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Photoshop CS6 New Features

The searchable Layers panel


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Photoshop CS6 New Features

with Deke McClelland

Video: The searchable Layers panel

Photoshop CS6 features a new ability to filter layers. Now when I say filter, I don't mean apply filters from the Filter menu. I mean determine which layers you see and which you don't here inside the Layers panel, which makes it easier to navigate through extremely complex images. This image is a case in point. Notice that it's one of those standard compositions that contains zillions upon zillions of layers, making it very difficult to navigate what's what. However, let's say what I want to be able to see is just the adjustment layers inside of this image.
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  1. 1m 37s
    1. Welcome
      1m 37s
  2. 2h 27m
    1. The secrets of the dark interface
      3m 55s
    2. Background and Auto-Save
      3m 22s
    3. The altogether revamped Crop tool
      4m 0s
    4. The consolidated Properties panel
      3m 58s
    5. The searchable Layers panel
      5m 2s
    6. Modifying multiple layers at a time
      4m 50s
    7. The wide world of layer enhancements
      6m 48s
    8. Content-Aware Move and Extend
      6m 16s
    9. Content-Aware Patch
      3m 14s
    10. Auto-Power color adjustments
      6m 3s
    11. The brave new world of Camera Raw 7
      6m 16s
    12. The new three-part Blur Gallery
      8m 9s
    13. The Adaptive Wide-Angle filter
      7m 7s
    14. Correcting wide-angle panoramas
      7m 14s
    15. Text enhancements & styles
      4m 48s
    16. Filling & stroking shape layers
      4m 37s
    17. Aligning and stacking vector-based shapes
      4m 17s
    18. Working with the Scripted Patterns
      3m 32s
    19. Erodible brush tips & airbrushes
      5m 44s
    20. The enhanced Liquify filter
      4m 20s
    21. The new Oil Paint filter
      4m 10s
    22. Selecting skin tones and faces
      5m 11s
    23. The new Lighting Effects filter
      6m 29s
    24. Editing videos in the Timeline panel
      10m 16s
    25. Making editable 3D type
      8m 8s
    26. 3D shadows and reflections
      6m 35s
    27. Aligning and distributing meshes in 3D
      3m 0s
  3. 50m 34s
    1. Introducing the first Photoshop Creative Cloud update
      1m 36s
    2. Liquify and Blur Gallery support Smart Objects
      8m 42s
    3. Creating conditional actions
      9m 51s
    4. Moving a point with the Pen tool on the fly
      3m 32s
    5. Autonaming merged layers
      4m 42s
    6. Creating global default type styles
      4m 57s
    7. Copying CSS code from specialty layers
      4m 54s
    8. Enhanced 3D lighting with 32-bit bit color
      6m 42s
    9. The new default 3D image-based light
      5m 38s
  4. 29s
    1. Goodbye
      29s

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Photoshop CS6 New Features
3h 20m Appropriate for all Mar 21, 2012 Updated Jan 15, 2013

Viewers: in countries Watching now:

In this course, Deke McClelland offers a sneak peek at the new features in Photoshop CS6. He reveals the secrets behind the new dark interface, searchable layers, the powerful Blur Gallery, Camera Raw 7, video editing, and the Adaptive Wide Angle filter, which removes distortion from extreme wide-angle photographs and panoramas. Deke also covers the new nondestructive Crop tool, dashed strokes, paragraph and character styles, editable 3D type, and the exciting Content-Aware Move tool, which moves selections and automatically heals the backgrounds.

Topics include:
  • Enabling auto recovery and background saving
  • Filtering layers in the Layers panel
  • Modifying multiple layers at once
  • Applying layer effects to groups
  • Working with the Content-Aware tools
  • Redeveloping photos in Camera Raw 7
  • Creating depth of field with the Blur Gallery
  • Correcting wide-angle panoramas
  • Filling and stroking shape layers
  • Editing videos in the Timeline panel
  • Previewing 3D shadows and reflections
Subjects:
Design Photography
Software:
Photoshop
Author:
Deke McClelland

The searchable Layers panel

Photoshop CS6 features a new ability to filter layers. Now when I say filter, I don't mean apply filters from the Filter menu. I mean determine which layers you see and which you don't here inside the Layers panel, which makes it easier to navigate through extremely complex images. This image is a case in point. Notice that it's one of those standard compositions that contains zillions upon zillions of layers, making it very difficult to navigate what's what. However, let's say what I want to be able to see is just the adjustment layers inside of this image.

Then I'd go up here to the top left corner of the Layers panel, I'd make sure that Kind is selected in this popup menu, and then I'd move to the second icon in, Filter for adjustment layers, and click on it, and now I'm just seeing the adjustment layers inside the image. And notice that the groups have disappeared as well. I want to make that point perfectly clear. I'm going to go ahead and turn off that icon by clicking on it once again. Let's scroll up here to the top and I'll go ahead and collapse these four groups that are at work inside of the image. There are all kinds of subgroups going on as well.

And now notice, let's say I want to see just the shape layers inside the image. I'll go ahead and click on this fourth icon, and the groups completely go away. I just see those shape layers right there across all groups inside the image. Now if you want to add another option, you can. For example, let's say I also want to see the Smart Objects. I'll go ahead and click on that Smart Objects icon, and now I'm seeing both the Smart Objects and the shape layers. If I don't want to see the shape layers anymore and I just want to see the Smart Objects, go ahead and scroll up so that we can see the change here.

Then I'd click on the shape layers item to turn it off. And there are tips associated with each one of the icons so you can see what they do. And notice we've got this other item right there that allows you to turn the filtering on and off. If you turn it off, then this entire row at the top of the panel is going to go dim. If you want to again gain access to these items, then you need to turn the filtering back on. All right! Now at this point, let's say that this second baby face here is kind of creeping me out and I'd like to turn that layer off. However, finding that layer can prove very, very challenging.

Now you may know this trick. You can switch to the Move tool and then you can right-click anywhere inside the image to see what that layer is. If I right-click in the baby's face, I'm absolutely overwhelmed by layer names because there's all kinds of layers represented at that pixel that I right-clicked on. I have no desire to hunt through these layers and figure out which is which. However, assuming that the artist who created this composition named the layers effectively, I should be able to search by the layer name. So I'll go ahead and click on Name and I'll enter "baby" into the field, and sure enough, right there at the top is a layer called baby face.

I'll turn it off and that disturbing baby face goes away. Here's another trick that I think is really interesting. Notice that there are all these little Plus signs throughout the image. Let's say I want to be able to view those Plus (+) signs independently of the rest of the image. I'll go ahead and enter the word plus and now I'm just seeing all the plus signs. I'll go up to the Select menu and choose All layers and that will select all layers in the list and I'll right- click on one of the eyeballs and I have the option of hiding this layer so that I'm not seeing any of the Plus (+) signs in the composition anymore, or I could Hide all the other layers which is what I'm going to do, and now I'm seeing just the Plus (+) signs independently of the rest of the composition.

If I want to bring those layers back, I'll go ahead and right-click on the eyeball again and choose that same Show/ Hide all other layers command and that goes ahead and restores the composition to the way it was. All right, now let's say I want to see all the groups again. I'll just delete the word plus and that will restore my Layers panel. You can also search by layer Effects. In the case of this composition, we don't have any layers set to Bevel & Emboss. However, we do have a lot of Stroke effects going on, we also have a lot of Overlays; these would be color overlays, gradient overlays, and so forth.

Another thing that you can search by is blend mode. So if I choose mode and then I switch to Multiply for example, I can find all the layers that are set to Multiply throughout this image. The final option allows you to select by Color labels. Those are the labels that have been assigned to the layers, so it's not necessarily the color of the layer itself. This one is absolutely amazing, Attribute. You can filter for just the Visible layers, the Locked layers, and so forth. You can look for Empty layers. So I'll go ahead and choose Empty and sure enough, I've got this one layer that I added called uh oh, I'll just go ahead and get rid of it by pressing the Backspace key or the Delete key on the Mac, and there's so much more.

To bring back the layers, I'll just go ahead and switch back to Kind, make sure all of the icons are turned off, and that will restore our layers and our groups inside the Layers panel. So if you find yourself working inside complicated multilayer compositions, you now have the option of filtering which layers appear and which do not here inside the Layers panel.

Find answers to the most frequently asked questions about Photoshop CS6 New Features.


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Q: This course was updated on 1/15/2013. What changed?
A: The course was revised to address the new Photoshop features and enhancements bundled with the Creative Cloud update released in December 2012. We added a second chapter to the course, detailing the new enhancements. We cover the Liquify and Blur Galleries, which now support Smart Objects; creating conditional actions; auto-naming merged layers; moving a point with the Pen tool on the fly; creating global default type styles; and copying CSS code from specialty layers. We also cover two improvements to the 3D package included with Photoshop Extended: enhanced 3D lighting with 32-bit color and the new default 3D image-based light. We also updated the exercise files with new files for Chapter 2 and added an introductory video to the beginning of Chapter 2 that outlines the improvements.
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