Enhancing Digital Photography with Photoshop CS2
Illustration by Bruce Heavin

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Video: Magic Wand

>> Male speaker: In this movie, we'll be working on the file disney_concert_hall.psd. If you haven't seen this building it is phenomenal. It's in downtown Los Angeles, the structure is completely and utterly stunning. All right we're going to look at how to use the Wand tool. Grab the Wand tool by pressing W on your keyboard or clicking on it in the Toolbox. The way that the Tolerance setting works is, if you have a real low Tolerance you're just going to accept a few little pixels. You're saying "hey these guys are part of my gang." You know just a couple of them. But if you have an extremely high Tolerance, you're going to say, "hey you know what? Everyone's part of the party," so increasing the Tolerance increases how much area is selected.
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  1. 32m 38s
    1. Welcome
      28s
    2. Opening words
      1m 56s
    3. General tips 1
      2m 5s
    4. General tips 2
      4m 46s
    5. General tips 3
      3m 6s
    6. The interface
      3m 26s
    7. Custom menus and shortcuts
      3m 2s
    8. Photoshop preferences 1
      6m 24s
    9. Photoshop preferences 2
      4m 35s
    10. Color settings
      2m 50s
  2. 24m 33s
    1. Bit depth 101
      6m 42s
    2. Intro to image size
      2m 37s
    3. Image size 1 - resize
      6m 9s
    4. Image size 2 - crop
      5m 5s
    5. Image size 3 - scans
      4m 0s
  3. 16m 55s
    1. Intro to color management
      2m 52s
    2. Hardware considerations
      6m 18s
    3. Monitor calibration
      4m 14s
    4. Color settings
      3m 31s
  4. 48m 46s
    1. Bridge 101
      3m 25s
    2. Bridge preferences 1
      4m 2s
    3. Bridge preferences 2
      3m 40s
    4. Bridge preferences 3
      3m 52s
    5. Using the Bridge 1
      3m 11s
    6. Using the Bridge 2
      2m 29s
    7. Using the Bridge 3
      1m 51s
    8. Using the Bridge 4
      5m 34s
    9. Using the Bridge 5
      4m 5s
    10. Bridge slideshow
      5m 48s
    11. Metadata and collections
      3m 49s
    12. Metadata template
      2m 32s
    13. Batch processing with Image Processor
      4m 28s
  5. 1h 14m
    1. Creative tip: Gear
      3m 7s
    2. Camera RAW 101
      6m 7s
    3. Camera RAW preferences
      3m 20s
    4. Camera RAW workflow 1
      2m 24s
    5. Camera RAW workflow 2
      2m 20s
    6. Camera RAW workflow 3
      4m 44s
    7. Camera RAW workflow 4
      4m 42s
    8. Camera RAW workflow 5
      5m 18s
    9. Camera RAW workflow 6
      6m 30s
    10. Camera RAW workflow 7
      5m 43s
    11. RAW resizing
      2m 50s
    12. DNG overview
      5m 1s
    13. DNG conversion
      2m 54s
    14. Black and white 1
      6m 6s
    15. Black and white 2
      5m 2s
    16. Creative color 1
      3m 47s
    17. Creative color 2
      4m 38s
  6. 28m 1s
    1. Overview
      6m 56s
    2. Linking and groups
      3m 27s
    3. Alignment
      2m 0s
    4. Layer order and Clipping Masks
      5m 37s
    5. Layer style effects
      6m 21s
    6. History
      3m 40s
  7. 35m 23s
    1. Intro to masking
      4m 56s
    2. Using masking
      4m 56s
    3. Masking and color
      5m 46s
    4. Modifying color/tone
      5m 4s
    5. Quick mask and more
      6m 3s
    6. Custom borders 1
      3m 4s
    7. Custom borders 2
      5m 34s
  8. 24m 23s
    1. Creative tip: Kitchen
      2m 44s
    2. Replacing color
      2m 51s
    3. Magic Wand
      4m 20s
    4. More on color
      4m 7s
    5. Intro to paths
      3m 30s
    6. Creating and using paths
      6m 51s
  9. 11m 34s
    1. Understanding levels
      2m 51s
    2. Enhancing with levels 1
      4m 7s
    3. Enhancing with levels 2
      4m 36s
  10. 24m 31s
    1. Demystifying curves
      3m 47s
    2. Getting to know curves
      7m 39s
    3. Enhancing color and tone 1
      4m 52s
    4. Enhancing color and tone 2
      4m 56s
    5. Curves and actions
      3m 17s
  11. 23m 8s
    1. Creative tip: Dead Sea
      5m 8s
    2. Understanding blend modes
      7m 27s
    3. Using blend modes 2
      3m 32s
    4. Using blend modes 1
      3m 0s
    5. Using blend modes 3
      4m 1s
  12. 37m 27s
    1. Removing redeye
      1m 22s
    2. Fixing color with levels/curves 1
      4m 57s
    3. Fixing color with levels/curves 2
      3m 56s
    4. Color correction with a color chart
      3m 8s
    5. Skin by the numbers 1
      4m 9s
    6. Skin by the numbers 2
      3m 0s
    7. Skin by the numbers 3
      4m 20s
    8. Skin by the numbers 4
      1m 35s
    9. Advanced color correction 1
      11m 0s
  13. 30m 25s
    1. Enhancing color 1
      3m 11s
    2. Enhancing color 2
      4m 17s
    3. Enhancing color 3
      5m 11s
    4. Cross-processing with curves 1
      3m 12s
    5. Cross-processing with curves 2
      2m 35s
    6. Advanced saturation with Lab
      3m 58s
    7. Non-destructive burning/dodging 1
      2m 38s
    8. Non-destructive burning/dodging 2
      2m 19s
    9. Non-destructive burning/dodging 3
      3m 4s
  14. 10m 47s
    1. Creative tip: Disney
      2m 39s
    2. Black and white conversion 1
      2m 59s
    3. Black and white conversion 2
      5m 9s
  15. 3h 24m
    1. The art of retouching
      2m 23s
    2. Nature 1
      3m 8s
    3. Nature 2
      4m 16s
    4. Nature 3
      4m 26s
    5. Nature 4
      4m 42s
    6. Restoration 1
      2m 26s
    7. Restoration 2
      2m 58s
    8. Restoration 3
      2m 11s
    9. Restoration 4
      4m 26s
    10. Restoration 5
      4m 30s
    11. People - cleaning up
      5m 5s
    12. People - removing distractions
      3m 55s
    13. Architecture - cleaning up and coloring
      4m 13s
    14. People - skin and flyaways
      5m 4s
    15. People - reducing wrinkles 1
      3m 35s
    16. People - reducing wrinkles 2
      4m 52s
    17. People - whitening teeth 1
      5m 2s
    18. People - whitening teeth 2
      3m 30s
    19. People - enhancing eyes 1
      3m 27s
    20. People - enhancing eyes 2
      3m 1s
    21. People - enhancing eyes 3
      4m 4s
    22. People - enhancing eyes, skin and lips
      6m 46s
    23. People - working with highlights
      3m 41s
    24. People - enhancing eyes and eyelashes
      9m 35s
    25. People - working with light
      4m 6s
    26. People - enhancing eyebrows and lips
      7m 53s
    27. People - enhancing eyes, tone and color
      8m 32s
    28. Fashion retouching 1
      4m 40s
    29. Fashion retouching 2
      2m 40s
    30. Fashion retouching 3
      10m 0s
    31. People - enhancing skin 1
      9m 58s
    32. People - enhancing skin 2
      6m 18s
    33. Fashion retouching workflow 1
      8m 58s
    34. Fashion retouching workflow 2
      4m 25s
    35. Fashion retouching workflow 3
      3m 5s
    36. Fashion retouching workflow 4
      4m 8s
    37. Fashion retouching workflow 5
      3m 10s
    38. Fashion retouching workflow 6
      1m 43s
    39. Fashion retouching workflow 7
      2m 11s
    40. Fashion retouching workflow 8
      7m 10s
    41. Fashion retouching workflow 9
      4m 46s
    42. Fashion retouching workflow 10
      4m 5s
    43. Fashion retouching workflow 11
      3m 41s
    44. Retouching tips
      1m 55s
  16. 28m 48s
    1. Understanding shadow/highlights
      1m 51s
    2. Using shadow/highlights 1
      3m 7s
    3. Using shadow/highlights 2
      5m 5s
    4. Multiple exposures in the wild
      7m 25s
    5. Multiple exposures in architecture 1
      1m 21s
    6. Multiple exposures in architecture 2
      2m 55s
    7. Multiple exposures in architecture 3
      4m 9s
    8. Multiple exposures in architecture 4
      2m 55s
  17. 10m 35s
    1. Creative tip: Inspiration
      4m 53s
    2. Lens Correction filter - architecture
      4m 20s
    3. Lens Correction filter - people
      1m 22s
  18. 12m 48s
    1. Dust removal 1
      5m 11s
    2. Dust removal 2
      3m 34s
    3. Dust removal 3
      4m 3s
  19. 10m 29s
    1. Noise Reduction filter
      5m 2s
    2. Surface Blur and Noise Reduction filters
      5m 27s
  20. 12m 3s
    1. Creative tip: Creative People
      1m 21s
    2. Deconstructing the Lens Blur
      6m 45s
    3. The Lens Blur in action
      3m 57s
  21. 1h 22m
    1. Warming filter
      2m 34s
    2. Coloring with curves
      2m 9s
    3. Coloring with curves, color balance and hue/saturation
      2m 5s
    4. Edgy color and tone 1
      4m 48s
    5. Edgy color and tone 2
      6m 18s
    6. Creative toning
      5m 18s
    7. Camera RAW color creativity 1
      3m 30s
    8. Camera RAW color creativity 2
      3m 47s
    9. Deconstructing the creative process
      7m 57s
    10. Illumination 1
      1m 58s
    11. Illumination 2
      2m 4s
    12. Illumination 3
      2m 34s
    13. Illumination 4
      3m 46s
    14. Fun with Motion Blur
      2m 34s
    15. Motion Blur - spinning and zooming
      4m 37s
    16. Motion Blur and masking
      4m 44s
    17. Creative perspective 1 - Annika
      4m 58s
    18. Creative perspective 2 - Baja beach
      4m 9s
    19. Creative perspective 3 - Baja boats
      4m 40s
    20. Creative style with Nik Color Effects 1
      4m 28s
    21. Creative style with Nik Color Effects 2
      3m 56s
  22. 29m 17s
    1. Understanding Unsharp Mask
      3m 4s
    2. Sharpening with Unsharp Mask
      3m 56s
    3. High pass sharpening
      3m 29s
    4. New - Smart Sharpen
      4m 34s
    5. Smart Sharpen in action
      5m 34s
    6. Smart Sharpen in action 2
      2m 29s
    7. Nik Sharpener Pro
      6m 11s
  23. 15m 36s
    1. Creative tip: Reading
      3m 29s
    2. Creating a panorama 1
      2m 27s
    3. Creating a panorama 2 - Alaska
      5m 10s
    4. Creating a panorama 3 - Alaska 2
      4m 30s
  24. 28m 0s
    1. Saving Web images 1
      5m 28s
    2. Saving Web images 2
      1m 29s
    3. Creating a PDF
      3m 32s
    4. Creating a Picture Package
      1m 54s
    5. Creating a Web gallery
      2m 43s
    6. Creating promo cards 1
      4m 16s
    7. Creating promo cards 2
      7m 6s
    8. Creating promo cards 3
      1m 32s
  25. 11m 53s
    1. Photoshop tools - ordering prints
      2m 54s
    2. Printing resources
      2m 43s
    3. Printing
      6m 16s
  26. 1m 13s
    1. Goodbye
      1m 13s

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Watch the Online Video Course Enhancing Digital Photography with Photoshop CS2
14h 33m Beginner Mar 21, 2006

Viewers: in countries Watching now:

Enhancing Digital Photography with Photoshop CS2 is a video-based tutorial designed for professional photographers and enthusiasts who want to get professional results. Chris Orwig, a professional photographer and instructor at the world-renowned Brooks Institute of Photography, shares the secrets and techniques that he uses to enhance his own photography in Photoshop. The training follows a photographer's digital workflow, starting with essential color management decisions and organizing images with Adobe Bridge. Chris moves on to cover processing Camera Raw files, enhancing tone and color, and correcting imperfections. He then demonstrates how to prepare the images for output and client reviews. Chris shares examples of his work as exercise files that accompany the training videos, allowing you to follow along and learn at your own pace.

Topics include:
  • Photoshop from a photographer's perspective Essential color management decisions Managing and tagging your images with Adobe Bridge Controlling and automating the digital process with Camera Raw Professional tone and color correction Compositing multiple exposures for increased dynamic range Removing dust, scratches, and noise Selective sharpening and blurring techniques Adding creative color and lighting effects Shooting for and combining images into a panorama Techniques for sharing and reviewing images
Subjects:
Design Photography
Software:
Photoshop
Author:
Chris Orwig

Magic Wand

>> Male speaker: In this movie, we'll be working on the file disney_concert_hall.psd. If you haven't seen this building it is phenomenal. It's in downtown Los Angeles, the structure is completely and utterly stunning. All right we're going to look at how to use the Wand tool. Grab the Wand tool by pressing W on your keyboard or clicking on it in the Toolbox. The way that the Tolerance setting works is, if you have a real low Tolerance you're just going to accept a few little pixels. You're saying "hey these guys are part of my gang." You know just a couple of them. But if you have an extremely high Tolerance, you're going to say, "hey you know what? Everyone's part of the party," so increasing the Tolerance increases how much area is selected.

To select off of a selection you can navigate to Select > Deselect, or press Command+D or Control+D. Or you know what else you can do? Just click in the selection; it'll disappear and then click again. One technique that's really helpful with this is to have a low Tolerance and then to build up your selection. So go ahead and add to the selection by holding the Shift key and slowly building out your selection until you have all the pixels that you want. Sometimes it works a little bit better that way. If you take Contiguous off what you'll notice is you'll actually get pixels that aren't touching each other.

So if I am to select over here I get pixels, I'm selecting pixels everywhere. So typically you want to have Contiguous on, although, it depends what you're trying to select. Alright so I'm just going to hold down the Shift key, add to my selections until I get a good selection of the background. As a quick side note, note that there is a folder above the image and those are the selections that we'll be making if you need to refer to those later as a way of reference. Okay what I would like to do here is add some density to the sky. And I want to do that with a gradient. So for starters I need to pick a couple blues in my color picker so my background coloring, I'm going to do a nice deep dark blue.

And then go to the blue and do one that's quite a bit lighter. I'll try one of those. And that's a little bit too purplely, isn't it? So do one of those. Okay, now that I have those two colors picked I'm going to go ahead and go to the Adjustment Layer icon, and choose Gradient Map. And by default it's going to create a gradient based on the colors I have in my color picker. If I choose Reverse we'll notice that it's going to flip the orientation of that gradient, which is what I want to do. I want to have it darker up top.

I'll go ahead and click OK and then I'll look at my before and after. When I see that it's darkening up the sky, and it's especially darkening up the top part of the sky. I'll lower the opacity because that's much too intense for what I want to do. I simply want to keep the viewer's eyes in the image; I don't want them to trail off the top of the image. And I was able to do that by creating that gradient to darken up that area. Once I have a good selection like this I can Command+click the selection and then create another adjustment layer based on it. This time I'm going to invert the selection, Shift+Command+I or Shift+Control+I.

You know that shortcut. Go to Hue/Saturation, and now when we modify the image, we'll notice that we're modifying that particular part of the image. Of course we can invert the selection which would then modify the other portion of the image. There are times when we need to continue to modify our mask. Let's take a look at this. It looks a little bit jagged here. One of the things that you can do is apply a filter to a mask, as I mentioned before. I'm going to apply a Gaussian Blur filter to that mask and I'm going to take it just down to maybe a couple points.

And notice what it's doing is it's creating a feathered edge on that. Go back to 100 percent and it's creating a smoother transition that's a lot less choppy. I can apply even a stronger filter if find that I need to do that. Another way to modify that would be to have a selection and before you make an adjustment layer choose one of your selection tools, hover over the selection, right-click and choose Feather. What feather does is it creates transition. I'm going to choose a huge feather and what you're going to notice is that this particular selection has a large area of transition because the feather was incredibly high.

So if you want a smoother transition that's much smaller you just would enter a much smaller number, perhaps a feathered edge of one to two pixels would work on this particular image.

There are currently no FAQs about Enhancing Digital Photography with Photoshop CS2.

 
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