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Photoshop for Designers: Layer Effects
Illustration by John Hersey

Overlay and stroke effects 5: Stroke


From:

Photoshop for Designers: Layer Effects

with Nigel French

Video: Overlay and stroke effects 5: Stroke

The last of our layer effects is Stroke and there's actually more to this than meets the eye. To begin with, we have the Size and we have the Position. Does the stroke go Outside, Inside, or is it Centered upon the edge of the layer? in which case half the stroke width goes inside and off goes outside. We have the usual Blending Mode and Opacity options. Here is where things get interesting. We can have the stroke be a Color, which is currently, or a Gradient or a Pattern.
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  1. 1m 41s
    1. Welcome
      1m 3s
    2. Using the exercise files
      38s
  2. 13m 22s
    1. What are layer effects?
      3m 9s
    2. Using the Layer Style dialog box
      2m 25s
    3. Moving, copying and removing layer effects
      2m 20s
    4. Working with preset styles
      5m 28s
  3. 29m 46s
    1. Shadow effects 1: Drop Shadow
      7m 11s
    2. Shadow effects 2: Inner Shadow
      1m 2s
    3. Glow effects 1: Outer Glow
      3m 41s
    4. Glow effects 2: Inner Glow
      1m 35s
    5. Bevel and Emboss effect 1: Structure
      2m 9s
    6. Bevel and Emboss effect 2: Shading
      2m 46s
    7. Bevel and Emboss effect 3: Contour
      1m 44s
    8. Bevel and Emboss effect 4: Texture
      1m 29s
    9. Overlay and stroke effects 1: Satin
      1m 1s
    10. Overlay and stroke effects 2: Color Overlay
      1m 27s
    11. Overlay and stroke effects 3: Gradient Overlay
      1m 58s
    12. Overlay and stroke effects 4: Pattern Overlay
      1m 43s
    13. Overlay and stroke effects 5: Stroke
      2m 0s
  4. 25m 37s
    1. Blending modes
      2m 55s
    2. General opacity vs. fill opacity
      1m 16s
    3. Creating a knockout layer
      2m 37s
    4. Blending interior effects
      1m 35s
    5. Blending clipped layers as a group
      1m 18s
    6. Transparency Shapes Layers
      2m 34s
    7. Converting a layer style to image layers
      1m 45s
    8. Blending with the Layer Mask and Vector Mask Hide effects
      1m 56s
    9. Using the Blend If blending option
      3m 53s
    10. Working with contours
      5m 48s
  5. 29m 22s
    1. Placing multiple files as Smart Objects into the type poster
      1m 29s
    2. Creating offset outlines with Drop Shadow, Inner Shadow, and Fill Opacity
      6m 19s
    3. Using Fill Opacity to create "ghost" text
      2m 19s
    4. Creating live (editable) blurred type with Drop Shadow
      1m 56s
    5. Creating an extruded shadow
      4m 42s
    6. Customizing a drop shadow
      5m 53s
    7. Reflecting a shadow and applying a displacement map
      6m 44s
  6. 28m 56s
    1. Inflating type by softening a smooth bevel
      3m 7s
    2. Creating a chiseled bevel
      6m 14s
    3. Embossing a stroke
      2m 31s
    4. Creating a soft bevel and customizing the contour of the inner shadow
      5m 20s
    5. Combining a smooth bevel with transparency effects
      2m 34s
    6. Embossing the contour of a bevel and adding an outer bevel with texture
      4m 13s
    7. Set in stone: Customizing a bevel with diffused light
      2m 22s
    8. Creating an embossed stamp
      2m 35s
  7. 19m 45s
    1. Working with texture: Pattern Overlay or Layer Mask?
      6m 25s
    2. Creating depth with Pattern Overlay and Inner Shadow
      1m 23s
    3. Creating and applying a custom pattern
      5m 57s
    4. Layer effects and Smart Objects 1
      1m 21s
    5. Layer effects and Smart Objects 2
      4m 39s
  8. 26m 7s
    1. Using Inner Glow to create interior shapes and neon
      7m 6s
    2. Choking an Inner Glow effect to create inline effects
      2m 4s
    3. Adapting an Inner Glow using the Contour, Range, and Jitter controls
      1m 30s
    4. Creating a stencil effect with Outer Glow and Shallow Knockout
      7m 41s
    5. Customizing contours to create multiple outlines
      2m 11s
    6. Combining Gradient Overlay and a gradient stroke 1
      1m 51s
    7. Combining Gradient Overlay and a gradient stroke 2
      1m 24s
    8. Using Satin with a custom contour
      2m 20s
  9. 9m 3s
    1. Building a type poster
      4m 26s
    2. Adding paper behind the letters
      4m 19s
    3. Goodbye
      18s

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Photoshop for Designers: Layer Effects
3h 3m Intermediate May 19, 2011

Viewers: in countries Watching now:

For the first installment of Photoshop for Designers, Nigel French shows how to create editable, non-destructive effects such as shadows, glows, and bevels with layer effects in Photoshop. The course covers the use of layer effects like Drop Shadow, Inner Shadow, Bevel and Emboss, and Gradient Overlay, as well as how to combine effects with blending modes, transparency, and textures. With these techniques, designers can finesse type and graphics, control light, warp text, and extrude shapes, creating drama and adding depth to their compositions.

Topics include:
  • Moving, copying, and removing layer effects
  • Working with gradient, color, and pattern overlays
  • Converting a layer style to image layers
  • Applying layer masks and vector masks
  • Beveling and embossing type
  • Creating depth with Pattern Overlay and Inner Shadow
  • Using Inner Glow to create interior shapes and neon
  • Customizing contours to create multiple outlines
Subjects:
Design Design Techniques
Software:
Photoshop
Author:
Nigel French

Overlay and stroke effects 5: Stroke

The last of our layer effects is Stroke and there's actually more to this than meets the eye. To begin with, we have the Size and we have the Position. Does the stroke go Outside, Inside, or is it Centered upon the edge of the layer? in which case half the stroke width goes inside and off goes outside. We have the usual Blending Mode and Opacity options. Here is where things get interesting. We can have the stroke be a Color, which is currently, or a Gradient or a Pattern.

When we choose Gradient, we have different styles of gradient that we can apply. All the usual options, Linear through to Diamond, but we have an additional gradient here that we don't see elsewhere, Shape Burst. If I choose Shape Burst, we see that the gradient is going across the stroke itself from inside to outside, as opposed to around the shape of the layer. So that's quite interesting and I have an interesting application of that when we come to do the type poster.

We can change the Angle of this and this Scale, etcetera. Aligned with Layer means that the gradient is going to move with the layer. We also have the option to apply a pattern as a stroke which can sometimes give some rather cheesy and bizarre results, but occasionally might also give you some quite interesting results. And we have the typical options here, Snap to Origin to make that snap to the top-left hand corner of your canvas, Link with Layer, etcetera. So, quite a few options there that relate to Stroke.

I'm going to just put this now back to a solid color. One more that relates to Bevel and Emboss. I touched upon this earlier. One of our Bevel and Emboss options is to work with the Stroke Emboss or rather to emboss the stroke that is applied right here. So without the Stroke turned on, Stroke Emboss has no effect. Apply a stroke and then you have the option of embossing that stroke.

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