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Non-destructive burning/dodging 3

From: Enhancing Digital Photography with Photoshop CS2

Video: Non-destructive burning/dodging 3

>> Male Speaker: All right, we have one more image to look at. Go ahead and open up baxter.jpg. This is my parent's dog. The shot is underexposed. We're going to look at how we can burn and dodge or deal with tone. It's not technically burning and dodging, but if you think about it, all that burning and dodging is, is dealing with tone. So we're going to expand on what we know, and let me show you how we're going to do that. For starters, navigate to Select > Color Range and choose the clouds. We want to have a good selection of the clouds. Go ahead and go inside and add to those clouds.

Non-destructive burning/dodging 3

>> Male Speaker: All right, we have one more image to look at. Go ahead and open up baxter.jpg. This is my parent's dog. The shot is underexposed. We're going to look at how we can burn and dodge or deal with tone. It's not technically burning and dodging, but if you think about it, all that burning and dodging is, is dealing with tone. So we're going to expand on what we know, and let me show you how we're going to do that. For starters, navigate to Select > Color Range and choose the clouds. We want to have a good selection of the clouds. Go ahead and go inside and add to those clouds.

Once you have that selection, click OK, and press Command+J or Control+J. This will copy those clouds to a new layer. We're going to take these to a blend mode of soft light. So what did they do? They just increased contrast in the sky area. Press Command+J or Control+J a second time. Let's look at our before and after. Much more visually interesting sky. Okay, we're going in the right direction. Next step, click on the background image. Command+J or Control+J one more time. This time we're going to go to a blend mode of Screen, so this is going to be kind of like dodging, right? So it brightened up the image.

We need to create a mask, and now that we're targeting the mask, notice we have the brackets there, we're going to grab the Gradient tool, G on the keyboard, we're going to click and drag, and what you'll see is that we'll be able to dial in the brightness there in the foreground and it depends on how far you drag this. So we'll look at the before and after, just brightening up the foreground and then finally going in with a nice soft brush of somewhat low Opacity, we're painting with white now.

We're going to go in and brighten up the dogs. We want to bring out the details of that guy. Very cool dog by the way. He just loves running in those hills. I'm going to brighten up the Opacity a little bit more and click on the eye there and the nose. I want to bring some detail back. Even more. Make sure that's coming through all the way. And let's look at our before and after. There's before, and after. Basically we've worked on exposure in an image that's a little bit complex because we have the bright sky in the background. Sometimes if you need to open up exposure you can simply copy a layer and take the blend mode to Screen.

In this case, we've lost all of the sky detail, so that wasn't a good direction, that's why we need to create a mask but know that you can do that and then combine multiple masks. And essentially what we're doing here is working with tonal values. Some people will go for working on their images with the Burn and Dodge tool over here. I actually don't do that. The reason is I always want to have it on a layer. I want to have the ability to lower Opacity if I need to and I also want to have the ability to double the intensity by copying the layer and then lowering Opacity.

So maybe I need one and a half times the light there. So I recommend you go for a workflow that includes layers and that you really take advantage of the ability to make non-destructive tonal edits to your images. Well that wraps it up for now. I'll see you in the next movie.

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This video is part of

Image for Enhancing Digital Photography with Photoshop CS2
Enhancing Digital Photography with Photoshop CS2

209 video lessons · 19572 viewers

Chris Orwig
Author

 
Expand all | Collapse all
  1. 32m 43s
    1. Welcome
      29s
    2. Opening words
      1m 56s
    3. General tips 1
      2m 5s
    4. General tips 2
      4m 47s
    5. General tips 3
      3m 6s
    6. The interface
      3m 27s
    7. Custom menus and shortcuts
      3m 3s
    8. Photoshop preferences 1
      6m 24s
    9. Photoshop preferences 2
      4m 35s
    10. Color settings
      2m 51s
  2. 24m 36s
    1. Bit depth 101
      6m 43s
    2. Intro to image size
      2m 37s
    3. Image size 1 - resize
      6m 10s
    4. Image size 2 - crop
      5m 5s
    5. Image size 3 - scans
      4m 1s
  3. 16m 59s
    1. Intro to color management
      2m 53s
    2. Hardware considerations
      6m 19s
    3. Monitor calibration
      4m 15s
    4. Color settings
      3m 32s
  4. 48m 58s
    1. Bridge 101
      3m 26s
    2. Bridge preferences 1
      4m 2s
    3. Bridge preferences 2
      3m 41s
    4. Bridge preferences 3
      3m 53s
    5. Using the Bridge 1
      3m 12s
    6. Using the Bridge 2
      2m 30s
    7. Using the Bridge 3
      1m 52s
    8. Using the Bridge 4
      5m 35s
    9. Using the Bridge 5
      4m 6s
    10. Bridge slideshow
      5m 49s
    11. Metadata and collections
      3m 50s
    12. Metadata template
      2m 33s
    13. Batch processing with Image Processor
      4m 29s
  5. 1h 14m
    1. Creative tip: Gear
      3m 8s
    2. Camera RAW 101
      6m 8s
    3. Camera RAW preferences
      3m 21s
    4. Camera RAW workflow 1
      2m 24s
    5. Camera RAW workflow 2
      2m 21s
    6. Camera RAW workflow 3
      4m 44s
    7. Camera RAW workflow 4
      4m 43s
    8. Camera RAW workflow 5
      5m 18s
    9. Camera RAW workflow 6
      6m 31s
    10. Camera RAW workflow 7
      5m 44s
    11. RAW resizing
      2m 51s
    12. DNG overview
      5m 2s
    13. DNG conversion
      2m 55s
    14. Black and white 1
      6m 6s
    15. Black and white 2
      5m 3s
    16. Creative color 1
      3m 48s
    17. Creative color 2
      4m 38s
  6. 28m 5s
    1. Overview
      6m 56s
    2. Linking and groups
      3m 28s
    3. Alignment
      2m 1s
    4. Layer order and Clipping Masks
      5m 37s
    5. Layer style effects
      6m 22s
    6. History
      3m 41s
  7. 35m 29s
    1. Intro to masking
      4m 57s
    2. Using masking
      4m 56s
    3. Masking and color
      5m 47s
    4. Modifying color/tone
      5m 5s
    5. Quick mask and more
      6m 4s
    6. Custom borders 1
      3m 5s
    7. Custom borders 2
      5m 35s
  8. 24m 29s
    1. Creative tip: Kitchen
      2m 45s
    2. Replacing color
      2m 52s
    3. Magic Wand
      4m 21s
    4. More on color
      4m 8s
    5. Intro to paths
      3m 31s
    6. Creating and using paths
      6m 52s
  9. 11m 36s
    1. Understanding levels
      2m 51s
    2. Enhancing with levels 1
      4m 8s
    3. Enhancing with levels 2
      4m 37s
  10. 24m 34s
    1. Demystifying curves
      3m 47s
    2. Getting to know curves
      7m 40s
    3. Enhancing color and tone 1
      4m 53s
    4. Enhancing color and tone 2
      4m 57s
    5. Curves and actions
      3m 17s
  11. 23m 12s
    1. Creative tip: Dead Sea
      5m 9s
    2. Understanding blend modes
      7m 28s
    3. Using blend modes 2
      3m 33s
    4. Using blend modes 1
      3m 0s
    5. Using blend modes 3
      4m 2s
  12. 37m 32s
    1. Removing redeye
      1m 22s
    2. Fixing color with levels/curves 1
      4m 58s
    3. Fixing color with levels/curves 2
      3m 57s
    4. Color correction with a color chart
      3m 8s
    5. Skin by the numbers 1
      4m 10s
    6. Skin by the numbers 2
      3m 1s
    7. Skin by the numbers 3
      4m 20s
    8. Skin by the numbers 4
      1m 35s
    9. Advanced color correction 1
      11m 1s
  13. 30m 32s
    1. Enhancing color 1
      3m 12s
    2. Enhancing color 2
      4m 18s
    3. Enhancing color 3
      5m 12s
    4. Cross-processing with curves 1
      3m 12s
    5. Cross-processing with curves 2
      2m 35s
    6. Advanced saturation with Lab
      3m 59s
    7. Non-destructive burning/dodging 1
      2m 39s
    8. Non-destructive burning/dodging 2
      2m 20s
    9. Non-destructive burning/dodging 3
      3m 5s
  14. 10m 49s
    1. Creative tip: Disney
      2m 40s
    2. Black and white conversion 1
      3m 0s
    3. Black and white conversion 2
      5m 9s
  15. 3h 25m
    1. The art of retouching
      2m 24s
    2. Nature 1
      3m 9s
    3. Nature 2
      4m 17s
    4. Nature 3
      4m 27s
    5. Nature 4
      4m 43s
    6. Restoration 1
      2m 27s
    7. Restoration 2
      2m 59s
    8. Restoration 3
      2m 12s
    9. Restoration 4
      4m 26s
    10. Restoration 5
      4m 31s
    11. People - cleaning up
      5m 6s
    12. People - removing distractions
      3m 56s
    13. Architecture - cleaning up and coloring
      4m 14s
    14. People - skin and flyaways
      5m 5s
    15. People - reducing wrinkles 1
      3m 36s
    16. People - reducing wrinkles 2
      4m 53s
    17. People - whitening teeth 1
      5m 3s
    18. People - whitening teeth 2
      3m 31s
    19. People - enhancing eyes 1
      3m 28s
    20. People - enhancing eyes 2
      3m 2s
    21. People - enhancing eyes 3
      4m 4s
    22. People - enhancing eyes, skin and lips
      6m 46s
    23. People - working with highlights
      3m 42s
    24. People - enhancing eyes and eyelashes
      9m 36s
    25. People - working with light
      4m 7s
    26. People - enhancing eyebrows and lips
      7m 53s
    27. People - enhancing eyes, tone and color
      8m 33s
    28. Fashion retouching 1
      4m 41s
    29. Fashion retouching 2
      2m 41s
    30. Fashion retouching 3
      10m 1s
    31. People - enhancing skin 1
      9m 59s
    32. People - enhancing skin 2
      6m 19s
    33. Fashion retouching workflow 1
      8m 59s
    34. Fashion retouching workflow 2
      4m 26s
    35. Fashion retouching workflow 3
      3m 6s
    36. Fashion retouching workflow 4
      4m 9s
    37. Fashion retouching workflow 5
      3m 10s
    38. Fashion retouching workflow 6
      1m 43s
    39. Fashion retouching workflow 7
      2m 12s
    40. Fashion retouching workflow 8
      7m 11s
    41. Fashion retouching workflow 9
      4m 47s
    42. Fashion retouching workflow 10
      4m 6s
    43. Fashion retouching workflow 11
      3m 41s
    44. Retouching tips
      1m 56s
  16. 28m 54s
    1. Understanding shadow/highlights
      1m 51s
    2. Using shadow/highlights 1
      3m 8s
    3. Using shadow/highlights 2
      5m 5s
    4. Multiple exposures in the wild
      7m 26s
    5. Multiple exposures in architecture 1
      1m 22s
    6. Multiple exposures in architecture 2
      2m 56s
    7. Multiple exposures in architecture 3
      4m 10s
    8. Multiple exposures in architecture 4
      2m 56s
  17. 10m 38s
    1. Creative tip: Inspiration
      4m 54s
    2. Lens Correction filter - architecture
      4m 21s
    3. Lens Correction filter - people
      1m 23s
  18. 12m 50s
    1. Dust removal 1
      5m 11s
    2. Dust removal 2
      3m 35s
    3. Dust removal 3
      4m 4s
  19. 10m 31s
    1. Noise Reduction filter
      5m 3s
    2. Surface Blur and Noise Reduction filters
      5m 28s
  20. 12m 6s
    1. Creative tip: Creative People
      1m 22s
    2. Deconstructing the Lens Blur
      6m 46s
    3. The Lens Blur in action
      3m 58s
  21. 1h 23m
    1. Warming filter
      2m 34s
    2. Coloring with curves
      2m 10s
    3. Coloring with curves, color balance and hue/saturation
      2m 6s
    4. Edgy color and tone 1
      4m 48s
    5. Edgy color and tone 2
      6m 19s
    6. Creative toning
      5m 18s
    7. Camera RAW color creativity 1
      3m 30s
    8. Camera RAW color creativity 2
      3m 48s
    9. Deconstructing the creative process
      7m 58s
    10. Illumination 1
      1m 59s
    11. Illumination 2
      2m 5s
    12. Illumination 3
      2m 35s
    13. Illumination 4
      3m 47s
    14. Fun with Motion Blur
      2m 35s
    15. Motion Blur - spinning and zooming
      4m 38s
    16. Motion Blur and masking
      4m 44s
    17. Creative perspective 1 - Annika
      4m 59s
    18. Creative perspective 2 - Baja beach
      4m 9s
    19. Creative perspective 3 - Baja boats
      4m 41s
    20. Creative style with Nik Color Effects 1
      4m 23s
    21. Creative style with Nik Color Effects 2
      3m 57s
  22. 29m 20s
    1. Understanding Unsharp Mask
      3m 4s
    2. Sharpening with Unsharp Mask
      3m 56s
    3. High pass sharpening
      3m 29s
    4. New - Smart Sharpen
      4m 35s
    5. Smart Sharpen in action
      5m 35s
    6. Smart Sharpen in action 2
      2m 29s
    7. Nik Sharpener Pro
      6m 12s
  23. 15m 40s
    1. Creative tip: Reading
      3m 30s
    2. Creating a panorama 1
      2m 28s
    3. Creating a panorama 2 - Alaska
      5m 11s
    4. Creating a panorama 3 - Alaska 2
      4m 31s
  24. 28m 7s
    1. Saving Web images 1
      5m 29s
    2. Saving Web images 2
      1m 30s
    3. Creating a PDF
      3m 33s
    4. Creating a Picture Package
      1m 55s
    5. Creating a Web gallery
      2m 43s
    6. Creating promo cards 1
      4m 17s
    7. Creating promo cards 2
      7m 7s
    8. Creating promo cards 3
      1m 33s
  25. 11m 56s
    1. Photoshop tools - ordering prints
      2m 55s
    2. Printing resources
      2m 44s
    3. Printing
      6m 17s
  26. 1m 14s
    1. Goodbye
      1m 14s

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