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Changing audio volume over time

From: Premiere Pro CS5 Essential Training

Video: Changing audio volume over time

Now, we are going to look at a couple of different ways to change the volume of a clip over time. Now, here is the finished product that we have been looking at, our little project here we have been using throughout this training series. I am just going to resize the video and audio portions here, so we could see this a little bit better. Audio track 2, we have our music but it's just too loud. So, I brought the audio down and then I animated it getting quieter. Because while he is talking, we definitely want this to be in the background and not too loud. And then at the end while I animated this fadeout getting a little bit louder.

Changing audio volume over time

Now, we are going to look at a couple of different ways to change the volume of a clip over time. Now, here is the finished product that we have been looking at, our little project here we have been using throughout this training series. I am just going to resize the video and audio portions here, so we could see this a little bit better. Audio track 2, we have our music but it's just too loud. So, I brought the audio down and then I animated it getting quieter. Because while he is talking, we definitely want this to be in the background and not too loud. And then at the end while I animated this fadeout getting a little bit louder.

I will explain why that is later. But these little dots indicate that we are changing the volume over time. So, that's what we are going to be doing. Again, I am going to be showing you a couple of methods of how to do this. Let's first listen to our project with the audio as is and see if you can hear the problems. Listen to the guy speaking and see how the music is a distraction. (Music Playing) (Male speaker: Beautiful scenery.) (Male speaker: Plenty of places to ride.) (Male speaker: Beautiful weather.) Okay, that's probably as far as we need to go. Because we could really barely even hear what he is saying.

Also, if we notice these audio meters, this is huge over here. The Audio Master Meters panel, it gives us display of the volume and if you have at any point the audio getting up into the red here, these two little dots, these squares at the top. If those turn on or turn red, then you are in trouble and you need to turn down your audio, because it's going to distort when you play it somewhere else. So, that's really bad news. No matter what it sounds like in your headphones or in your speakers or on your computer, that's not a good guide. The guide that you need to use are these little dots right here.

Now, again I am going to use the audio waveforms as a guide to my editing. I know that these little waveform little dots here are when the guy talks. So, I am going to use that as a reference for editing the volume or animating the volume of this music track. The first thing I am going to do is click on this rubber band. The default value for the rubber band for audio tracks-- actually I am going to just resize this really quick-- is volume level. So, I am going to click on the rubber band. I am going to drag this down till it's about -3. The -3.19 is what I am getting here and that's fine.

If I want to get it more fine-tuned, again I could hold down the Command key on the Mac or the Ctrl key on the PC. But that's fine wherever that is. Then what I am going to do is I am going to hold down the Command key and I am going to click before the cut point. That will be the Ctrl key on the PC. Then after the cut point I am going to click again. The reason why I am doing this is because I want this intro to be kind of loud. Even though we've reduced the volume of -3, it's still going to be plenty loud. But then I want to reduce it again when he starts speaking. So, I am going to drag this keyframe, which is what we've created by Command+Clicking or Ctrl+Clicking on this.

Take this down to about a -13 or so. Again, -12.62 or somewhere in that ballpark is going to be just fine. Now, if we play this back we'll hear the audio coming strong at first, because that's the first thing that we hear and that's good. Then the speaking comes in and then when the speaking comes in our audio is begun to fade down a little bit. (Music Playing) (Male speaker: Beautiful scenery.) So, I like that much better and also too because the audio starts strong, we don't really need to hear it that strong.

Because as it fades away we kind of get that sense. We could actually be very, very quiet in the background. Because it's started loud, we kind of are looking for it and mentally our ears are listening for it. So, it doesn't have to be as prominent as it was in the beginning. Now, at the end here I want the grand finale of the music to be played while this guy says his final comment. That's going to give us the most emotional impact. (Male speaker: It just doesn't get any better than this.) But then it kind of fades out. The audio fades out and it plays there.

It just shows like the logo. I want the fadeout to be a little bit louder during the logo. So, what I am going to do is I am going to Command+Click another point, right about here after the guy's done saying what he is saying. So, basically it will make it so that from this keyframe all the way to this keyframe at the end, there is not change in volume, which is what we want. Then I am going to click a point here, about at the end of that last clip. Basically, when we are looking at this logo. I am actually going to bring that up, bring that up maybe to zero or so.

So, that way we have this little like ding, ding, ding, ding, ding, little fadeout at the end there. We'll be looking at the logo and that will be something to listen to while we are looking at the logo. (Male speaker: It just doesn't get any better than this.) So I like that. That's kind of cool. But we do need to actually fade out. So, what I am going to do is then Command+Click or Ctrl+Click another point. Then drag that all the way down, and if you drag it all the way down you'll see this -00. That's supposed to be like the infinity sign. So, it basically means negative infinity, which means muted.

So, I am going to backup. Now, let's play that final little sequence here. (Male speaker: It just doesn't get any better than this.) So, maybe that fade out a little bit too abrupt. I don't want to drag this keyframe over to the right, so the fade out, it's a little bit more gradual not as jarring. (Male speaker: It just doesn't get any better than this.) And maybe that last keyframe right here when it gets loud, maybe it's a little bit too high. So maybe I want to drag that down to -1.50 or somewhere around there. So, basically now we have this really controlled audio.

A lot times like this is the way I find myself using audio where you kind of like riding the controls and changing it and bring it up and down. Of course, you got to be subtle about it because the viewer can't recognize that. But if you have these gradual fades. I might want to drag this apart a little bit farther so that the changes happen more subtly. That's a good idea. This is again a very common workflow. We are constantly changing the audio based on whatever else happens to be going on. With the music video, you probably want to fiddle with the audio. But because we have multiple things vying for our audio attention here.

We have a speaker and a music track. Then we kind of have to balance that and shift that balance as we go through the program. Now, I am going to do something unthinkable here. I am going to hit the Home key and select the clip here and then go to the Effect Controls panel, open up Volume. What I am going to do is I am going to click the Stopwatch for Level. That is going to get rid of all of our keyframes. I want to show you another way to adjust audio in Premiere. I am going to go to the Audio Mixer panel. I am going to, If you are not seeing that, then you go to Window > Audio Mixer and then choose the sequence for which you want to open up the Audio Mixer.

But this is very much like a traditional recording studio's Faderboard and we have these individual controls. But notice like let's say for example, Audio 2 this refers to this Audio 2 track. If I drag this audio down, we'll not see any change to this rubber band. That's because this rubber band refers to the volume of this clip and the Audio Mixer panel refers to the volume of the entire track. So, let's say we had one little clip of a song here and then another clip of some other audio here. Maybe this is like a dialogue track and this is where all the dialogue goes.

The Audio Mixer panel controls the volume of the entire track. Now, it's really cool. It remembers what you're doing. So, let's say we decided to control the volume or animate the volume of this track using only the Audio Mixer. What I want to do is first I want to name the track a little bit better. So, I'll just name this Music instead of Audio 2. Notice that changes it here and Timeline panel as well. What I am going to do is change underneath Music it says Read. This is the Automation mode. I am going to click this and I am going to change this to Write.

What that's going to do. That's going to allow me to just manually set the volume however I want. I know that I want this to be let's say zero for right now, because I've already reduced the volume of the clip itself. So, that's okay. Then I am going to play this back and then as I play this back, I am going to change the fader, the volume by clicking this little fader here. I am going to move it up and down as I want it to move up and down in the program. So instead of setting keyframes, I am just going to manually grab this as I see fit. (Music Playing) (Male speaker: Beautiful scenery.) [00:008:07.60] (Male speaker: Plenty of places to ride.) [00:008:10.60] (Male speaker: Beautiful weather.) [00:008:13.60] (Male speaker: It just doesn't get any better than this.) Okay, so there it has able to give a little bit more control.

So, now as I scrub through this, you'll see that the Fader automatically moves as I moved it when I was listening to the program. So, I decided to do something else. I dropped it a little bit too drastically in the beginning. Then I slowly raised it up, and then actually for this grand climactic by this guy when we were looking at him, I brought the music up a little bit more. So there is a gradual increase. Watch this Fader as I drag through this. Then it got a little bit louder and then we could fadeout at the end.

So, basically if you want to manually adjust the volume of entire track. You can do so with the Audio Mixer panel. You can control the panning as well if we want this to go left or right. If we wanted to solo this by clicking this little trumpet icon. We could even record actually. If you have a system to get audio into your computer, you can hit the Record button and actually record audio to a track from Premiere. In some of my previous Beyond the Basics training for Premiere on lynda.com, I go really in depth into the audio capabilities of Premiere.

It really boggles the mind. It's a little bit more advance and we need to get into in the Essential training series, but just be aware that there's a lot of power and control here. So again, if you want to adjust the volume of a clip, you can use the rubber band here in the Timeline panel. You could also use the volume control to manually set keyframes. The way that we do all the other properties in Premiere. And we could do that again in the Effect Controls panel. Or if you want to adjust the volume for entire track, you could use the Audio Mixer panel.

Show transcript

This video is part of

Image for Premiere Pro CS5 Essential Training
Premiere Pro CS5 Essential Training

83 video lessons · 51676 viewers

Chad Perkins
Author

 
Expand all | Collapse all
  1. 4m 1s
    1. Welcome
      55s
    2. What is Premiere Pro CS5?
      1m 41s
    3. Using the exercise files
      1m 25s
  2. 16m 44s
    1. The Premiere Pro workflow
      2m 21s
    2. Adding footage to the Timeline
      2m 19s
    3. Understanding timecode
      3m 3s
    4. Making basic edits
      5m 15s
    5. Getting familiar with the interface
      3m 46s
  3. 21m 59s
    1. Setting up a new project
      3m 48s
    2. Creating a new sequence
      5m 30s
    3. Capturing and ingesting footage
      2m 51s
    4. Importing files
      5m 23s
    5. Sorting and organizing clips
      4m 27s
  4. 33m 19s
    1. Making a rough cut
      4m 0s
    2. Making preliminary edits
      4m 55s
    3. Creating overlay and insert edits
      4m 16s
    4. Using video layers to add B-roll
      3m 47s
    5. Using ripple edits and ripple delete
      3m 1s
    6. Performing slip edits
      2m 54s
    7. Using the Razor tool
      3m 51s
    8. Moving edit points
      3m 47s
    9. Navigating efficiently in the Timeline
      2m 48s
  5. 28m 45s
    1. The job of an editor
      2m 59s
    2. When to cut
      5m 54s
    3. Avoiding bad edits
      6m 31s
    4. The pacing of edits
      3m 47s
    5. Using establishing shots
      2m 44s
    6. Using emotional cutaways
      2m 1s
    7. Fixing problems with cutaways
      2m 48s
    8. Matching action
      2m 1s
  6. 21m 38s
    1. Using markers
      3m 31s
    2. Replacing clips
      2m 36s
    3. Exporting a still frame
      1m 51s
    4. Creating alternate cuts
      1m 25s
    5. Rearranging clips in the Timeline
      2m 15s
    6. Targeting tracks
      2m 32s
    7. Disconnecting audio and video
      5m 0s
    8. Reconnecting offline media
      2m 28s
  7. 9m 46s
    1. Adjusting the rubber band
      3m 13s
    2. Adjusting clip position
      1m 21s
    3. Moving the anchor point
      2m 50s
    4. Adjusting clip size and rotation
      2m 22s
  8. 8m 15s
    1. Changing the speed of a clip
      1m 58s
    2. Using the Rate Stretch tool
      1m 57s
    3. Playing a clip backward
      4m 20s
  9. 10m 26s
    1. Understanding pixel aspect ratio
      5m 15s
    2. Understanding frame rates
      2m 15s
    3. About HD standards
      2m 56s
  10. 10m 32s
    1. Using layered Photoshop files
      2m 31s
    2. Animating clip position
      3m 33s
    3. Fading layers in and out
      4m 28s
  11. 12m 40s
    1. Applying transitions
      6m 2s
    2. Using transitions effectively
      4m 41s
    3. Setting up the default transition
      1m 57s
  12. 38m 31s
    1. The importance of ambient audio
      6m 35s
    2. Cutting video to music
      7m 38s
    3. Changing audio volume over time
      9m 55s
    4. Fixing audio problems
      9m 57s
    5. Censoring audio
      4m 26s
  13. 16m 25s
    1. Creating censored video
      5m 22s
    2. Creating a lens flare
      2m 20s
    3. Creating a logo bug
      3m 27s
    4. Creating background textures
      5m 16s
  14. 13m 23s
    1. Intro to compositing
      1m 11s
    2. Removing a green screen background
      9m 14s
    3. Compositing with blend modes
      2m 58s
  15. 22m 37s
    1. Adjusting white balance
      2m 24s
    2. Increasing contrast
      3m 5s
    3. Adjusting luminance
      4m 30s
    4. Creating cinematic color
      5m 21s
    5. Creating a vignette
      3m 12s
    6. Creating a day-for-night shot
      4m 5s
  16. 16m 5s
    1. Creating titles
      4m 55s
    2. Creating a lower third
      9m 12s
    3. Animating rolling credits
      1m 58s
  17. 14m 13s
    1. Exporting sequences from Premiere
      3m 57s
    2. Exporting with the Adobe Media Encoder
      2m 13s
    3. The most common formats and codecs
      4m 42s
    4. Exporting portions of a sequence
      1m 54s
    5. Rendering letterboxed footage
      1m 27s
  18. 6m 46s
    1. Examining the other apps that come with Premiere
      4m 25s
    2. Working with Final Cut Pro
      2m 21s
  19. 20s
    1. Goodbye
      20s

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