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Photoshop CC One-on-One: Intermediate
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Introducing the Smart Sharpen filter


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Photoshop CC One-on-One: Intermediate

with Deke McClelland

Video: Introducing the Smart Sharpen filter

In this movie, I'll introduce you to the Smart Sharpen filter, and I'll also show you how to apply it as a dynamic effect that you can later modify to your hearts content. We're looking at a macro shot that I captured a few years back. And it definitely could stand a little bit of sharpening to bring out these finely wrought details. So, I'll go up to the Filter menu and choose Sharpen. And you can see that that brings up a sub-menu of options. All of which we're going to ignore for now, except for Smart Sharpen. The reason being that sharpen through unsharp mask just aren't as powerful.
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  1. 2m 4s
    1. Welcome to One-on-One
      2m 4s
  2. 29m 46s
    1. The best of Photoshop automation
      35s
    2. Introducing the Patch tool
      3m 43s
    3. Using Content-Aware Patch
      5m 42s
    4. Retouching with Content-Aware Patch
      2m 5s
    5. Using the Content-Aware Move tool
      3m 9s
    6. Using Content-Aware Extend
      2m 4s
    7. The Content-Aware Scale command
      6m 35s
    8. Scaling in multiple passes
      2m 22s
    9. Protecting skin tones
      3m 31s
  3. 32m 55s
    1. Editing the histogram
      1m 50s
    2. The new automatic Levels adjustment
      4m 33s
    3. Customizing a Levels adjustment
      4m 53s
    4. Understanding the Gamma value
      2m 7s
    5. Opening up the shadows
      2m 48s
    6. Previewing clipped pixels
      3m 40s
    7. Retouching with Output Levels
      4m 25s
    8. Making channel-by-channel adjustments
      2m 19s
    9. Faking a gray card in post
      2m 51s
    10. Assigning shortcuts to adjustment layers
      3m 29s
  4. 57m 43s
    1. How sharpening works
      1m 38s
    2. Introducing the Smart Sharpen filter
      6m 56s
    3. Understanding the Radius value
      5m 20s
    4. Gauging the best sharpening settings
      5m 45s
    5. Addressing color artifacts and clipping
      5m 49s
    6. The Remove and Reduce Noise options
      4m 22s
    7. The Shadows/Highlights options
      7m 36s
    8. Correcting for camera shake
      6m 47s
    9. Sharpening with the Emboss filter
      5m 45s
    10. Sharpening with the High Pass filter
      4m 44s
    11. Painting in sharpness
      3m 1s
  5. 1h 9m
    1. Vector-based type
      1m 35s
    2. Creating and editing point text
      5m 58s
    3. Font and type style tricks
      7m 10s
    4. Type size and color tricks
      6m 42s
    5. Kerning and tracking characters
      8m 7s
    6. Creating and editing area text
      3m 50s
    7. Selecting and formatting paragraphs
      6m 36s
    8. Setting text inside a custom path
      5m 32s
    9. Creating text along a path
      6m 12s
    10. Adjusting baseline shift
      4m 45s
    11. Creating and stylizing a logo
      6m 49s
    12. Masking text into image elements
      6m 14s
  6. 57m 13s
    1. The other vector-based layer
      1m 39s
    2. Dotted borders and corner roundness
      8m 14s
    3. Drawing and aligning custom shapes
      3m 55s
    4. Creating your own repeatable custom shape
      5m 43s
    5. Selecting paths and isolating layers
      4m 11s
    6. Combining simple shapes to make complex ones
      5m 59s
    7. Cropping, adjusting, and merging shapes
      5m 50s
    8. Creating a soft, synthetic sparkle
      6m 22s
    9. Saving a resolution-independent PDF file
      6m 42s
    10. Turning a small image into a huge one
      8m 38s
  7. 1h 14m
    1. Depth, contour, and texture
      1m 28s
    2. Imparting depth with a layer effect
      9m 9s
    3. The power of the drop shadow
      7m 37s
    4. Modifying a layer and its effects
      6m 21s
    5. Saving custom default settings
      4m 12s
    6. Creating a custom contour
      8m 5s
    7. Introducing Bevel and Emboss
      8m 8s
    8. Multiple effects and multiple layers
      7m 45s
    9. Global Light and rasterizing effects
      8m 5s
    10. Gloss and surface contour
      6m 4s
    11. Adding texture to Bevel and Emboss
      7m 21s
  8. 34m 48s
    1. Styles store settings
      1m 38s
    2. Creating and applying a paragraph style
      3m 41s
    3. Redefining a style and styling a word
      5m 38s
    4. Creating and styling a placeholder style
      5m 43s
    5. Applying and creating layer styles
      5m 45s
    6. Loading and customizing layer styles
      5m 42s
    7. Merging and saving layer styles
      6m 41s
  9. 56m 48s
    1. Meet the transformations
      1m 55s
    2. Transformations and Smart Objects
      5m 46s
    3. Adjusting the interpolation setting
      5m 10s
    4. Rotating a layer with Free Transform
      5m 22s
    5. Scale, duplicate, and repeat
      4m 30s
    6. Creating a synthetic star field
      5m 20s
    7. Warping a logo with Arc and Flag
      5m 34s
    8. Distort, perspective, and skew
      4m 15s
    9. Using transformations to draw and correct
      7m 0s
    10. Bolstering text with layer effects
      5m 43s
    11. Adding highlights with Lens Flare
      6m 13s
  10. 43m 36s
    1. Removing the weight that the camera adds
      1m 7s
    2. The Warp and Reconstruct tools
      6m 44s
    3. Brush size, hardness, and opacity
      4m 29s
    4. The Pucker, Bloat, Push, and Twirl tools
      7m 12s
    5. Saving and reapplying Liquify settings
      4m 9s
    6. Lifting and slimming details
      9m 42s
    7. Warping legs, arms, and fabric
      5m 33s
    8. Improving a model's posture
      4m 40s
  11. 58m 46s
    1. Shoot in color, convert to black and white
      1m 55s
    2. Three ways to grayscale
      5m 36s
    3. Mixing a custom black-and-white image
      7m 31s
    4. Simulating an infrared photograph
      6m 39s
    5. Creating a sienna-infused sepia tone
      5m 38s
    6. Creating a hyper-saturated image
      5m 26s
    7. Introducing the Black & White command
      3m 16s
    8. Customizing the Black & White settings
      4m 50s
    9. Black & White meets the Channel Mixer
      7m 29s
    10. Infusing an image with tint and color
      5m 9s
    11. Grayscale and Split Tone in Camera Raw
      5m 17s
  12. 41m 34s
    1. The many ways to print
      1m 41s
    2. Using the test document
      3m 18s
    3. Print, position, and size
      5m 57s
    4. Description and printing marks
      3m 3s
    5. Establishing a bleed
      3m 44s
    6. Getting reliable color
      5m 54s
    7. Special printing options
      5m 1s
    8. Previewing an image at print size
      4m 16s
    9. Creating contact sheets
      4m 49s
    10. Creating a multipage PDF
      3m 51s
  13. 31m 9s
    1. Making Internet imagery
      1m 6s
    2. Introducing Save for Web
      4m 39s
    3. Creating the perfect JPEG image
      5m 14s
    4. Creating a high-contrast GIF image
      6m 23s
    5. The two varieties of PNG
      3m 57s
    6. Downsampling for the web
      5m 59s
    7. Adding copyright and contact info
      3m 51s
  14. 1m 3s
    1. Until next time
      1m 3s

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Photoshop CC One-on-One: Intermediate
9h 51m Intermediate Aug 19, 2013

Viewers: in countries Watching now:

Photoshop CC One-on-One is back, and this installment teaches you how to build on your basic knowledge and achieve next-level effects with this premiere image-editing program. Industry pro Deke McClelland shows you how to seamlessly move and patch areas of a photo with the Content-Aware toolset; stretch the brightness of a scene with automatic and custom Levels adjustments; create intricate designs with text and shapes; and morph an image with layer effects and transformations. Deke also shares his techniques for sharpening details, whether addressing noise and highlight/shadow clipping or camera shake, and converting a full-color image to black and white. The final chapters show you how to best print and save images for the web, making sure all your hard work pays off in the final output.

Topics include:
  • Performing automatic retouch, scaling, and more with the Content-Aware tools
  • Editing the histogram
  • Customizing a Levels adjustment
  • Making channel-by-channel Levels adjustments
  • Sharpening with the Smart Sharpen, Emboss, and High Pass filters
  • Working with vector-based type
  • Kerning and tracking characters
  • Creating text on a path
  • Drawing and customizing shapes
  • Creating depth, contour, and texture with layer effects
  • Liquifying an image
  • Simulating an infrared photo
  • Adjusting print position, size, and color
  • Creating the perfect JPEG image
  • Downsampling for the web
Subjects:
Design Photography
Software:
Photoshop
Author:
Deke McClelland

Introducing the Smart Sharpen filter

In this movie, I'll introduce you to the Smart Sharpen filter, and I'll also show you how to apply it as a dynamic effect that you can later modify to your hearts content. We're looking at a macro shot that I captured a few years back. And it definitely could stand a little bit of sharpening to bring out these finely wrought details. So, I'll go up to the Filter menu and choose Sharpen. And you can see that that brings up a sub-menu of options. All of which we're going to ignore for now, except for Smart Sharpen. The reason being that sharpen through unsharp mask just aren't as powerful.

These first three commands right there, Sharpen, Sharpen Edges, and Sharpen More don't have ellipses after them. The little dot dot dot, and that means that they don't bring up dialog boxes and therefore they don't give you any control. You just choose the command and hope for the best. And in my case, it barely made any difference whatsoever. So, I'll go ahead and just press Ctrl+Z or Cmd+Z on the Mac to undo that change. Then I'll return to the Filter menu, choose Sharpen. Unsharp Mask is a decent command but it's just not nearly as powerful as Smart Sharpen.

Where as Shape Reduction is an entirely different animal that we'll look at in a future course. So, for now, just go ahead and choose the Smart Sharpen command. And if this is your first time inside the dialog box, then the preset will read default and you'll see these values right here. But for the sake of demonstration, I'm going to adjust the values so that we're over sharpening the image. In that way, you'll just be able to better see what's going on. I'm going to start by changing Remove to Gaussian Blur, because that will just speed things up a little bit.

And then I'm going to crank the amount value, that is the amount of sharpening, to it's absolute maximum, which is 500%. I'm going to take the radius value up to 3 pixels, we'll see what that means later. And I'm going to take the reduce noise value down to 0%. Again, that's going to help speed things up as well, and I'm going to save out my settings as a preset. So notice now, preset reads custom. If I click on this Pop-up menu, I can choose the save preset command. And then I'll just go ahead and name this guy over-sharpen, because we are definitely over-sharpening the image.

It's looking way to crispy on the screen here. And then I'll click Save. You don't have to specify a different location. In fact, you want to save this file inside of this folder right there. Then click Save in order to do so, and you'll see that preset now reads over-sharpen, if you're working along with me. Alright, now notice that we have two previews. One outside in the larger image window. And one inside the dialog box, which might seem a little repetitive. But the nice thing is that they're set to different zoom ratios, so you can get a good sense of what's going on.

If you want to center any point inside the image, inside the dialog box, you just click on it with this square. And notice that re-centers the preview. You can also zoom in on the image by pressing Ctrl+Plus or Cmd+Plus on a Mac. If you wann zoom out you press Ctrl+Minus or Cmd+Minus. You also have the option of pressing Ctrl+Spacebar or Cmd+Spacebar, and clicking in order to zoom in. Add the Alt or Option key and you zoom out. And then finally, if you press the Spacebar, you can drag the image around.

If you want to zoom the preview inside the dialog box, then you click on either this Plus button to zoom in or the Minus button to zoom out. Notice that you can turn off this Preview check box, if you wanted to see the before version of the image outside here in the image window. Turn the preview back on to see the effect. And then if you want to turn the preview on and off inside the dialog box, you click and hold. So when you click and hold, you'll see the before of the image, when you release you'll see the after version. You can also scale this dialogue box, just as you can in the case of the image-size command, and make it quite big indeed.

So, if you'd like to just focus in on the in-dialog box preview, this is the way to do it. And then you would go ahead and click on the OK button to apply the effect. Problem is, that would apply a static modification. So, in other words, you would permanently rewrite those pixels. Which is why, I'm going to go ahead and click the Cancel button to abandon my changes. The better approach is to apply Smart Sharpen as what's known as a Smart Filter. Which you can go back, and edit any time you like. And to apply a Small Filter, you have to turn the image into a Smart Object.

And that's a two step process. The first thing you do, is you double-click on the background item, there the Layers panel, in order to convert it into an independent layer. And I'm going to go ahead and name this guy butterfly, and click OK. And then with your Rectangular Marquee tool active, you right click inside the image window and you choose Convert to Smart Object. And that'll go ahead and place the image inside a protective container. Now, it's not going to look much different inside the Layers panel. It's not going to look any different out here inside the image window.

The only difference at this point is that you're seeing this little page icon right there. Which tells you that you embedded this image inside of this layer. And you know that it's protected, because notice that if I were to switch to the Brush tool and move my cursor inside the image window, I get this little Ghost-buster's icon that's telling me that I cannot modify this image directly. And if I click, I get this warning that tells me that I'd have to rasterize the smart object, that is convert it back to standard pixels. I'm not interested in doing that, so I'll just click Cancel instead, and then I get this additional helpful warning.

I'm being sarcastic I must admit, and so I'll just go ahead and click OK to that one. Alright. I'll press the M key to switch back to the Rectangular Marquee tool. And now I'll go up to the Filter menu, choose Sharpen, and choose Smart Sharpen. And notice that Photoshop has gone ahead and restored the preset to default. But, my preset was saved, so I can go ahead and select it even though I cancelled out just a few moments ago. And now, I can drag this guy around if I want to, or I could restore my dialog box to the small view right there.

And then click on the butterfly's head in order to center the in dialog box preview. And now, I'll go ahead and click OK to apply that filter. And you can see that Photoshop has now applied the filter as a dynamic effect that's available to me here inside the Layers panel. And if I want to modify these settings, all I have to do is double-click on the words Smart Sharpen, and that'll bring back my settings and allow me to change them as much as I like. And I'm not re-applying the settings. Notice that.

I am actually modifying the settings on the fly. Anyway, I'm going to go ahead and cancel out. Because for the present, I want to leave my butterfly over-sharpened. And that's how you work with the smart-sharpen filter, as well as how you apply it as a dynamic, editable effect here inside Photoshop.

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