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Clip markers

From: Premiere Pro Guru: Organizing Assets

Video: Clip markers

{QTtext}{width:960}{textColor:65280,65280,65280}{justify:center}{timescale:1000}{backColor:0,0,0}{plain}{font:Verdana}{size:20} I move it to where that starts. We've been largely talking about organizing clips. >> If God is outside the equation. >> God is outside the equation,

Clip markers

I move it to where that starts. We've been largely talking about organizing clips. I'm not trying to be super exact here, because I'm not editing. But what about organizing logging and finding your I'm just leaving a mark to come back later. way around inside the content of a specific clip. And then I tap m. One of my favorite tools for that is markers and markers, There you see my marker. And it's going to stay there. We'll be able to find it later, any time we open up this clip. you've probably used them before, but they work just like they sound. But more importantly look how a marker They're just little marks that can to bookmarks of Post-It notes. That allow you just to put a little mark, and a little note was formed here that will make it very easy to navigate later as the markers window gets populated. where there's something you want to remember inside a clip.

So we play a little further and I want to show you marking on the fly too. Because if you've got a long interview, you might Let me show you how they work. just want to hit play and just tap M every time there's something that you might want to use, I'm here inside Premier Pro, and I've got an interview clip open. I also still have the meta-logging work and then go back later and fill in some information. space up, and that's going to be important. >> Knows as god and is nature. In a sense, God is nature. >> God is nature. You might notice already that in the bottom right, there's a window Oh, I stopped to talk to you, but if I let it roll, called Markers, and we're going to see that at work in just a second. It's very easy to apply markers. >> Then of course, >> I just lay it in in motion. There's a button right down here that's Add Markers, and the shortcut is m. And so on. I really like using the shortcut, because you can do it on the fly. We go through a whole clip, and, and this is only less than a minute long, but Actually, you can use the button on the fly, too. you can imagine having a half hour interview and I just like hitting the keyboard. finding all the good bytes, listening for a bit. So we listen to our interview for a bit, and when we find >> If God is outside the equation. >> God is outside the equation, a bite that we want to use later, we lay down a marker. we mark another. Now, let's take a closer look at what's going on here in the Markers window. >> Such an entity. You notice that each one of these markers has created an entry here in the window. On the other hand, if you say that God is Spinoza's God, and is nature. >> So if that's what we want, a bite about Spinoza's God. If I double click the marker here, I open up the marker detail and this is where I can start to add really granular information. I move it to where that starts. You might want to have done this as we go along. I'm not trying to be super exact here, because I'm not editing. Because now I actually I'm just leaving a mark to come back later. have to remember what these are. And then I tap m. There you see my marker. And it's going to stay there. The first one was Spinoza and I think it's even spelled right. You could fill in detailed comments, I'm not going to now and We'll be able to find it later, any time we open up this clip. there is also a duration something that a lot of people don't realize. But more importantly look how a marker A marker initially marks one spot. But if you know that it say ten seconds was formed here that will make it very easy that is important, you can type ten. And, period for the shortcut to navigate later as the markers window gets populated. for seconds. And now the marker will be ten seconds long. Now you see the marker extended, and you can see the name, Spinoza, right there. I can do that to each of these. This one, I think was about God and nature. And if I have a duration, I can put it in. And you can see where the combination of names and duration is really useful to find the things we're talking about right here in the Source Viewer. There's one important technical thing about markers in Premiere Pro that it's important to keep in mind. That's if the markers are actually written to the media file as meta data. Let me say that again. When you make a marker, it's not saved in the project, it's actually saved on the media itself. That means once that marker has been added, even if you take that Quick Time Media and bring it into a different project in Premier

Pro, you're going to see the exact same markers. If I double click the marker here, I open up the marker detail and this is where I can start to add really granular information. You might want to have done this as we go along. Because now I actually have to remember what these are. The first one was Spinoza and I think it's even spelled right. You could fill in detailed comments, I'm not going to now and there is also a duration something that a lot of people don't realize. A marker initially marks one spot. But if you know that it say ten seconds that is important, you can type ten. And, period for the shortcut for seconds. And now the marker will be ten seconds long. Now you see the marker extended, and you can see the name, Spinoza, right there. I can do that to each of these. This one, I think was about God and nature. And if I have a duration, I can put it in. And you can see where the combination of names and duration is really useful to find the things we're talking about right here in the Source Viewer. There's one important technical thing about markers in Premiere Pro that it's important to keep in mind. That's if the markers are actually written to the media file as meta data. Let me say that again. When you make a marker, it's not saved in the project, it's actually saved on the media itself. That means once that marker has been added, even if you take that Quick Time Media and bring it into a different project in Premier

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This video is part of

Image for Premiere Pro Guru: Organizing Assets
Premiere Pro Guru: Organizing Assets

55 video lessons · 2981 viewers

Jason Osder
Author

 
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  1. 2m 27s
    1. Welcome
      38s
    2. What you should know before watching this course
      45s
    3. How to use the exercise files
      19s
    4. Organization: What works best for you
      45s
  2. 10m 13s
    1. The benefits of organizing assets
      57s
    2. Updates to modern workflows
      2m 20s
    3. Organizing assets in and out of Adobe Premiere Pro
      1m 47s
    4. The Common Media folder
      5m 9s
  3. 37m 49s
    1. Determining the best import method for your workflow
      1m 49s
    2. The Metalogging workspace
      2m 43s
    3. Using the Media Browser
      3m 59s
    4. Importing footage from a drive
      3m 42s
    5. Importing photos and graphics
      2m 38s
    6. Importing layered Photoshop files
      4m 10s
    7. Importing audio files
      2m 21s
    8. Importing bins with a CSV file
      4m 37s
    9. Browsing and importing Premiere Pro projects
      3m 32s
    10. Importing Final Cut Pro and Avid projects
      6m 41s
    11. Useful keyboard shortcuts for import
      1m 37s
  4. 23m 55s
    1. When to use Bridge
      1m 41s
    2. Creating a collection in Bridge
      3m 27s
    3. Batch renaming in Bridge
      2m 30s
    4. When to use Prelude
      3m 47s
    5. Performing a verified card transfer with Prelude
      6m 32s
    6. Transcoding media with Prelude
      2m 11s
    7. Copying to multiple drives with Prelude
      1m 49s
    8. Moving clips from Prelude to Premiere Pro
      1m 58s
  5. 49m 48s
    1. Essential preferences related to media management
      3m 34s
    2. Logging and pre-editing
      2m 9s
    3. Understanding the Project panel
      4m 51s
    4. Adding metadata in the Project panel
      3m 55s
    5. Sorting and sifting through clips
      3m 29s
    6. Organizing media with labels
      1m 15s
    7. Selecting a label group
      1m 13s
    8. Working with bins
      4m 20s
    9. Clip markers
      4m 28s
    10. Sequence markers
      2m 36s
    11. Marker shortcuts
      1m 52s
    12. Workarounds with markers
      1m 40s
    13. Using the Find command
      3m 7s
    14. Using filters
      2m 2s
    15. Using subclips
      3m 15s
    16. Choosing markers vs. subclips
      1m 41s
    17. Customizing columns
      2m 11s
    18. Useful keyboard shortcuts for organizing and logging
      2m 10s
  6. 10m 55s
    1. Adding markers with Prelude
      6m 1s
    2. Subclipping with Prelude
      1m 49s
    3. Rough cutting with Prelude
      3m 5s
  7. 15m 44s
    1. Understanding metadata
      2m 40s
    2. The Metadata panel
      3m 56s
    3. Customizing headings and displays
      3m 39s
    4. Metadata schema
      1m 57s
    5. The Timecode panel
      1m 33s
    6. Speech analysis
      1m 59s
  8. 33s
    1. Wrapping up
      33s

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