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Photoshop CS4 for Photographers
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The Magnetic Lasso tool and paths


From:

Photoshop CS4 for Photographers

with Chris Orwig

Video: The Magnetic Lasso tool and paths

Select the file titled tent.psd and open that one up in Photoshop. Press F to go to Full Screen View mode and then Spacebar to reposition the image. Double-click the Zoom tool. That will take this image to 100%. All right, one of the things that you are going to notice here is that I have an Adjustment layer on top of the Background layer. That's there by way of reference. You will also click in the Paths tab, you will notice that I have Reference layer for you as well. Yes, we'll be creating those two layers in this movie; yet know that those files are there to help you out later, if you need that help.
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  1. 3m 28s
    1. Introduction
      2m 43s
    2. Using the exercise files
      45s
  2. 19m 32s
    1. Taking visual snapshots
      2m 33s
    2. What's new in the Photoshop CS4 menus
      1m 24s
    3. The importance of the 30-minute blink
      2m 38s
    4. Isolation
      3m 32s
    5. Taking notes
      2m 29s
    6. Creative memorization
      2m 16s
    7. Verbalize, human, fun
      1m 18s
    8. Lessons from a legend: Douglas Kirkland
      2m 10s
    9. Resources and links
      1m 12s
  3. 30m 42s
    1. Is Photoshop CS4 worth it?
      2m 50s
    2. Seeing the new Tools panel
      3m 22s
    3. Working with the Application bar
      2m 51s
    4. Navigating with the Hand and Zoom tools
      4m 27s
    5. Rotating with the new Rotate View tool
      2m 0s
    6. New ways of arranging documents
      5m 41s
    7. Working with the panels
      2m 34s
    8. Customizing your workspace
      2m 11s
    9. Creating custom keyboard shortcuts
      3m 12s
    10. Creating custom menus
      1m 34s
  4. 39m 36s
    1. Choosing your Color settings
      5m 4s
    2. Setting Image Interpolation preferences
      3m 1s
    3. Zoom preferences
      2m 40s
    4. Interface preferences
      7m 46s
    5. File-handling preferences
      2m 33s
    6. Performance preferences: Memory
      5m 40s
    7. Performance preferences: Cursor
      5m 46s
    8. Performance preferences: Transparency and Gamut
      4m 44s
    9. Reviewing the other preferences
      2m 22s
  5. 21m 14s
    1. Bit Depth 101
      4m 34s
    2. Introducing image size
      2m 47s
    3. Image Resize overview
      7m 54s
    4. Resizing by cropping
      3m 33s
    5. Straightening
      2m 26s
  6. 10m 10s
    1. Introducing color management
      2m 3s
    2. Monitor calibration basics
      2m 43s
    3. Advanced monitor calibration
      2m 36s
    4. Creating a neutral work environment
      2m 48s
  7. 11m 17s
    1. Using Photoshop, Bridge, and Lightroom together
      2m 20s
    2. Bridge as a digital light box
      1m 19s
    3. General Bridge preferences
      2m 49s
    4. Thumbnail Bridge preferences
      1m 38s
    5. Advanced and Cache Bridge preferences
      3m 11s
  8. 28m 1s
    1. Creative tip 1: Discarding, the great selection technique
      4m 6s
    2. Introducing the Bridge interface
      3m 27s
    3. Getting photos from your camera
      4m 14s
    4. Choosing a workspace
      4m 16s
    5. Customizing the workspace and the Synchronized window
      4m 10s
    6. Using Bridge to rate and sort
      4m 3s
    7. Sorting with filters
      3m 45s
  9. 33m 53s
    1. Previewing multiple files
      5m 6s
    2. The Bridge Review mode
      7m 4s
    3. The Bridge Full Screen mode
      3m 8s
    4. Bridge slideshows
      4m 25s
    5. Stacking images
      3m 24s
    6. Renaming and batch-renaming
      4m 11s
    7. Adding favorites
      1m 58s
    8. Grouping images with Collections
      4m 37s
  10. 15m 3s
    1. Setting up metadata
      3m 34s
    2. Customizing the workspace for metadata
      2m 20s
    3. Creating a metadata template to add a copyright notice
      3m 55s
    4. Keywording images
      3m 33s
    5. Filtering images based on metadata
      1m 41s
  11. 9m 54s
    1. Recording an action
      2m 16s
    2. Batch-processing an action
      2m 11s
    3. Simplifying repetitive steps using the Image Processor
      2m 21s
    4. Opening multiple images as layers
      3m 6s
  12. 1h 13m
    1. What is Camera Raw?
      2m 47s
    2. Understanding the Camera Raw preferences
      3m 15s
    3. Opening files in Camera Raw
      5m 23s
    4. The Camera Raw interface and essential controls
      5m 13s
    5. White Balance, Straighten, and Tone
      3m 2s
    6. Crop, Rotate, and Vignette
      5m 6s
    7. Improving color and tone
      4m 45s
    8. Saturation vs. Vibrance
      4m 46s
    9. Converting an image to black and white
      4m 7s
    10. Split-toning an image
      3m 32s
    11. Working with tone subjectively
      5m 56s
    12. Adjustment Brush essentials
      3m 19s
    13. Using the Adjustment Brush
      7m 24s
    14. Working with the Graduated filter
      4m 6s
    15. Sharpening and noise reduction
      6m 10s
    16. Working with multiple images
      4m 45s
  13. 38m 42s
    1. Creative tip 2: Worth the risk
      2m 30s
    2. Introducing layers
      2m 53s
    3. Working with layers
      2m 21s
    4. Working with History and the History Brush
      4m 1s
    5. Aligning layers
      1m 56s
    6. Organizing layers
      4m 17s
    7. Layer style effects
      4m 21s
    8. Creating a clipping mask
      4m 27s
    9. Creating a reflection of an image
      2m 37s
    10. Targeting and moving layers
      5m 36s
    11. Reviewing layers shortcuts
      3m 43s
  14. 31m 31s
    1. Introducing masking
      2m 8s
    2. Creating a simple layer mask
      3m 51s
    3. Masking shortcuts
      3m 25s
    4. Using Color Range to create a detailed mask
      3m 48s
    5. Creating a layer mask with Color Range
      5m 5s
    6. Masking and brightening eyes
      3m 35s
    7. Masking and selective sharpening
      2m 58s
    8. The Quick Mask mode
      6m 41s
  15. 24m 15s
    1. Creating a custom border with masking
      5m 41s
    2. Using pre-built borders
      7m 6s
    3. Exploring sample image frames
      4m 59s
    4. Frame plugin highlight: Photoframe
      6m 29s
  16. 51m 47s
    1. Creating a mask with the Quick Selection tool
      5m 39s
    2. Working with the Quick Selection tool
      4m 12s
    3. Creating color range selections
      4m 46s
    4. Advanced selection enhancements
      5m 1s
    5. Using the Magic Wand
      2m 33s
    6. Using the Lasso tool
      5m 37s
    7. Pen and path shortcuts
      5m 20s
    8. Understanding paths
      4m 7s
    9. Creating path selections
      6m 3s
    10. The Magnetic Lasso tool and paths
      8m 29s
  17. 21m 10s
    1. Introducing the Adjustments panel
      2m 26s
    2. Brightness and contrast
      3m 39s
    3. Understanding the difference between Vibrance and Saturation
      2m 55s
    4. Using the Target Adjustment tool
      4m 9s
    5. Hue/Saturation adjustments and masking
      3m 15s
    6. Hue/Saturation blending with Shadow/Highlight
      4m 46s
  18. 17m 45s
    1. Introducing levels
      1m 58s
    2. Enhancing color and tone with levels
      3m 3s
    3. Modifying color with levels
      3m 47s
    4. Levels and masking
      3m 13s
    5. Using levels and masking to get the most out of adjustments
      5m 44s
  19. 40m 58s
    1. Demystifying curves
      6m 52s
    2. Using curves for contrast and tone
      3m 33s
    3. Midtones and advanced blending
      2m 50s
    4. Curves and general Hue/Saturation
      2m 54s
    5. Enhancing color with curves
      6m 18s
    6. Curves, color, masking, and tone
      5m 10s
    7. Curves and masking
      4m 54s
    8. Creative tip 3: Using curves for publication
      5m 14s
    9. Using, modifying, and saving curves presets
      3m 13s
  20. 24m 7s
    1. Creative tip 4: Ordinary ingredients = extraordinary results
      2m 23s
    2. Introducing blend modes
      5m 36s
    3. Blend modes visualized
      6m 48s
    4. Blending multiple images
      6m 9s
    5. Blend modes shortcuts
      3m 11s
  21. 42m 57s
    1. Correcting color with eyedroppers
      4m 37s
    2. Advanced color correction with eyedroppers
      2m 27s
    3. Color correction with Camera Raw
      3m 3s
    4. Performing difficult color correction with Camera Raw
      3m 1s
    5. Performing easier color correction with a color chart
      2m 31s
    6. Color-correcting skin by the numbers
      3m 42s
    7. Color-correcting by the numbers
      4m 10s
    8. Color correction: Studio shot
      3m 6s
    9. Color correction: Light skin tone
      3m 6s
    10. Color correction: Dark skin tone
      3m 44s
    11. Color correction: Multiple skin tones
      6m 40s
    12. Color correction plugin highlight: SkinTune 2
      2m 50s
  22. 44m 44s
    1. Replacing color with Hue/Saturation
      3m 2s
    2. Replacing a color
      5m 6s
    3. Modifying color with Selective Color
      3m 5s
    4. Color focus
      5m 59s
    5. Experimenting with cool and warm colors
      5m 18s
    6. Enhancing a portrait with sunset colors
      5m 16s
    7. Enhancing a landscape with sunrise colors
      5m 19s
    8. Enhancing a color group shot
      3m 17s
    9. Using photo filters with black-and-white photos
      3m 14s
    10. Using photo filters with color photos
      5m 8s
  23. 22m 3s
    1. Introducing the Burn and Dodge tools
      2m 56s
    2. Using the Burn and Dodge tools
      3m 47s
    3. Darkening corners with the Soft Light blend mode
      3m 0s
    4. Adding contrast to the highlights
      2m 30s
    5. Darkening a portion of an image
      2m 45s
    6. Correcting bright and dark tones
      3m 56s
    7. Reducing highlights with the Multiply blend mode
      3m 9s
  24. 19m 30s
    1. Creative tip 5: Seeing beyond the color - your gear is good enough
      4m 58s
    2. Introducing black-and-white conversion
      3m 37s
    3. Portrait black-and-white conversion
      3m 31s
    4. Landscape black-and-white conversion
      2m 40s
    5. Adding grain and tone to a black-and-white image
      4m 44s
  25. 11m 16s
    1. Introducing Smart Filters
      2m 36s
    2. Applying Smart Filters
      3m 21s
    3. Blending and masking Smart Filters
      5m 19s
  26. 19m 38s
    1. Noise reduction with Surface Blur
      4m 36s
    2. The Noise Reduction filter
      2m 54s
    3. Advanced noise reduction with Channels
      5m 32s
    4. Advanced noise reduction with the Dfine plugin
      6m 36s
  27. 33m 29s
    1. The Dust and Scratches Filter
      3m 57s
    2. Using masking to remove dust and scratches
      5m 10s
    3. Introducing the trio of healing tools
      6m 18s
    4. Using the Healing and Clone Stamp tools
      4m 21s
    5. Using the Patch tool
      7m 40s
    6. Cleaning up an image with what's there
      6m 3s
  28. 58m 58s
    1. Creative tip 6: A beautiful mistake
      2m 51s
    2. Cleaning up a background
      3m 21s
    3. Removing blemishes
      4m 19s
    4. Cleaning up backgrounds and blemishes
      3m 46s
    5. Brightening eyes
      3m 12s
    6. Changing eye color
      4m 55s
    7. Darkening the edge of an eye
      1m 32s
    8. Adding makeup
      2m 25s
    9. Correcting distortion
      2m 19s
    10. Reducing eye wrinkles
      4m 4s
    11. Adding height and reducing wrinkles
      7m 55s
    12. Whitening teeth
      4m 6s
    13. Whitening teeth using Quick Mask
      3m 39s
    14. Softening skin
      5m 5s
    15. Removing red-eye
      2m 21s
    16. The next steps in retouching
      3m 8s
  29. 38m 35s
    1. Introducing Smart Sharpen
      3m 23s
    2. Smart Sharpen demystified
      4m 10s
    3. Smart Sharpen and masking
      8m 46s
    4. Using the Unsharpen Mask filter
      5m 19s
    5. Black-and-white High Pass sharpening
      8m 2s
    6. Color High Pass sharpening
      3m 27s
    7. Sharpening and tone
      5m 28s
  30. 28m 38s
    1. Resizing for email and the web
      3m 1s
    2. Image size considerations
      2m 54s
    3. Preparing files for the web
      4m 37s
    4. Sharpening for the web
      2m 12s
    5. Correcting color for the web
      3m 10s
    6. The Save for Web dialog
      3m 51s
    7. Creating a web gallery
      6m 21s
    8. Sharing your photos online
      2m 32s
  31. 23m 33s
    1. Creating contact sheets
      4m 19s
    2. Presenting your photos as a PDF slideshow
      2m 55s
    3. Desktop printing recommendations
      1m 40s
    4. Preparing to print
      5m 53s
    5. Using Soft Proof to pre-visualize printing
      3m 46s
    6. Using the Print dialog
      3m 31s
    7. Print settings
      1m 29s
  32. 23s
    1. Goodbye
      23s

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Photoshop CS4 for Photographers
14h 50m Beginner Nov 04, 2008

Viewers: in countries Watching now:

Photoshop CS4 for Photographers is an essential course for any digital photographer who wants to master the software's vast array of image enhancement techniques. Professional photographer and instructor Chris Orwig uses his own compelling images to demonstrate how the power of Photoshop can make photographers more passionate about their work. He covers many aspects of the application, such as working with RAW images, using curves and levels, making images snap, and enhancing bland photographs by converting them to black and white. Exercise files accompany this course.

Topics include:
  • Sharpening a photograph to make it more vivid
  • Reviewing the essentials of retouching
  • Understanding the fundamentals of color management
  • Creating a layer mask to brighten eyes
  • Applying advanced noise reduction using channels
  • Using Bridge CS4 to organize and tag the best images
  • Processing photographs for print and web publishing
Subject:
Photography
Software:
Photoshop
Author:
Chris Orwig

The Magnetic Lasso tool and paths

Select the file titled tent.psd and open that one up in Photoshop. Press F to go to Full Screen View mode and then Spacebar to reposition the image. Double-click the Zoom tool. That will take this image to 100%. All right, one of the things that you are going to notice here is that I have an Adjustment layer on top of the Background layer. That's there by way of reference. You will also click in the Paths tab, you will notice that I have Reference layer for you as well. Yes, we'll be creating those two layers in this movie; yet know that those files are there to help you out later, if you need that help.

All right, what we are going to do on this movie is talk about how we can create a selection and then turn a selection into a path. What I'm going to do is navigate over to my Lasso tool and choose the Magnetic Lasso. Now the Magnetic Lasso tool is pretty interesting. I'm going to go ahead and click on a point. What I'm interested in doing is selecting this portion of the image so I'll go ahead and click on a point here in the top corner and then I'm going to reposition the Lasso tool. Now as I do that, you will notice that what it's doing is it's dynamically creating little anchor points for me. Now that's kind of nice.

Now a lot of times people will say you can't use the Magnetic Lasso tool because it's kind of like setting your camera on auto mode. If you are a professional, you have to use the advanced settings, right? Well, not necessarily because in this case, what we are going to see is we can use this tool in order to create a nice selection for us that we will then turn into a path. We can fix it up, fix up those problem areas that just showed up which will be great and we will go ahead and navigate around here and then click on that first point. Okay, well now that I have this selection, I'm going to navigate to my Paths tab.

To really focus in on the Paths tab I'll double-click Adjustments. So here we are on Paths, I have this selection that I made really quick, right? I mean that was a really quick selection. Well I want to turn that into a path so I'll click on this icon here which allows me to make a work path from the selection. Now when I do that I see okay, you know what? I have a pretty good path, except I have a few little problem areas. Well I can then fix up those problem areas. So I'll grab the Pen tool, hold down the Command key on a Mac/Ctrl key on a PC and I'll click on this path in order to activate all of the different anchor points. I'm going to then zoom in a little bit, press the Spacebar to reposition this. So here we can see that's a little bit of a hiccup.

Well no big deal. Hold down the Option key on a Mac/Alt key on a PC. I can then reposition my handles in order to get a nice smooth edge. Now this next anchor point's a little bit too higher. Hold down the Command key, we can then reposition that anchor point and again go back to Option key on a Mac/Alt key on a PC, change the handles. So it's Command or Ctrl for anchors, Option or Alt for handles. So I'll go ahead and make my way through this path and I'm just going to clean this one up. Now, when I get in here I just have too many path points. Well here is what I can do. When I hover over one of those points and if I have Auto Add/Delete on, I can click to remove those because really I don't need them.

So I'm going to go ahead and remove all those, that's all gone. Now I grab my handle there and I'll press the Option key on a Mac/Alt key on a PC and I'll just clean up that edge. Well, perfect. We are so far so good, things are looking nice. Down here on a Mac/press the Command key and on a PC, press the Ctrl key and I'm looking to do there just to modify this one a little bit. I want to make it perfect, right? I don't want this to be right on the edge there, nice. Now I'll make my way over here. Now this particular point, do I need it? No. Hover over it, it's gone. This point, do I need it? Hover over it. No, it's gone.

This point I do need. So I'll hold down the Command key on a Mac/Ctrl key on a PC and I'll reposition that and then I'll go back down here. Option key on a Mac/Alt key on a PC. I'm just looking to try to get that one around that edge there and then I have a couple of handles that are coming off of this, so hold down the Option key on a Mac/Alt key on a PC, bring this one down because it's creating that weird bend there, that little bit of a problem. And I think that looks pretty good. Next, Option key on a Mac/Alt key on a PC. I'm just looking to drag the handle to where the curve is pointing, make my way around this and I hold down the Command key on a Mac/Ctrl key on a PC. I want to move that one up. That will just help me get a little bit nicer curve there. So making my way through this, cleaning this one up, and now I have a pretty good edge around that area. Let's zoom out for a second.

All right. Well, one of the things that I'm trying to illustrate here is that you can create a selection any number of ways with any of your selection tools that you have, with color range, with masking, free transform different Lasso tools, different quick selector, magic wand tools, you can then convert that selection into a path. Now for some of you this is going to be your life saver because creating a path from scratch can be really tricky but modifying a path can be a little bit more easy and it that can be a nice way to learn how to work with Paths. All right, well now that we have the selection, let's go ahead and name this and I'll name this one 'window 2'. Now if used in turn out, good, no problem, click on the top layer which is this first window 1 which I have cleaned up nice and that one looks pretty good. Well how then can we work with this? Well here is what we can do. We will go ahead and hold down the Command key on a Mac/Ctrl key on a PC and click on the icon to turn that into a selection.

Now we get back to the Layers panel and then we have to go ahead and open up our Adjustments panel by double clicking on that. Now we have a number of different adjustments that we can make so let's click on the Arrow icon to go back to these different adjustments. We can control the contrast, the levels, the curves, the exposure. We also have a number of different Color options down here. Let's go ahead and choose one of the color options that we have used before and again we are just going to do this because it's really easy to see a strong visual change. We will click on the Hue/Saturation icon and now when I go ahead and drag this, we will notice that I have different colors in the middle of my image.

Well let's say that's the opposite of what I want to do, all I need to do is invert this mask, I can do that by going to the Mask panel and clicking Invert or I can press Command+I in a Mac/ Ctrl+I in a PC. Yet the reason why I like clicking on Invert here because I was guessing, and I was right, that my selection had a little bit of problems. So here I'm going to go my Mask Edge and now with this Mask Edge what I'm going to do then is look at the image in this way. I want to have a nice overlay. I'm just going to look to Contract this selection just a little bit here. So that it extends out just a touch, click OK and now we can see that I cleaned up those green edges that were around there just by modifying that mask with just a touch and so here is before and after, changing the color of the tent.

Now back to the Adjustments, now I can click on Colorize, right. It will be a little bit of more of an immediate affect here and I can change the color of the tent in order to create a little bit of different feel or for that matter I'll click that off and go ahead and bring that slider back to normal. And here I'm just going to simply de-saturate that yellow a little bit and why would I do that? Because in this case this will probably print better because that yellow won't be so far out of gambit and in addition I want to illustrate that we are going to make selections like this not just to make these real drastic, big, huge changes, yet sometimes that's a change as simple as this would just brings our colors down a little bit, mute things out, simplifies the image and it will then reproduce a little bit better.

All right, in order to increase this functionality I then want to reactivate this Mask and I'm going to do that by going to the Mask icon and Command clicking on a Mac/Ctrl-clicking on the PC, navigate back to my Adjustments and this time I'm going to go to Exposure. In Exposure what I'm interested in doing is just decreasing the exposure a little bit. Now that's the opposite of what I wanted, I actually wanted to decrease the exposure here. So I'll invert the mask by clicking on the Mask panel and choose Invert, all right great. Well now that I have this decreased exposure, I can then go back to my Adjustments panel and here I can just lower it a little bit, change the over all Gamma and Offset that just a touch. And all I'm looking to do here is just to bring a little bit more detail into the snow and you can see that the snow area was just a little bit problematic.

Now while this image isn't as a dramatic as the original image-- here is the original and then here is the photo that we just worked on-- this image will probably print better. So again, my whole intent here is to begin to show you how you can use your selection tools, turn those into a path and then from that path do a number of different things. At times what you are going to do is make real drastic changes; at other times it may be more subtle or more technical changes. Either way, my hope is that you have learned a little bit about selections and paths and I hope that I have convinced you little bit to begin to experiment so that you can learn how to improve your images with these techniques.

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