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Reducing shadows around eyes

From: Photoshop CS5 for Photographers

Video: Reducing shadows around eyes

Let's go ahead and take a look at how we can work on the area around the eyes. In particular like with this image we have some shadows underneath the eyes. Now these shadows are the result of an overcast day, a big light source above, and that shadow just gets trapped right underneath the eyes. So let's zoom in a little bit on this image and what I want to do is just start to take a look at how we can remove or reduce these. Now, this is going to take a few steps in order to do this, and one of the intermediary steps, it's not going to look very good, but it will look good at the end, so stick with me here on this one.

Reducing shadows around eyes

Let's go ahead and take a look at how we can work on the area around the eyes. In particular like with this image we have some shadows underneath the eyes. Now these shadows are the result of an overcast day, a big light source above, and that shadow just gets trapped right underneath the eyes. So let's zoom in a little bit on this image and what I want to do is just start to take a look at how we can remove or reduce these. Now, this is going to take a few steps in order to do this, and one of the intermediary steps, it's not going to look very good, but it will look good at the end, so stick with me here on this one.

Well, let's create a new layer. Let's do so by pressing Shift+ Command+N on a Mac, Shift+Ctrl+N on a PC. I'm going to go ahead and name this layer shadows1. I'll click OK. Next step, we're going to go ahead and select the Healing Brush. With the Healing Brush selected, we'll zoom in perhaps even further. We're going to make the brush nice and small and now we're going to go ahead and sample an area right next to this shadow. So, hold down the Option key on a Mac, Alt key on a PC, and sample that area and then painting in over.

And we're going to have to go back-and- forth as we look to try to clean this up. Now again right now I don't think this looks very good. It's not very attractive. It looks kind of unnatural, but we're going to improve that. All right! Let's work on the other eye as well, and again just going through and again just going through and sampling this and then painting this out. The next thing that I want to do is select the Clone Stamp tool, blend mode Lighten, lower Opacity somewhere around 20% or so. Here's once again Option+Click and then just paint over this area.

What this is going to do is basically brighten up a little bit of this darkness that we have here, and it's going to create a little bit more of a smooth transition, because the Healing Brush while it's great, it's kind of infamous for creating a little bit of a bleeding kind of effect where it will blur darker tones into lighter tones. Okay, well, let's zoom out and see how these eyes are so far. All right. They are okay. Let's go back to the Healing Brush. A couple of other little areas I need to clean up here that don't look very good. The wrinkles over here. I'm just looking to try to have a nice uniform look of the skin.

So, I'm working on the different brightness values here that I'm noticing, also any little wrinkles and whatnot. Well, once I've done that I realize okay this looks very surreal, very unnatural, and not very compelling. No big deal. All that we need to do now is simply lower the Opacity and as we lower the Opacity we can find the sweet spot for this so that we can simply reduce those shadows rather than remove them altogether. Because if we remove them altogether what might happen is we're going to lose a little bit of the shape or the character of the face.

So, in this case again we can dial this in and just find a nice little sweet spot here, just reducing those shadows. Again, we still need that eye shape. We just don't want that shadow to be so strong and prominent. Now the other thing that you can do is that if you ever notice if this area gets too white or if it gets too red, or there is some kind of color shift, you can do something which is really interesting. You can click on the Adjustment layer icon and choose Curves. And then once you've selected this Curves adjustment layer what you want to do is click on this icon here to create what's called a layer clipping mask.

In other words, when I make an adjustment here we can see that it's only affecting that underlying layer. You can see that's affecting that as I brighten this or as I darken it. Now, in this case we can see that it looks again really unnatural, really horrible, not very interesting. Well stick with me for a second. What we're going to do then is remove this little curve spot there. And I'm just going to click in the middle and darken this up just a touch, because what I found was that it was a little bit too bright. It's kind of too milky underneath those eyes, so now here with my before and then after. That looks a little bit more natural.

We could of course also mask in this darkness into a few areas. And it's kind of funny to think of adding darkness when we are trying to brighten. But again what we want to do is have something look natural. The other thing that we can do here is we can go into these different channels, and we could add a little bit of Hue here, perhaps a little bit of Red just to have it match the skin a little bit more evenly. And as we do this we're really getting to some advanced Photoshop stuff. And if you can come up with ways to do things like this, you can make your images look phenomenal.

Let's take a look at the before and after. Here we go. Here's our before and then our after. Keep in mind that when working around the eyes we need to be so careful because that's what we're drawn to in photographs. Therefore, we don't want to take away from the eyes. We want the eyes to be what people focus on, the expression, the faces. We want our Photoshop work to look seamless. We want to hide all of our tracks. In this case, I think we've done a pretty good job. I'm just going to zoom out so we can see this image a little bit more clearly.

Once again, our before and after. Now, of course to finish this off what we need to do is apply that same technique over to these wrinkles or these shadows underneath this side of the image as well. So, if you're looking for a good way to practice these skills, here's what I recommend. Practice what you just learned on the bride over here and see if you can get those shadows to look as good as the shadows we just finished.

Show transcript

This video is part of

Image for Photoshop CS5 for Photographers
Photoshop CS5 for Photographers

204 video lessons · 43339 viewers

Chris Orwig
Author

 
Expand all | Collapse all
  1. 4m 16s
    1. Welcome
      2m 14s
    2. Using the exercise files
      45s
    3. Photography and Photoshop
      1m 17s
  2. 27m 21s
    1. Becoming a successful student of Photoshop
      1m 1s
    2. Strategies for success
      2m 9s
    3. Taking visual snapshots
      3m 32s
    4. The importance of the 30-minute blink
      2m 38s
    5. Isolation
      5m 41s
    6. Creative memorization
      2m 59s
    7. Say it out loud
      4m 9s
    8. Be prepared for surprises
      1m 17s
    9. Why Photoshop CS5?
      3m 55s
  3. 20m 8s
    1. What is Adobe Bridge?
      2m 51s
    2. Introducing the Bridge workspace
      2m 57s
    3. Using Bridge to review and evaluate photographs
      4m 12s
    4. Working with Bridge and Photoshop
      1m 56s
    5. Introducing Mini Bridge
      3m 49s
    6. Working with Mini Bridge
      4m 23s
  4. 25m 52s
    1. Choosing your color settings
      2m 35s
    2. HUD color picker preferences
      2m 44s
    3. Image interpolation preferences
      3m 52s
    4. Zoom preferences
      1m 47s
    5. Interface preferences
      3m 3s
    6. File-handling preferences
      2m 59s
    7. Performance preferences
      2m 28s
    8. Cursor preferences
      2m 59s
    9. Guides and type preview preferences
      3m 25s
  5. 23m 46s
    1. Introducing color management
      2m 53s
    2. Two simple steps for more accurate color
      5m 34s
    3. Opening and saving files with embedded profiles
      4m 28s
    4. Why color settings and monitor calibration matter
      5m 18s
    5. Creative tip: Setting up your studio
      1m 59s
    6. Monitor calibration
      1m 46s
    7. Color management resources
      1m 48s
  6. 35m 9s
    1. Introducing the Tools panel
      1m 27s
    2. Working with the Tools panel
      4m 36s
    3. Viewing and arranging documents
      4m 29s
    4. Combining multiple images
      4m 15s
    5. Closing multiple images
      2m 17s
    6. Working with panels
      3m 50s
    7. Customizing your workspace
      4m 14s
    8. Creating custom keyboard shortcuts
      4m 49s
    9. Working with the Application bar and Full Screen view
      4m 3s
    10. Working with a Wacom tablet
      1m 9s
  7. 22m 54s
    1. Bit depth 101
      5m 29s
    2. Introducing image size
      3m 26s
    3. Resizing images
      6m 50s
    4. Resizing by cropping
      2m 33s
    5. Straightening an image
      2m 22s
    6. Creative tip: Sizing images correctly
      2m 14s
  8. 33m 49s
    1. Introducing the Camera Raw preferences
      3m 33s
    2. Opening images in Camera Raw
      3m 48s
    3. Using the basic Camera Raw controls
      3m 20s
    4. Color correction and white balance
      3m 7s
    5. Processing multiple images
      2m 21s
    6. Crop and compose
      4m 31s
    7. Converting to black and white
      2m 26s
    8. Camera raw workflow
      7m 36s
    9. Saving images from Adobe Camera Raw
      3m 7s
  9. 38m 9s
    1. Introducing transparency
      1m 29s
    2. Introducing layers
      2m 58s
    3. Working with layers
      3m 49s
    4. Aligning layers
      2m 8s
    5. Creating new layers
      4m 18s
    6. Organizing layers
      3m 34s
    7. Layer style effects
      6m 18s
    8. Creating a clipping mask
      3m 0s
    9. Targeting and moving layers
      4m 10s
    10. Layers shortcuts
      6m 25s
  10. 44m 59s
    1. Using the Magic Wand
      4m 43s
    2. Using the Quick Select tool to remove a background
      2m 16s
    3. Using the Quick Select tool for creative color effects
      2m 23s
    4. Using the Marquee Selection tool
      2m 55s
    5. Using the Magnetic Lasso tool
      3m 6s
    6. Using the Polygonal Lasso tool
      3m 28s
    7. Making color range selections
      3m 35s
    8. Using Refine Edge to improve selections
      3m 17s
    9. Using Refine Edge with a color range
      4m 21s
    10. Introducing paths
      3m 43s
    11. Creating a path selection
      4m 24s
    12. Using a path selection to improve color
      6m 48s
  11. 42m 31s
    1. Introducing masking
      1m 13s
    2. Deconstructing how masking works
      6m 56s
    3. Masking defined
      1m 51s
    4. Refining masked edges
      5m 58s
    5. Building a mask based on color
      6m 11s
    6. Changing a color using a mask
      3m 54s
    7. Masking and selective sharpening
      5m 53s
    8. Using the Mask panel controls
      4m 7s
    9. Quick Mask mode
      6m 28s
  12. 15m 8s
    1. Creating a custom border using masking
      6m 10s
    2. Using pre-built borders
      4m 21s
    3. Exploring sample image frames
      4m 37s
  13. 21m 40s
    1. Introducing the Adjustments panel
      4m 50s
    2. Using Hue/Saturation and the Target Adjustment tool
      4m 29s
    3. Adjusting brightness and contrast
      4m 46s
    4. Working with vibrance and saturation
      3m 31s
    5. Working with adjustment layer presets
      4m 4s
  14. 27m 10s
    1. Introducing levels
      3m 29s
    2. Enhancing color and tone with levels
      6m 32s
    3. Modifying color and contrast with levels
      6m 15s
    4. Using levels to make subjective color shifts
      5m 11s
    5. Using levels and masking
      3m 5s
    6. Creative tip: Checking in
      2m 38s
  15. 34m 14s
    1. Introducing the Curves dialog box
      2m 53s
    2. Demystifying curves
      5m 45s
    3. Using curves to modify color, contrast, and tone
      2m 58s
    4. Combining selections and masking with curves
      3m 6s
    5. Creating hand-painted masks
      4m 27s
    6. Enhancing a portrait with hand-painted masks
      6m 23s
    7. Using curves to enhance color
      4m 24s
    8. Using multiple curves adjustments
      1m 41s
    9. Using, modifying, and saving curves presets
      2m 37s
  16. 23m 5s
    1. Creative tip: Blending two elements
      58s
    2. Introducing blending modes
      2m 26s
    3. Blending modes visualized
      4m 40s
    4. Blending multiple images together
      4m 34s
    5. Using blending modes to remove white or black
      1m 53s
    6. Improving overexposure using blending
      1m 36s
    7. Improving underexposure using blending
      4m 8s
    8. Blending shortcuts
      2m 50s
  17. 16m 40s
    1. Correcting color with the eyedroppers
      4m 58s
    2. Correcting color and tone with the eyedroppers
      4m 14s
    3. Correcting color with Camera Raw
      1m 58s
    4. Camera Raw color correction with a color chart
      1m 52s
    5. Color-correcting skin by the numbers
      3m 38s
  18. 27m 27s
    1. Replacing color
      2m 9s
    2. Replacing color with Hue/Saturation
      5m 12s
    3. Modifying color with Selective Color
      3m 40s
    4. Modifying multiple colors with Selective Color
      3m 5s
    5. Creating dramatic sunset colors
      2m 59s
    6. Using Color Balance to improve sunrise colors
      1m 13s
    7. Using Color Balance, selections, and masks together
      4m 57s
    8. Improving a family portrait with Color Balance
      2m 35s
    9. Creative tip: Shoot more
      1m 37s
  19. 31m 12s
    1. Creative tip: The digital darkroom
      1m 20s
    2. Introducing the Burn and Dodge tools
      3m 22s
    3. Using the Burn and Dodge tools
      3m 31s
    4. Enhancing dimension with the Burn and Dodge tools
      3m 58s
    5. Improving tone with the Burn and Dodge tools
      3m 12s
    6. Using Soft Light for burning and dodging
      5m 58s
    7. Darkening with the Soft Light blending mode
      5m 39s
    8. Adding contrast to the highlights
      4m 12s
  20. 15m 1s
    1. Introducing black-and-white conversion
      4m 9s
    2. Converting a portrait to black-and-white
      4m 22s
    3. Converting a landscape to black-and-white
      2m 18s
    4. Adding grain and tone to a black-and-white image
      2m 39s
    5. Creative tip: Seeing beyond color
      1m 33s
  21. 11m 2s
    1. Adding lens flare
      3m 34s
    2. Adding film grain
      1m 47s
    3. Introducing Smart Filters
      1m 44s
    4. Applying Smart Filters
      3m 57s
  22. 10m 17s
    1. Reducing noise with Surface Blur
      4m 25s
    2. Using the Noise Reduction filter
      2m 56s
    3. Advanced noise reduction using channels
      2m 56s
  23. 45m 18s
    1. Using the Dust and Scratches filter
      3m 8s
    2. Removing dust and scratches with masking
      2m 44s
    3. Introducing the trio of healing tools
      5m 30s
    4. Using the Healing and Clone Stamp tools
      3m 26s
    5. Healing along edges and areas of contrast
      2m 8s
    6. Healing and patching
      5m 19s
    7. Using Content-Aware Fill
      4m 27s
    8. Using multiple content-aware tools for the best results
      4m 19s
    9. Making multiple selections with Content-Aware Fill
      2m 18s
    10. Deleting unwanted elements
      3m 59s
    11. Removing a garment strap with spot healing
      1m 46s
    12. Cleaning up an image with spot healing, cloning, and healing
      6m 14s
  24. 48m 59s
    1. Creative tip: Leaving crumbs
      1m 18s
    2. Whitening teeth
      2m 8s
    3. Improving eyes
      3m 24s
    4. Changing eye color
      2m 48s
    5. Enhancing makeup
      5m 33s
    6. Removing blemishes
      2m 20s
    7. Softening skin
      7m 0s
    8. Reducing shadows around eyes
      5m 32s
    9. Reducing and removing wrinkles around eyes
      6m 43s
    10. Improving highlights and shadows
      5m 6s
    11. Changing body size and shape with Liquify
      3m 50s
    12. Modifying the body with Puppet Warp
      3m 17s
  25. 23m 19s
    1. Using the Lens Correction filter
      5m 16s
    2. Removing distortion with Automatic Lens Correction
      2m 22s
    3. Improving a portrait with Lens Correction
      2m 16s
    4. Using Free Transform to correct perspective
      4m 47s
    5. Using Puppet Warp to correct perspective
      4m 47s
    6. Changing a portrait with Puppet Warp
      3m 51s
  26. 37m 11s
    1. Introducing Smart Sharpen
      4m 56s
    2. Smart Sharpen demystified
      5m 49s
    3. Smart Sharpen and masking
      8m 49s
    4. Using Smart Sharpen on small details
      5m 3s
    5. Using the Unsharp Mask filter
      6m 9s
    6. High Pass sharpening an image
      6m 25s
  27. 20m 5s
    1. Resizing for the web and email
      4m 23s
    2. Sharpening for the web and email
      2m 49s
    3. Correcting color for the web and email
      3m 50s
    4. Saving and exporting images for the web and email
      2m 43s
    5. Creating a web gallery
      4m 0s
    6. Sharing photos online
      2m 20s
  28. 17m 15s
    1. Desktop printing recommendations
      2m 46s
    2. Creating a PDF layout and contact sheets
      3m 5s
    3. Resizing and sharpening for a specific print size
      3m 12s
    4. Using Soft Proof to preview the print
      3m 48s
    5. Using the Print dialog box
      2m 25s
    6. Choosing printer settings
      1m 59s
  29. 56s
    1. Goodbye
      56s

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