Enhancing Digital Photography with Photoshop CS2
Illustration by Bruce Heavin

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Video: Restoration 4

>> Male Speaker: Hey, welcome back. In the previous movie, I mentioned the we would be doing some burning and dodging here and as I thought about it and looked at the image, I thought, you know what, I think there's a different road to take with this image that will be a little bit better and give us better results. And so we're going to do that. We're going to do some noise reduction, and the noise reduction features in CS2 are a lot stronger that they were in CS, so it's definitely worthwhile taking this route. So let's go for it. We'll click on the top layer, Shift+Option+Command+E. You're going to merge everything to a new layer. Shift+Alt+Control+E on the PC, and let's name this layer "merged_noise_low".
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  1. 32m 38s
    1. Welcome
      28s
    2. Opening words
      1m 56s
    3. General tips 1
      2m 5s
    4. General tips 2
      4m 46s
    5. General tips 3
      3m 6s
    6. The interface
      3m 26s
    7. Custom menus and shortcuts
      3m 2s
    8. Photoshop preferences 1
      6m 24s
    9. Photoshop preferences 2
      4m 35s
    10. Color settings
      2m 50s
  2. 24m 33s
    1. Bit depth 101
      6m 42s
    2. Intro to image size
      2m 37s
    3. Image size 1 - resize
      6m 9s
    4. Image size 2 - crop
      5m 5s
    5. Image size 3 - scans
      4m 0s
  3. 16m 55s
    1. Intro to color management
      2m 52s
    2. Hardware considerations
      6m 18s
    3. Monitor calibration
      4m 14s
    4. Color settings
      3m 31s
  4. 48m 46s
    1. Bridge 101
      3m 25s
    2. Bridge preferences 1
      4m 2s
    3. Bridge preferences 2
      3m 40s
    4. Bridge preferences 3
      3m 52s
    5. Using the Bridge 1
      3m 11s
    6. Using the Bridge 2
      2m 29s
    7. Using the Bridge 3
      1m 51s
    8. Using the Bridge 4
      5m 34s
    9. Using the Bridge 5
      4m 5s
    10. Bridge slideshow
      5m 48s
    11. Metadata and collections
      3m 49s
    12. Metadata template
      2m 32s
    13. Batch processing with Image Processor
      4m 28s
  5. 1h 14m
    1. Creative tip: Gear
      3m 7s
    2. Camera RAW 101
      6m 7s
    3. Camera RAW preferences
      3m 20s
    4. Camera RAW workflow 1
      2m 24s
    5. Camera RAW workflow 2
      2m 20s
    6. Camera RAW workflow 3
      4m 44s
    7. Camera RAW workflow 4
      4m 42s
    8. Camera RAW workflow 5
      5m 18s
    9. Camera RAW workflow 6
      6m 30s
    10. Camera RAW workflow 7
      5m 43s
    11. RAW resizing
      2m 50s
    12. DNG overview
      5m 1s
    13. DNG conversion
      2m 54s
    14. Black and white 1
      6m 6s
    15. Black and white 2
      5m 2s
    16. Creative color 1
      3m 47s
    17. Creative color 2
      4m 38s
  6. 28m 1s
    1. Overview
      6m 56s
    2. Linking and groups
      3m 27s
    3. Alignment
      2m 0s
    4. Layer order and Clipping Masks
      5m 37s
    5. Layer style effects
      6m 21s
    6. History
      3m 40s
  7. 35m 23s
    1. Intro to masking
      4m 56s
    2. Using masking
      4m 56s
    3. Masking and color
      5m 46s
    4. Modifying color/tone
      5m 4s
    5. Quick mask and more
      6m 3s
    6. Custom borders 1
      3m 4s
    7. Custom borders 2
      5m 34s
  8. 24m 23s
    1. Creative tip: Kitchen
      2m 44s
    2. Replacing color
      2m 51s
    3. Magic Wand
      4m 20s
    4. More on color
      4m 7s
    5. Intro to paths
      3m 30s
    6. Creating and using paths
      6m 51s
  9. 11m 34s
    1. Understanding levels
      2m 51s
    2. Enhancing with levels 1
      4m 7s
    3. Enhancing with levels 2
      4m 36s
  10. 24m 31s
    1. Demystifying curves
      3m 47s
    2. Getting to know curves
      7m 39s
    3. Enhancing color and tone 1
      4m 52s
    4. Enhancing color and tone 2
      4m 56s
    5. Curves and actions
      3m 17s
  11. 23m 8s
    1. Creative tip: Dead Sea
      5m 8s
    2. Understanding blend modes
      7m 27s
    3. Using blend modes 2
      3m 32s
    4. Using blend modes 1
      3m 0s
    5. Using blend modes 3
      4m 1s
  12. 37m 27s
    1. Removing redeye
      1m 22s
    2. Fixing color with levels/curves 1
      4m 57s
    3. Fixing color with levels/curves 2
      3m 56s
    4. Color correction with a color chart
      3m 8s
    5. Skin by the numbers 1
      4m 9s
    6. Skin by the numbers 2
      3m 0s
    7. Skin by the numbers 3
      4m 20s
    8. Skin by the numbers 4
      1m 35s
    9. Advanced color correction 1
      11m 0s
  13. 30m 25s
    1. Enhancing color 1
      3m 11s
    2. Enhancing color 2
      4m 17s
    3. Enhancing color 3
      5m 11s
    4. Cross-processing with curves 1
      3m 12s
    5. Cross-processing with curves 2
      2m 35s
    6. Advanced saturation with Lab
      3m 58s
    7. Non-destructive burning/dodging 1
      2m 38s
    8. Non-destructive burning/dodging 2
      2m 19s
    9. Non-destructive burning/dodging 3
      3m 4s
  14. 10m 47s
    1. Creative tip: Disney
      2m 39s
    2. Black and white conversion 1
      2m 59s
    3. Black and white conversion 2
      5m 9s
  15. 3h 24m
    1. The art of retouching
      2m 23s
    2. Nature 1
      3m 8s
    3. Nature 2
      4m 16s
    4. Nature 3
      4m 26s
    5. Nature 4
      4m 42s
    6. Restoration 1
      2m 26s
    7. Restoration 2
      2m 58s
    8. Restoration 3
      2m 11s
    9. Restoration 4
      4m 26s
    10. Restoration 5
      4m 30s
    11. People - cleaning up
      5m 5s
    12. People - removing distractions
      3m 55s
    13. Architecture - cleaning up and coloring
      4m 13s
    14. People - skin and flyaways
      5m 4s
    15. People - reducing wrinkles 1
      3m 35s
    16. People - reducing wrinkles 2
      4m 52s
    17. People - whitening teeth 1
      5m 2s
    18. People - whitening teeth 2
      3m 30s
    19. People - enhancing eyes 1
      3m 27s
    20. People - enhancing eyes 2
      3m 1s
    21. People - enhancing eyes 3
      4m 4s
    22. People - enhancing eyes, skin and lips
      6m 46s
    23. People - working with highlights
      3m 41s
    24. People - enhancing eyes and eyelashes
      9m 35s
    25. People - working with light
      4m 6s
    26. People - enhancing eyebrows and lips
      7m 53s
    27. People - enhancing eyes, tone and color
      8m 32s
    28. Fashion retouching 1
      4m 40s
    29. Fashion retouching 2
      2m 40s
    30. Fashion retouching 3
      10m 0s
    31. People - enhancing skin 1
      9m 58s
    32. People - enhancing skin 2
      6m 18s
    33. Fashion retouching workflow 1
      8m 58s
    34. Fashion retouching workflow 2
      4m 25s
    35. Fashion retouching workflow 3
      3m 5s
    36. Fashion retouching workflow 4
      4m 8s
    37. Fashion retouching workflow 5
      3m 10s
    38. Fashion retouching workflow 6
      1m 43s
    39. Fashion retouching workflow 7
      2m 11s
    40. Fashion retouching workflow 8
      7m 10s
    41. Fashion retouching workflow 9
      4m 46s
    42. Fashion retouching workflow 10
      4m 5s
    43. Fashion retouching workflow 11
      3m 41s
    44. Retouching tips
      1m 55s
  16. 28m 48s
    1. Understanding shadow/highlights
      1m 51s
    2. Using shadow/highlights 1
      3m 7s
    3. Using shadow/highlights 2
      5m 5s
    4. Multiple exposures in the wild
      7m 25s
    5. Multiple exposures in architecture 1
      1m 21s
    6. Multiple exposures in architecture 2
      2m 55s
    7. Multiple exposures in architecture 3
      4m 9s
    8. Multiple exposures in architecture 4
      2m 55s
  17. 10m 35s
    1. Creative tip: Inspiration
      4m 53s
    2. Lens Correction filter - architecture
      4m 20s
    3. Lens Correction filter - people
      1m 22s
  18. 12m 48s
    1. Dust removal 1
      5m 11s
    2. Dust removal 2
      3m 34s
    3. Dust removal 3
      4m 3s
  19. 10m 29s
    1. Noise Reduction filter
      5m 2s
    2. Surface Blur and Noise Reduction filters
      5m 27s
  20. 12m 3s
    1. Creative tip: Creative People
      1m 21s
    2. Deconstructing the Lens Blur
      6m 45s
    3. The Lens Blur in action
      3m 57s
  21. 1h 22m
    1. Warming filter
      2m 34s
    2. Coloring with curves
      2m 9s
    3. Coloring with curves, color balance and hue/saturation
      2m 5s
    4. Edgy color and tone 1
      4m 48s
    5. Edgy color and tone 2
      6m 18s
    6. Creative toning
      5m 18s
    7. Camera RAW color creativity 1
      3m 30s
    8. Camera RAW color creativity 2
      3m 47s
    9. Deconstructing the creative process
      7m 57s
    10. Illumination 1
      1m 58s
    11. Illumination 2
      2m 4s
    12. Illumination 3
      2m 34s
    13. Illumination 4
      3m 46s
    14. Fun with Motion Blur
      2m 34s
    15. Motion Blur - spinning and zooming
      4m 37s
    16. Motion Blur and masking
      4m 44s
    17. Creative perspective 1 - Annika
      4m 58s
    18. Creative perspective 2 - Baja beach
      4m 9s
    19. Creative perspective 3 - Baja boats
      4m 40s
    20. Creative style with Nik Color Effects 1
      4m 28s
    21. Creative style with Nik Color Effects 2
      3m 56s
  22. 29m 17s
    1. Understanding Unsharp Mask
      3m 4s
    2. Sharpening with Unsharp Mask
      3m 56s
    3. High pass sharpening
      3m 29s
    4. New - Smart Sharpen
      4m 34s
    5. Smart Sharpen in action
      5m 34s
    6. Smart Sharpen in action 2
      2m 29s
    7. Nik Sharpener Pro
      6m 11s
  23. 15m 36s
    1. Creative tip: Reading
      3m 29s
    2. Creating a panorama 1
      2m 27s
    3. Creating a panorama 2 - Alaska
      5m 10s
    4. Creating a panorama 3 - Alaska 2
      4m 30s
  24. 28m 0s
    1. Saving Web images 1
      5m 28s
    2. Saving Web images 2
      1m 29s
    3. Creating a PDF
      3m 32s
    4. Creating a Picture Package
      1m 54s
    5. Creating a Web gallery
      2m 43s
    6. Creating promo cards 1
      4m 16s
    7. Creating promo cards 2
      7m 6s
    8. Creating promo cards 3
      1m 32s
  25. 11m 53s
    1. Photoshop tools - ordering prints
      2m 54s
    2. Printing resources
      2m 43s
    3. Printing
      6m 16s
  26. 1m 13s
    1. Goodbye
      1m 13s

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Watch the Online Video Course Enhancing Digital Photography with Photoshop CS2
14h 33m Beginner Mar 21, 2006

Viewers: in countries Watching now:

Enhancing Digital Photography with Photoshop CS2 is a video-based tutorial designed for professional photographers and enthusiasts who want to get professional results. Chris Orwig, a professional photographer and instructor at the world-renowned Brooks Institute of Photography, shares the secrets and techniques that he uses to enhance his own photography in Photoshop. The training follows a photographer's digital workflow, starting with essential color management decisions and organizing images with Adobe Bridge. Chris moves on to cover processing Camera Raw files, enhancing tone and color, and correcting imperfections. He then demonstrates how to prepare the images for output and client reviews. Chris shares examples of his work as exercise files that accompany the training videos, allowing you to follow along and learn at your own pace.

Topics include:
  • Photoshop from a photographer's perspective Essential color management decisions Managing and tagging your images with Adobe Bridge Controlling and automating the digital process with Camera Raw Professional tone and color correction Compositing multiple exposures for increased dynamic range Removing dust, scratches, and noise Selective sharpening and blurring techniques Adding creative color and lighting effects Shooting for and combining images into a panorama Techniques for sharing and reviewing images
Subjects:
Design Photography
Software:
Photoshop
Author:
Chris Orwig

Restoration 4

>> Male Speaker: Hey, welcome back. In the previous movie, I mentioned the we would be doing some burning and dodging here and as I thought about it and looked at the image, I thought, you know what, I think there's a different road to take with this image that will be a little bit better and give us better results. And so we're going to do that. We're going to do some noise reduction, and the noise reduction features in CS2 are a lot stronger that they were in CS, so it's definitely worthwhile taking this route. So let's go for it. We'll click on the top layer, Shift+Option+Command+E. You're going to merge everything to a new layer. Shift+Alt+Control+E on the PC, and let's name this layer "merged_noise_low".

So this will have some low noise reduction and then Command+J or Control+J and then we're going to call this one "merged_noise_high". So we're going to be doing some noise reduction on two different layers. So let's click in merged_noise_low and navigate to Filter > Noise > Reduce Noise, and let's take a look at this here. And for starters, I want to try to be able to see some of the image there. For starters what we'll be doing is, I'd like to take everything back down to zero and then bring up our Strength. So when we see our Strength, we say the walls look a lot better, the pants, but we're losing some detail, so we need to bring in Preserve Details here, probably even we're going to get away with about 7 on our Strength there.

Although it isn't a color image, there may be some color noise, and then details we'll just sharpen those a little bit. Let's look at our before and after. We can do that by clicking on the image, and let's take our Strength up maybe even up to an 8. Preserve some of the details. I'm looking to make sure that the faces are still sharp, things that are really important with the image and I think that's the case. Click OK. Let's look at our before and after. All right, nice. That looks really good. Now we'll go to the merged_noise_high and for this one, we'll be going to the same filter.

Filter > Noise > Reduce Noise, let's crank the Strength way up to a 10, Preserve Details way down, click OK. We're going to mask this off, so we'll go ahead and create a mask by clicking on the Mask icon, grab your brush and start off maybe with about 50 percent would be good. Paint with black. What we're looking to do here, looks like I need to take it way up now that I look at it.

Try it up in the 80 percent range there. What we're looking to do here, is to bring back some of the detail in some important areas. So I'm going to look to edges, let's look at our before and after, Shift+click the mask so you can see the before and after there, it's looking a lot better. So again, I'm actually going to paint even a higher amount, because I am using a Wacom tablet and I have that pressure sensitivity. I can dial in the amount of detail I'm painting back in with this, with pressure, which is really nice.

If you don't have that, you may want to experiment with a little bit lower Opacity setting there. Lines, garments, wrinkles, edges, going to bring back the crispness to a lot of those. I'm just going to do a heck of a lot of detail work here. Shift+click that mask before and after, see how I'm doing. Option+click the mask to see how it's looking, so you can see the areas that I'm painting details back in. Also decrease the Flow here so I can aggressively bring back in some of these details.

What Flow does is, it sets ink down and then the more you paint over an area, the more ink you have, and I showed this in another of the retouching movies, but you can see I'm really focusing on the people in the image because that's what I want to have sharp. Double-click the Zoom tool, let's look at our before and after, so there's before and after, that final noise reduction layer, it looks really good. Let's look at both of our reduction layers, we'll be zooming in just a tad bit so you guys can see it on your monitors.

There's before and after. Wow, that is a heck of a lot better. The image is really coming together. We still have nice sharp detail in the faces, in the areas where we need detail and we've reduced the noise pretty well. Nice work. See you in the next movie.

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