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Photoshop CS6 for Photographers
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Selecting based on color with the Color Range controls


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Photoshop CS6 for Photographers

with Chris Orwig

Video: Selecting based on color with the Color Range controls

So far, we have taken a look at how we can make selections based on shape. Well, here I want to transition to talking about how we can use what's called Color Range. And in the next few movies we will be working on a few different images to take a look at how we can use this tool in different situations. Let's say that what we want to do is change the overall color or tone of this shirt. Well, to do that, we could go to Select and then click on Color Range. This dialog is actually really powerful, and what it allows us to do is to sample specific colors or to select from our pulldown menu a color in our image.
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  1. 1m 43s
    1. Welcome
      58s
    2. Using the exercise files
      45s
  2. 11m 49s
    1. Ideas for how to learn Photoshop more effectively
      4m 25s
    2. Isolating what you've learned and taking quality notes
      3m 53s
    3. Getting creative and being ready to be surprised
      3m 31s
  3. 38m 57s
    1. Customizing the Bridge workspace
      4m 46s
    2. Reviewing and evaluating your photos
      4m 22s
    3. Rating, ranking, and filtering photographs
      5m 42s
    4. Organizing photos with stacks
      3m 55s
    5. Grouping pictures together with collections
      3m 56s
    6. Adding metadata and keywords
      4m 47s
    7. Renaming images
      1m 45s
    8. Accessing the Photoshop tools from within Bridge
      2m 28s
    9. Working with Bridge and Photoshop
      2m 40s
    10. Working with Mini Bridge
      4m 36s
  4. 45m 29s
    1. Setting up your color settings
      3m 31s
    2. Choosing preferences for the HUD color picker
      3m 50s
    3. Setting image interpolation preferences
      3m 3s
    4. Modifying zoom preferences
      4m 20s
    5. Changing HUD brush options
      3m 41s
    6. Customizing interface preferences
      3m 30s
    7. Opening up documents in tabs
      4m 11s
    8. Reviewing file-handling preferences
      5m 4s
    9. Setting performance preferences
      4m 23s
    10. Choosing cursor preferences
      5m 14s
    11. Reviewing guides and type preview preferences
      4m 42s
  5. 21m 4s
    1. Exploring two simple steps for more accurate color
      2m 57s
    2. Introducing color profiles
      5m 17s
    3. Opening and saving files with embedded profiles
      7m 33s
    4. Setting up your studio
      1m 59s
    5. A demonstration of monitor calibration
      1m 46s
    6. Finding color management resources
      1m 32s
  6. 28m 34s
    1. Introducing the Tools panel
      4m 53s
    2. Changing the view mode and working with panels
      5m 33s
    3. Opening and arranging multiple documents
      6m 31s
    4. Combining, saving, and closing multiple documents
      5m 17s
    5. Creating custom keyboard shortcuts
      5m 11s
    6. Working with a Wacom tablet
      1m 9s
  7. 18m 24s
    1. The foundation of digital imaging: pixels and bit depth
      6m 12s
    2. Introducing image resizing
      3m 42s
    3. Resizing images effectively
      3m 48s
    4. Resizing and straightening with the Crop tool
      2m 28s
    5. Creative tip: sizing images correctly
      2m 14s
  8. 41m 56s
    1. What is Camera Raw?
      2m 47s
    2. Accessing the Camera Raw preferences
      3m 16s
    3. Improving your images with the basic controls
      7m 0s
    4. Correcting color and white balance
      4m 44s
    5. Processing multiple images at once
      5m 56s
    6. Utilizing the Crop tool to recompose your pictures
      5m 28s
    7. Creating dramatic black-and-white conversions
      5m 34s
    8. Reducing noise and making tack-sharp photos
      7m 11s
  9. 32m 55s
    1. Introducing layers
      2m 22s
    2. Understanding layers and layer transparency
      1m 29s
    3. Working with layer opacity
      3m 29s
    4. Aligning layers
      1m 32s
    5. Creating new layers
      4m 53s
    6. Organizing layers
      2m 31s
    7. Filtering and finding layers
      2m 8s
    8. Adding layer style effects
      5m 28s
    9. Creating a clipping mask
      6m 50s
    10. Targeting and moving layers
      2m 13s
  10. 33m 22s
    1. Making selections with the marquee tools
      4m 50s
    2. Using the three lasso tools
      4m 56s
    3. Selecting with the Magic Wand tool
      5m 43s
    4. Working with the Quick Select tool
      7m 21s
    5. Selecting based on color with the Color Range controls
      7m 13s
    6. Correcting skin tones with Color Range
      3m 19s
  11. 23m 2s
    1. Introducing masking
      1m 14s
    2. Painting away the contents of a layer with a mask
      3m 59s
    3. Using a selection to build a mask
      3m 3s
    4. Removing a subject from the background with a mask
      6m 37s
    5. Using a mask to selectively sharpen an image
      3m 58s
    6. Making selections with Quick Mask
      4m 11s
  12. 13m 42s
    1. Creating a custom border using selections and masks
      5m 4s
    2. Painting custom border effects
      3m 34s
    3. Using prebuilt borders
      4m 13s
    4. Exploring the PhotoFrame plug-in
      51s
  13. 11m 49s
    1. Adding brightness and contrast
      3m 3s
    2. Using hue and saturation and the Target Adjustment tool
      5m 34s
    3. Working with vibrancy and saturation
      3m 12s
  14. 14m 36s
    1. Working with auto levels
      3m 36s
    2. Enhancing color and tone with levels
      4m 12s
    3. Painting in adjustments with levels and masking
      4m 10s
    4. Creative tip: checking in
      2m 38s
  15. 29m 50s
    1. Introducing the Curves dialog box
      3m 12s
    2. Using auto curves and adjustments to enhance an image
      4m 17s
    3. Changing brightness with curves and masks
      3m 59s
    4. Using curves and masks to improve tone and color
      4m 56s
    5. Making advanced selections and masks
      3m 53s
    6. Enhancing a portrait with hand-painted masks
      5m 53s
    7. Using, modifying, and saving curves presets
      3m 40s
  16. 20m 12s
    1. Introducing the magic of blend modes
      6m 33s
    2. Blending multiple images together
      3m 50s
    3. Using blending modes to remove white or black
      2m 8s
    4. Improving exposure, contrast, and color with blending
      5m 37s
    5. Using blending shortcuts
      2m 4s
  17. 10m 26s
    1. Working with color correction in Camera Raw
      1m 21s
    2. Correcting color with the eyedroppers
      3m 11s
    3. Correcting color and tone with the eyedroppers
      5m 54s
  18. 36m 1s
    1. Using a Replace Color adjustment
      4m 14s
    2. Using Replace Color, Hue/Saturation, and masks
      5m 32s
    3. Replacing color with advanced masking
      7m 14s
    4. Selecting and modifying color with the Hue/Saturation eyedroppers
      2m 30s
    5. Using Color Balance to create vivid color
      4m 3s
    6. Modifying color with Selective Color
      5m 3s
    7. Changing color with Photo Filter
      4m 4s
    8. Making creative color changes with Color Lookup
      1m 44s
    9. Creative tip: shoot more
      1m 37s
  19. 35m 13s
    1. The modern equivalent of a traditional technique
      1m 40s
    2. Introducing two burn and dodge techniques
      7m 22s
    3. Burning and dodging with the Brush and Gradient tools
      4m 18s
    4. Dodging and reducing shadows in a portrait
      6m 0s
    5. Using selections, masks, and curves to change tonality
      7m 21s
    6. Improving a black-and-white landscape
      8m 32s
  20. 16m 9s
    1. The power of black and white
      4m 14s
    2. Converting a portrait to black and white
      4m 6s
    3. Converting a landscape to black and white
      4m 23s
    4. Adding grain and tone to a black-and-white image
      3m 26s
  21. 31m 57s
    1. Introducing Smart Filters
      3m 36s
    2. Applying Smart Filters
      6m 20s
    3. Creating a soft contrast effect
      6m 38s
    4. Changing focus with the Blur Gallery
      3m 40s
    5. Working with Tilt-Shift Blur
      3m 52s
    6. Creating a realistic lens flare
      2m 45s
    7. Adding light with the Lighting Effects filter
      5m 6s
  22. 12m 33s
    1. Using the Noise Reduction filter
      3m 46s
    2. Exploring advanced noise reduction using channels
      2m 49s
    3. Masking in noise reduction to a specific area
      2m 1s
    4. Reducing noise with Surface Blur
      3m 57s
  23. 48m 30s
    1. Cleaning before you enhance
      1m 2s
    2. Introducing the healing and cloning tools
      7m 22s
    3. Cleaning up the background of an image
      6m 21s
    4. Basic portrait retouching
      3m 15s
    5. Brightening shadows under the eyes
      4m 53s
    6. Brightening the eyes
      2m 30s
    7. Retouching selected areas
      5m 27s
    8. Using Content-Aware Fill to remove distractions
      5m 34s
    9. Moving a subject with the Content-Aware Move tool
      7m 54s
    10. Changing shape and dimension with Liquify
      4m 12s
  24. 24m 2s
    1. Using the Lens Correction filter
      6m 52s
    2. Reducing exaggerated distortion
      5m 16s
    3. Applying Free Transform to correct perspective
      3m 49s
    4. Correcting distortion with the Perspective Crop tool
      3m 45s
    5. Using Puppet Warp to correct perspective
      4m 20s
  25. 26m 48s
    1. Combining two photos with movement
      4m 12s
    2. Using two frames for a group photo
      4m 57s
    3. Creating a panoramic photo from multiple frames
      3m 37s
    4. Correcting distortion with the Adaptive Wide Angle correction
      7m 34s
    5. Cropping, filling in the gaps, and making final panographic adjustments
      6m 28s
  26. 27m 24s
    1. Working with Smart Sharpen
      6m 17s
    2. Using Unsharpen Mask
      4m 49s
    3. High Pass sharpening an image
      4m 47s
    4. Selectively sharpening the in-focus areas of an image
      3m 35s
    5. Selective sharpening with hand-drawn masks
      7m 56s
  27. 22m 44s
    1. Preparing images for the web and email
      4m 38s
    2. Sharpening for the web
      3m 5s
    3. Using Save for Web to create an optimized JPEG
      4m 26s
    4. Exporting images to Facebook or Flickr
      4m 46s
    5. Creating a web gallery
      5m 49s
  28. 26m 6s
    1. Desktop printing recommendations
      2m 46s
    2. Creating a PDF layout and contact sheets
      5m 56s
    3. Using a soft proof to visualize the print
      8m 0s
    4. Adjusting printer settings
      3m 43s
    5. Customizing the Print dialog box options
      5m 41s
  29. 32m 4s
    1. Opening up a video file in Photoshop
      7m 7s
    2. Editing a video clip and adding text
      5m 15s
    3. Using adjustment layers and adding an audio track
      4m 47s
    4. Creating a project with multiple clips
      4m 55s
    5. Adding a cross-dissolve fade and creating custom shortcuts
      4m 43s
    6. Customizing the workspace to review your project
      3m 2s
    7. Exporting a project
      2m 15s
  30. 3m 4s
    1. Exploring additional resources and ways to keep in touch
      2m 29s
    2. Goodbye
      35s

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Photoshop CS6 for Photographers
12h 20m Beginner Apr 26, 2012

Viewers: in countries Watching now:

In Photoshop CS6 for Photographers, author, photographer, and teacher Chris Orwig explores Photoshop from the perspective of the photographer.

The course details the features and techniques behind enhancing and retouching photos, preparing them for print and online publishing, and much more. Chris demonstrates how to make basic edits in Camera Raw, develop and save color profiles, work with layers and selections, tone and sharpen, and retouch images while retaining their natural character.

Chris also shares some creative tips and project ideas, such as converting a photo to black-and-white and enhancing a portrait with hand-painted masks. The course also covers workflow details, such as organizing images in Bridge and Mini Bridge, optimizing Photoshop preferences, and calibrating your monitor.

Topics include:
  • Getting started with Bridge and Mini Bridge
  • Setting up color and performance preferences
  • Calibrating your monitor
  • Improving images with the basic controls in Camera Raw
  • Creating, aligning, and organizing layers
  • Using masks for removing or blending images and for sharpening
  • Working with vibrancy, hue, and saturation controls
  • Enhancing color and tone with Levels
  • Using Curves and masks to enhance brightness, color, and tone
  • Mastering the art of blending modes
  • Correcting and replacing color
  • Burning and dodging
  • Converting to black and white
Subject:
Photography
Software:
Photoshop
Author:
Chris Orwig

Selecting based on color with the Color Range controls

So far, we have taken a look at how we can make selections based on shape. Well, here I want to transition to talking about how we can use what's called Color Range. And in the next few movies we will be working on a few different images to take a look at how we can use this tool in different situations. Let's say that what we want to do is change the overall color or tone of this shirt. Well, to do that, we could go to Select and then click on Color Range. This dialog is actually really powerful, and what it allows us to do is to sample specific colors or to select from our pulldown menu a color in our image.

Let's say we want to go to Cyans. Well, here we'll try to create a selection of those colors, or we might want to try Blues. Now what this window is showing us is, in a sense, a preview of the selected area. White is selected, black isn't selected. You can also change this by clicking on this menu here. Let's choose, say, White Matte. I want to see a different perspective that we faintly selected this area of the image. Well, this faint selection, it isn't strong enough. So what I need to do is go back to just the Sampled Colors, and I want to click on the image.

I'll stay in this White Matte view because it's kind of helpful to see this. When I click on the image, either in this window or in this window here, you can see it's now showing me the selected area. Remember white means selected, black, not selected. What I could then do is I could increase my Fuzziness. As I do that, you are going to see that the edges they become softer, decrease that, well, they become harder. What about Range? Well, Range defines how far out from the area where you click the selection extends, a small area or a larger area.

You can see it's extending out further. These two controls work together as well, the more the Fuzziness, the more we can see that that range is going to reach into different areas of the picture. Well, here we have a decent selection of the shirt. Yet it's not very strong down here. We don't see enough of it down here. Well, to add to a selection, just click on this icon here, a little plus icon next to it, and then go ahead and click and drag around your image. You can see that as I am doing this, it's just building up more of the selection and I have a nice selection now of the shirt.

But I also have some of the background. We can see the jeans in the background. We can diminish that by decreasing our Fuzziness, right. We can remove that from this selection. Well, we have a pretty good selection now. We created this by using these Eyedropper tools and by using our two controls Fuzziness and Range. The next step is to go ahead and click OK. Now that we have this active selection, what you want to do is choose any of your Selection tools, say like the Lasso tool.

This will activate the Refine Edge dialog. The reason why you want to choose one of these tools is this allows you to refine the edges of the selection which we just made. Go to Refine Edge. We've seen this one before, right? We know that Smart Radius really helps out when we have edges. Notice how those edges, well, they just look so much better. Let me show you that before and after. A little bit too choppy there, right? Now much better. Add some contrast, maybe smooth things out a little bit. Actually, it looks like Smooth didn't work out so well for me.

I'll go ahead and leave that at 0. Well, I just want to refine that up a little bit and then click OK. So why did I do that? What am I trying to illustrate here? Well, first I'm trying to illustrate this idea of how you can work with Color Range to make a selection based on color. Next, how we can use this tool with what we already know about refining our selections using Refine Edge. Again, we're just kind of combining things here a little bit. The final step will be to use an adjustment in order to control color.

There are lots of ways to do this. One really simple way is to click on one of our Adjustment layer icons, say, Color Balance, and then here I'll go ahead and click and drag the slider. You can see how I can change the overall color of the shirt. Perhaps I want this to be more red, or maybe we could change it to a different color as well. We have a lot of creative control once we've made the selection. We can make really subtle adjustments, or we can make something which was really dramatic and strong. And you can make other adjustments as well, as you work with these controls and you could use other adjustment layers, too, on top of what we've done here.

So the point isn't necessarily the color of the shirt, but that we were able to select it and then modify it by using Color Range. Let's take a look at another scenario. Here, we are going to click on tent.psd. With this file, one of the things that I notice is that this area of the tent on the right-hand side in this photograph that I captured, it's a little too dark. I want to breathe some life into the area. Well, to do that, we might select that part of the tent by going to Color Range. So here, I'll go ahead and choose my Move tool and then choose Select and then click on Color Range.

What I want to do is click on the Sampled Color, whether I want to work on the sky or the tent. I click on that area. Remember, you can change your view so that you can see this in different ways. Sometimes it's helpful to be able to see more of this, perhaps, with a background. You could have it on black or on white. Next, we can use an icon like this one here and just click and drag across the image in order to build up the selection. And I am just clicking and dragging here, trying to click across these areas of the tent that I want to modify.

If ever I bring in areas that I don't want to change--in this case you can see some of the scene that I was looking at what I captured this image is now coming in as a selection in there. So what I am going to do is use the icon with the minus sign and just click across that. I don't want to select that. I'll control my Fuzziness here a little bit, also this range as far as what areas I want to select and just make a few more changes to this until I get a nice selection there. Now here, what we are going to do is just click OK in order to apply this, and after we're satisfied with our selection, and all that we'll see is marching ants, no changes yet.

The changes come when we create an adjustment. Again, we could choose one of these icons here. We'll talk more about them later, but for now let's choose Brightness/Contrast. By doing that, once we now use these controls--because we first made that selection--what it's going to do is just control that area of the image, and you can see primarily it's that side over there. Perhaps I'll add a little bit of contrast as well and just break that up a little bit, and you can see how we've now adjusted the image.

Here is before, and now here's after. So this type of an adjustment it can be immensely helpful. And it's not only helpful in situations like this where we are taking a color and changing it and doing something kind of creative, it's also really helpful in corrective situations where we have an incorrect color that we need to kind of fix. Well, let's take a look at how we can fix color with the selection technique, and let's do that in the next movie.

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