade. And it's pretty slick, and pretty cool, and really efficient. And when we went over to SpeedGrade, we applied kind of a silly looking look to a shot to prove a point of what happens when you come back to Premiere Pro. We made a shot kind of hot pink and when we got back to Premiere Pro, well the shot was hot pink, and that's because a Lumetri effect was applied to the shot. And that's obviously a nice seamless way to do things, but in a lot of workflows, you want to kind of build a look library. You want to have sort of corrections that are kind of your go to corrections or your go to grades. For example, you might want to have a generic warm look or a generic cool look, or sort a generic high contrast look. And, it really doesn't matter the actual shot that you're working on. You just want to save, a library of corrections. So when the time and the…
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Contents
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Improving render quality with sequence settings4m 54s
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Using video scopes to analyze brightness and contrast9m 38s
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Using video scopes to analyze color8m 35s
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Additional scope options with ScopeBox9m 28s
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Fixing common contrast problems8m 49s
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Fixing common color problems11m 6s
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Raw and log formats8m 18s
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Adjustment layers for color correction5m 10s
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Tracking color corrections5m 54s
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Using Lumetri effect presets4m 41s
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The Direct Link workflow with SpeedGrade9m 47s
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Developing a look in SpeedGrade to use in Premiere Pro8m 50s
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Noise reduction with SpeedGrade and After Effects9m 11s
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Noise reduction with Neat Video7m 43s
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