From the course: Photography Foundations: Black and White
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Toning - Photoshop Tutorial
From the course: Photography Foundations: Black and White
Toning
In a wet darkroom, after you've made a black-and-white print, you can soak it in different toning agents to give it an overall tone, or colorcast. By tone, I don't mean shade of gray, but an actual color tone. So a sepia tone, for example, to make an image look more antique. We can do a digital version of that very easily using the Black and White adjustment layer by simply going into the Black and White adjustment layer controls and checking this Tint box. And boom! As soon as I do, my image is tinted. I can select the color that I would like to tint by clicking on that color swatch and just picking a color. And in almost every case, remember, this is just a tint of color, so it doesn't need to be a dark, deeply saturated color. That's looking a little yellow to me. I'm going to slide more towards orange. And obviously, the type of tint you want depends on the type of mood you're going for and the subject matter and so on and so forth. Typically, sepia, orangish colors are what you…
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Contents
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The nature of grayscale images3m 33s
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Converting to black and white using Photoshop CS4 or CS56m 17s
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More about the Black & White dialog box3m 19s
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Converting to black and white using Black & White adjustment layers3m 54s
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Converting to black and white in Camera Raw4m 5s
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Making an advanced tonal correction17m 33s
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Doing more tonal corrections14m 6s
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Calming down highlights10m 4s
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Vignetting8m 58s
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The trestle images2m 39s
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Handling tricky skies2m 43s
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Doing a selective black-and-white conversion2m 23s
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Toning1m 19s
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Split-toning2m 19s
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High-key and low-key images2m 31s
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Diffusion4m 40s
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Using Nik Software's Silver Efex Pro 2 plug-in7m 46s
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