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In this movie, I'll show you how to use the standard healing brush. Which allows you to specify the source and destination of your healing, thereby giving you more control. Now that we've gotten rid of most of the blemishes, let's take on these stray hairs. I'm going to zoom in on this hair that's found its way into the model's mouth. Now, if I were to try to get rid of this here, using the Spot Healing brush tool, just by roughly painting over it, I'm unlikely to get good results. The tool is well named after all, it's great for little spot touch-ups, but it's not good for big brush strokes, and in this case.
We've kind of wiped out the crease along her mouth, and it looks as if we've kind of blurred out the lip. So, I'll press Ctrl+Z or Cmd+Z on the Mac to undo that change. Instead what we want to do is switch from the Spot Healing brush to the healing brush by selecting the next tool down on the Flyout menu. And assuming default settings that is the source is set to sampled you just start clicking inside the image. You're going to get an error message that tells you that you need to Alt-click or on the Mac Option-click to define a source point to be used to repair the image.
When you're working with a Standard Healing brush tool, you're cloning one portion of the image onto another, and you have to specify the source. That is the area that you want to clone, an then drag onto the destination, that is the area that you want to heal away. So, I'm going to start things off by reducing the size of my cursor so that we have a very small brush. Mine happens to be six pixels, as you can see up here on the left side of the Options bar. And the most important detail to match is this crease, so I'm going to press the Alt key or the Option key in the Mac.
Those are my cursor changes to a little target. Then, I'll click right there just above the hair on the crease in order to specify that point as my source. And then, let's increase the size of the cursor a little bit so I can line up the preview. Right about there should be good. Now I'll reduce the size of my cursor once again. And I will begin dragging from that location. And then, I'll just go ahead and relase in order to heal that tiny little area. And notice what a brilliant job Photoshop has done. Now I want to heal away the rest of the brush stroke.
If I start painting in, though, I'm going to start at that same source location, so I'll get a little bit of the crease right there, which isn't what I want at all. So, I'm going to press Ctrl+Z or Cmd+Z on a Mac, to undo that change. And I'm going to start this stroke over right there just to make sure I've got things lined up properly. And that looks good. Then, I'll go up to the Options bar and turn on the Aligned check box to tell Photoshop to align my various brush strokes to each other so that I get consistent results. And now, I'll click right at that location, right at the outside of the remaining hair, and I'll Shift-click in order to draw a straight line between those two points. And Shift-click, again Shift-click again and continue Shift-clicking 'til I've gotten rid of the entire hair.
And so clicking and Shift-clicking allows you to create straight segments between those click points. Now, I'll click right about there and Shift-click on my way to the mouth. And finally, just to get rid of that tiny bit of hair inside her mouth, I'll press the Alt key or the Option key on the Mac and click right about there. Along the edge of her lip, and then I'll turn off the align check box, just to make sure we're not in alignment anymore, and I'll paint from right there into the lip like so. And that goes ahead and gets rid of that last remaining detail.
And just to make sure that I've done a good job I'll press Ctrl+Z or Cmd+Z on a Mac to undo. And then I'll press Ctrl+Z or Cmd+Z on a Mac to Redo. And that looks pretty good. I might Alt-click here and click right there in order to rid of that little bit of darkness. And as long as we're here, this location inside the image, I'm going to Alt-click right about there above and to the right of the lip. And then I'll click on that slightly dark area to get rid of it. Right, let's zoom back out in order to take in the image. And I'll scroll down as well. A couple of other details we might want to work on here.
I'm going to zoom in on the hair above the right eye which would be her left, of course. And I'm just going to select it with the Lasso tool, which I can get by pressing the L key. And, I'll Alt-click or Option-click around this detail, like so, in order to draw a polygonal lasso around it. And then, I'll press Shift+Backspace or Shift+Delete on a Mac, make sure use is set to content aware, click OK in order to heal that area away. Press Ctrl+D or Cmd+D on a Mac to deselect the image. Sometimes you'll find that the healing brush tool, which I'll select now, is best employed after using another tool. So, for example, you'll apply content to where fill and you go in and fix and defects that's remain using this tool.
So, I'll go ahead and alt click right about there because we got some texture problem. And then, I'll drag up in order to fill in that region so it's a better match. And I might Alt-click here, click there to get rid of a few of these little hairs that have been plucked out and so forth. Next, I'll go ahead and scroll up so that I can see the beginning of the hair. Now, I don't really feel like we need to heal this top region of hair. Because it's not interfering with main details in the image such as the mouth and the eyes and so forth. But I do want to heal away that blemish. So, I'll increase the size of my cursor by pressing the right bracket key. And then I'll Alt-click or Option-click, right about there, to make sure we have a bit of hair inside the source point.
Then, I'll move my cursor up so it covers up the blemish, and I'll click in order to heal that detail. I'll zoom out again and take in the entire image. Again, just to give you a sense of what we've done, I'll turn off the retouch layer. There's our original image with the hair coming into her mouth, the hair coming down into the eye, and the little blemish above the eyebrow. And here's our healed image so far. So that gives you a sense of how to work with the standard healing brush. In the next exercise, I'll show you how to work with a Clone Source panel.
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