Photoshop for Designers: Color
Illustration by John Hersey



Photoshop for Designers: Color

with Nigel French

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Video: Transparency

To distinguish between pixels that are transparent and pixels that are opaque, Photoshop uses the convention of displaying transparency as a checkerboard. What we have here is an image of St. Paul's Cathedral in London; it is a two layered document with the first layer being the original image and the second layer being the sky image. I would like to mask the sky of the original image, so that we reveal the sky off the layer beneath. In order to do this we need to use transparency.
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  1. 1m 41s
    1. Welcome
      1m 0s
    2. Using the exercise files
  2. 25m 26s
    1. Defining color terms
      2m 38s
    2. Understanding the color wheel
      4m 3s
    3. Understanding color relationships
      1m 7s
    4. Using Kuler to understand color harmony rules and create color palettes
      4m 2s
    5. Using the Kuler web site
      3m 10s
    6. Colors on screen and on paper
      1m 42s
    7. Color as a signifier
      3m 14s
    8. Color inspirations
      2m 39s
    9. Color and accessibility
      2m 51s
  3. 38m 22s
    1. Demystifying the Color Picker
      2m 57s
    2. Understanding the role of foreground and background colors
      5m 39s
    3. Choosing colors
      6m 41s
    4. Managing swatches
      7m 40s
    5. Transparency
      9m 42s
    6. Color channels
      5m 43s
  4. 40m 42s
    1. Understanding additive and subtractive color
      2m 57s
    2. RGB mode
      1m 56s
    3. CMYK mode
      2m 41s
    4. Lab mode
      3m 49s
    5. Indexed mode
      2m 16s
    6. Grayscale mode
      5m 0s
    7. Color management
      13m 53s
    8. Color depth (8-, 16-, 24-, and 32-bit)
      4m 19s
    9. Monitor calibration
      3m 51s
  5. 26m 43s
    1. Evaluating color with the Histogram panel
      3m 18s
    2. Evaluating color with the Info panel
      1m 48s
    3. Boosting color with levels
      3m 48s
    4. Auto Tone and Auto Contrast
      7m 38s
    5. Manually setting the black and white point
      3m 50s
    6. Curves
      6m 21s
  6. 18m 31s
    1. What is color correction?
      5m 45s
    2. White balancing in Camera Raw
      1m 47s
    3. Color correction with color balance
      1m 34s
    4. Color balancing using photo filters
      1m 26s
    5. Color correction with variations
      4m 27s
    6. Color correction by the numbers
      3m 32s
  7. 33m 16s
    1. Selecting color with the Magic Wand
      4m 43s
    2. Selecting color with the Quick Selection tool
      2m 26s
    3. Selecting color with Color Range
      4m 1s
    4. Neutralizing whites with the Multiply blend mode
      2m 55s
    5. Neutralizing blacks with the Screen blend mode
    6. Masking colors with the Blend If sliders
      2m 54s
    7. Masking hair with a channel mask and removing contaminant colors
      2m 58s
    8. Shifting targeted colors using Hue/Saturation
      5m 5s
    9. Matching colors using Hue/Saturation
      3m 16s
    10. Matching colors using the Match Color command
      1m 36s
    11. Matching colors using the Color blend modes
      2m 25s
  8. 21m 10s
    1. Saturating colors
      4m 10s
    2. Desaturating colors
      1m 57s
    3. Desaturating in Camera Raw
      3m 1s
    4. Creating a color accent with selective saturation
      2m 38s
    5. Enhancing a sunrise with a gradient map
      5m 49s
    6. Increasing vibrance
      1m 20s
    7. Using selective color
      2m 15s
  9. 32m 44s
    1. Designing with spot colors
      12m 16s
    2. Adding a fifth color to a CMYK image
      5m 0s
    3. Adding spot colors to a grayscale image
      5m 25s
    4. Create a metallic print effect
      3m 8s
    5. Creating duotones, tritones, and quadtones
      6m 55s
  10. 30m 45s
    1. Creating a silkscreen print look with a limited color palette
      7m 59s
    2. Combining color with black and white
      2m 22s
    3. Creating a nostalgic travel poster using the Cut Out filter
      6m 27s
    4. Mapping an image to a color look up table (CLUT)
      7m 56s
    5. Converting to black and white
      6m 1s
  11. 48m 33s
    1. Creating a hand-tinted portrait (the easy way)
      3m 29s
    2. Creating a hand-tinted portrait (the harder way)
      11m 23s
    3. Creating an Andy Warhol look
      4m 44s
    4. Applying a gradient map
      4m 4s
    5. Sepia toning an image
      8m 41s
    6. Color tinting an image
      5m 15s
    7. Split toning an image
      2m 9s
    8. Working with line art
      8m 48s
  12. 23s
    1. Goodbye

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Watch the Online Video Course Photoshop for Designers: Color
5h 18m Intermediate Jan 04, 2012

Viewers: in countries Watching now:

In this Photoshop for Designers course, Nigel French focuses on the tools and features in Photoshop designed for choosing, applying, and editing color. The course looks at concepts such as the color wheel and color harmonies as well as the practicalities of using the Color Picker, leveraging the power of color channels, and the characteristics of different color modes in Photoshop. The course includes exercises on correcting color, enhancing color, shifting and replacing colors, working with spot color channels, hand coloring black and white images, and designing with a reduced color palette.

Topics include:
  • Defining color terms
  • Using Kuler to create color palettes
  • Understanding additive and subtractive color
  • Understanding color management
  • Using the Levels, Curves, Auto Tone, and Auto Contrast adjustments
  • Color correction
  • Selecting color—from the Magic Wand to Color Range
  • Neutralizing blacks and whites with blend modes
  • Matching colors
  • Saturating and de-saturating colors
  • Increasing saturation with Vibrance
  • Designing with spot color
  • Colorizing images
Nigel French


To distinguish between pixels that are transparent and pixels that are opaque, Photoshop uses the convention of displaying transparency as a checkerboard. What we have here is an image of St. Paul's Cathedral in London; it is a two layered document with the first layer being the original image and the second layer being the sky image. I would like to mask the sky of the original image, so that we reveal the sky off the layer beneath. In order to do this we need to use transparency.

On my channels panel, I have a pre- saved alpha channel or pre-saved selection, if you're interested in how I did that, and I am going to do it very quickly and very roughly again here, I used the Quick Selection tool and then I refined that selection using the Refined Edge command. So having done that and having saved that alpha channel, I can now load that alpha channel.

And to do that I am going to go to the Channels panel. I am going to hold down the Command key or the Ctrl key and click on the alpha channel. Now I can return to my Layers panel, and I can make that selection into a layer mask, by clicking on the Add Layer Mask icon at the bottom of the layers panel. When I do so, we reveal the layer beneath. Now if I were to turn the layer beneath off, we would reveal transparency, checkerboard.

In Photoshop terms, transparency is actually a color, if you're preparing an image for use in InDesign or Illustrator, you need to use the Photoshop, that .psd or the tiff file format to retain your transparency. Here is what I mean by that. If we go to the File menu and choose Save As, it's very important that we have Layers checked and that we save in the Photoshop file format or the tiff file format, there is no advantage to saving in the tiff file format, but it will be as good.

And then click Save, now when you save in tiff and you have an image that has transparency in it, you very importantly need to check this check box, Save Transparency I am just going to Cancel that. The JPEG file format does not support transparency, so if I go to the File menu and choose Save As, and I change my format to JPEG, you'll see that because there are the option of saving layers, is not a valuable to me, my resulting image would be flattened and the area that we currently see as being a checkerboard, transparent, would end up being flat white, a solid white.

So importantly you need to save it as a psd or a tiff, if you want to retain your transparency and you are working with a document intended for print. Or if you have an image that is intended for screen, I am now going to go to Save for Web & Devices, and I would need to reduce the size of this, because the size of it is too large, if we are going to need to go on a webpage, I am going to make it 400 pixels high. And I am going to change the file format to a png 8 bit, and I need to make sure I have the Transparency option checked.

Now just going to back out of there, let me now save this image, I am going to leave Layer1 turned off, I am going to save it as a psd file, I am just going to append the numeral 1 after its current file name, saving it in the Chapter 02 folder. I'm now going to switch to InDesign, where I have this document open. It's called trans.indd, and we have a two column textframe, and we have an empty picture frame, which is right there, and in that empty picture frame, I am going to put my transparent image.

So I am going to select that frame, go to the File menu and choose Place, and then come to my Exercise files, choose the file that I just saved, and you'll see that that goes into that frame. And importantly, we see that the pixels that we saw represented as checkerboard in Photoshop are transparent, so that we are seeing through to the background color that is on the InDesign page.

We could take this one step further, because since we have a layer mask or alpha channel applied to this, we can leverage that alpha channel or layer mask, using the Text Wrap command in InDesign, and the third Text Wrap option to wrap around the object shape. And then in addition to that I would need to change the cultural Contour Options so that the type is changed to Alpha channel. And then we see the text, wrap around the shape of the object.

Just to finish that off I am going to add a little bit of offset to push the text away from the edge of the image and then press my W key to preview that. Now that works, because we prepared the transparency in Photoshop, and I'm now back in Photoshop, and I just wanted to make a couple of other observations about transparency. Whenever of you have transparency on a layer, you can lock that transparency which is going to enable you to paint only on the pixels that are already on the layer.

Here is what I mean by that. When I check this option to lock the transparency, let's say I am going to choose a red color and I am going to press B to choose my Brush tool. Now when I paint in my foreground color of red, you see that I'm only able to paint where there are already pixels on that layer, because I have locked the transparency. I am going to undo that. Another thing I would like to mention about transparency is that while most of the time it's useful to see it represented as a checkerboard, every once in a while that can be distracting, and you do have the option of changing the way that you see transparency, and these are in our preferences, if you are on a PC, your preferences are the very last item on to your Edit menu.

And the particular preference we want is Transparency & Gamut, so I'm currently seeing my transparency as a Medium-Size Grid, I can change the Size of the Grid or I can choose None, where we see the transparency represented as a solid white, this is not the same thing as a white color, we are just not saying the checkerboard in this case, because for whatever we're doing, the checkerboard maybe visually distracting. So you have that option.

Transparency is a concept integral to Photoshop and especially working with Photoshop layers, in fact, if you have just a single layer, I am going to Delete that layer mask, so that we get back to where we began and then I am going to flatten this image, and Discard my hidden layers so that now I have just a background layer. And if I were to try and do what I did before, activate that selection, come to my Layers panel, I don't have the option of making that selection into a layer mask and this is because it's an important Photoshop convention that a background layout does not support transparency.

Which is really not a big deal because all you need to do to make it into a layer that does support transparency is double-click on the layer Name or thumbnail and now it's no longer a background layer, and it does support transparency. And there is the transparency. Just to conclude, I would like to point out that transparency is achieved through masking, and if we have a look at the thumbnail of the layer mask here, we can see that black represents the masked potions and white represents the selected or revealed portions.

So we think of masking in terms of black and white. I am just holding down my Alt or Option key and clicking on the layer mask there to go it, but actually we need to think of our masking in terms of gray. In terms of masking, black represents a fully transparent pixel, white a fully revealed pixel and a 50% gray would be a pixel that is half masked and half revealed.

So we actually have 256 shades of gray when masking on a layer mask or as an alpha channel. But the most important thing to get out from this video is the fact that Photoshop is going to show you transparency as a checkerboard and to retain that transparency we need to save it as a psd or tiff or if it's going be a Web image, as a png file.

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